Christopher Gadsden and Henry Laurens


Book Description

A study of the lives of Christopher Gadsden (1724-1805) and Henry Laurens (1724-1792) is much more than a look at the contributions of two important, though largely neglected, heroes of the Revolution. Indeed, in these two lives, one can trace the development of the Revolution in South Carolina. Either Gadsden or Laurens, sometimes both, figured prominently in every major development in South Carolina between 1760 and 1783.










George Washington's Nemesis


Book Description

This biography attempts to set the record straight for a misunderstood military figure from the American Revolution. Historians and biographers of Charles Lee have treated him as either an enemy of George Washington or a defender of American liberty. Neither approach is accurate; objectivity is required to fully understand the war’s most complicated general. In George Washington’s Nemesis, author Christian McBurney uses original documents (some newly discovered) to combine two dramatic stories to create one balanced view of one of the Revolutionary War’s most fascinating personalities. General Lee, second in command in the Continental Army led by George Washington, was captured by the British in December, 1776. While imprisoned, he gave his captors a plan on how to defeat Washington’s army as quickly as possible. This extraordinary act of treason was not discovered during his lifetime. Less well known is that throughout his sixteen months of captivity and even after his release, Lee continued communicating with the enemy, offering to help negotiate an end to the rebellion. After Lee rejoined the Continental Army, he was given command of many of its best troops together with orders from Washington to attack British general Henry Clinton’s column near Monmouth, New Jersey. But things did not go as planned for Lee, leading to his court-martial for not attacking and for retreating in the face of the enemy. McBruney argues the evidence clearly shows Lee was unfairly convicted and had, in fact, done something beneficial. But Lee had insulted Washington, which made the matter a political contest between the army’s two top generals—only one of whom could prevail.




New Serial Titles


Book Description

A union list of serials commencing publication after Dec. 31, 1949.




The Sooner Magazine


Book Description




The New York Intellectuals, Thirtieth Anniversary Edition


Book Description

For a generation, Alan M. Wald's The New York Intellectuals has stood as the authoritative account of an often misunderstood chapter in the history of a celebrated tradition among literary radicals in the United States. His passionate investigation of over half a century of dissident Marxist thought, Jewish internationalism, fervent political activism, and the complex art of the literary imagination is enriched by more than one hundred personal interviews, unparalleled primary research, and critical interpretations of novels and short stories depicting the inner lives of committed writers and thinkers. Wald's commanding biographical portraits of rebel outsiders who mostly became insiders retains its resonance today and includes commentary on Max Eastman, Elliot Cohen, Lionel Trilling, Sidney Hook, Tess Slesinger, Philip Rahv, Mary McCarthy, James T. Farrell, Irving Kristol, Irving Howe, Hannah Arendt, and more. With a new preface by the author that tracks the rebounding influence of these intellectuals in the era of Occupy and Bernie Sanders, this anniversary edition shows that the trajectory and ideological ordeals of the New York intellectual Left still matters today.




Re-envisioning the Everyday


Book Description

Often seen as backward-looking and convention-bound, genre painting representing scenes of everyday life was central to the work of twentieth-century artists such as John Sloan, Norman Rockwell, Jacob Lawrence, and others, who adapted such subjects to an era of rapid urbanization, mass media, and modernist art. Re-envisioning the Everyday asks what their works do to the tradition of genre painting and whether it remains a meaningful category through which to understand them. Working with and against the established narrative of American genre painting’s late nineteenth-century decline into obsolescence, John Fagg explores how artists and illustrators used elements of the tradition to picture everyday life in a rapidly changing society, whether by appealing to its nostalgic and historical connotations or by updating it to address new formal and thematic concerns. Fagg argues that genre painting enabled twentieth-century artists to look slowly and carefully at scenes of everyday life and, on some occasions, to understand those scenes as sites of political oppression and resistance. But it also limited them to anachronistic ways of seeing and tied them to a freighted history of stereotyping and condescension. By surveying genre painting when its status and relevance were uncertain and by looking at works that stretch and complicate its boundaries, this book considers what the form is and probes the wider practice of generic categorization. It will appeal to students and scholars of American art history, art criticism, and cultural studies.