Growing Up with the Country


Book Description

This illustrated study shows how frontier life shaped children's character.




Gender and Generation on the Far Western Frontier


Book Description

As her family traveled the Oregon Trail in 1852, Mary Ellen Todd taught herself to crack the ox whip. Though gender roles often blurred on the trail, families quickly tried to re-establish separate roles for men and women once they had staked their claims. For Mary Ellen Todd, who found a “secret joy in having the power to set things moving,” this meant trading in the ox whip for the more feminine butter churn. In Gender and Generation on the Far Western Frontier, Cynthia Culver Prescott expertly explores the shifting gender roles and ideologies that countless Anglo-American settlers struggled with in Oregon’s Willamette Valley between 1845 and 1900. Drawing on traditional social history sources as well as divorce records, married women’s property records, period photographs, and material culture, Prescott reveals that Oregon settlers pursued a moving target of middle-class identity in the second half of the nineteenth century. Prescott traces long-term ideological changes, arguing that favorable farming conditions enabled Oregon families to progress from accepting flexible frontier roles to participating in a national consumer culture in only one generation. As settlers’ children came of age, participation in this new culture of consumption and refined leisure became the marker of the middle class. Middle-class culture shifted from the first generation’s emphasis on genteel behavior to a newer genteel consumption. This absorbing volume reveals the shifting boundaries of traditional women’s spheres, the complicated relationships between fathers and sons, and the second generation’s struggle to balance their parents’ ideology with a changing national sense of class consciousness.




'Every Mother's Son is Guilty'


Book Description

"This is a marvellous contribution by Chris Owen to the understanding of the role the Western Australian police force played in the colonial expansion into the Kimberley district of Western Australia."--Senator Patrick Dodson, Yawuru Elder ***Chris Owen provides a compelling account of policing in the Kimberley district from 1882, when police were established in the district, until 1905 when Dr. Walter Roth's controversial Royal Commission into the treatment of Aboriginal people was released. Owen's achievement is to take elements of all the pre-existing historiography and test them against a rigorous archival investigation. In doing so, a fuller understanding of the complex social, economic, and political changes occurring in Western Australia during the period are exposed. The policing of Aboriginal people changed from one of protection under law to one of punishment and control. The subsequent violence of colonial settlement and the associated policing and criminal justice system that developed, often of questionable legality, was what Royal Commissioner Roth termed a 'brutal and outrageous state of affairs.' Every Mother's Son is Guilty is a significant contribution to Australian and colonial criminal justice history. Subject: History, Aboriginal Studies, Criminal Justice, policing]




Sons of the Western Frontier


Book Description







Son of the Old West


Book Description

An epic narrative of the Old West told through the vivid, outsized life of cowboy, detective, and chronicler Charlie Siringo No figure in the Old West lived or shaped its history more fully than Charlie Siringo, as Nathan Ward reveals in his colorful portrait of this epic era and one of its primary protagonists. Born in Matagorda, Texas in 1855, Charlie went on his first cattle drive at age twelve and spent two decades living his boyhood dream as a cowboy. As the dangerous, lucrative “beeves” business boomed, Siringo drove longhorn steers north to the burgeoning Midwest Plains states’ cattle and railroad towns, inevitably crossing paths with such legendary figures as Billy the Kid, Bat Masterson, and Shanghai Pierce. In his early thirties he joined the Pinkerton Detective Agency’s Denver office, using a variety of aliases to investigate violent labor disputes and infiltrate outlaw gangs such as Butch Cassidy’s train robbing Wild Bunch. As brave as he was clever, he was often saved by his cowboy training as he traveled to places the law had not yet reached. Siringo’s bestselling, landmark 1885 autobiography, A Texas Cowboy, helped make the lowly cowboy a heroic symbol of the American West. His later memoir, A Cowboy Detective, influenced early hard-boiled crime novelists for whom the detective story was really the cowboy story in an urban setting. Sadly sued into debt by the Pinkertons determined to prevent their sources and methods from being revealed, Siringo eventually sold his beloved New Mexico ranch and moved to Los Angeles, where he advised Hollywood filmmakers, and especially actor William S. Hart, on their early 1920s Westerns, watching the frontier history he had known first-hand turned into romantic legend on the screen. In old age, Charlie Siringo was called “Ulysses of the Wild West” for the long journey he took across the western frontier. Son of the Old West brings him and his legendary world vividly to life.




Cut and Assemble a Western Frontier Town


Book Description

Recreate the stirring days of the Old West with this authentically detailed replica of a 19th-century western town. The architectural details (false fronts, overhanging balconies, wooden ornamentation, etc.) are all charactersistic of western wood-frame buildings circa 1860-1880. A few of the models are in fact accurate copies of specific documented structures.




Gender and Generation on the Far Western Frontier


Book Description

As her family traveled the Oregon Trail in 1852, Mary Ellen Todd taught herself to crack the ox whip. Though gender roles often blurred on the trail, families quickly tried to re-establish separate roles for men and women once they had staked their claims. For Mary Ellen Todd, who found a “secret joy in having the power to set things moving,” this meant trading in the ox whip for the more feminine butter churn. In Gender and Generation on the Far Western Frontier, Cynthia Culver Prescott expertly explores the shifting gender roles and ideologies that countless Anglo-American settlers struggled with in Oregon’s Willamette Valley between 1845 and 1900. Drawing on traditional social history sources as well as divorce records, married women’s property records, period photographs, and material culture, Prescott reveals that Oregon settlers pursued a moving target of middle-class identity in the second half of the nineteenth century. Prescott traces long-term ideological changes, arguing that favorable farming conditions enabled Oregon families to progress from accepting flexible frontier roles to participating in a national consumer culture in only one generation. As settlers’ children came of age, participation in this new culture of consumption and refined leisure became the marker of the middle class. Middle-class culture shifted from the first generation’s emphasis on genteel behavior to a newer genteel consumption. This absorbing volume reveals the shifting boundaries of traditional women’s spheres, the complicated relationships between fathers and sons, and the second generation’s struggle to balance their parents’ ideology with a changing national sense of class consciousness.




Music in the Western


Book Description

Music in the Western: Notes from the Frontier presents essays from both film studies scholars and musicologists on core issues in western film scores: their history, their generic conventions, their operation as part of a narrative system, their functioning within individual filmic texts and their ideological import, especially in terms of the western’s construction of gender, sexuality, race and ethnicity. The Hollywood western is marked as uniquely American by its geographic setting, prototypical male protagonist and core American values. Music in the Western examines these conventions and the scores that have shaped them. But the western also had a resounding international impact, from Europe to Asia, and this volume distinguishes itself by its careful consideration of music in non-Hollywood westerns, such as Ravenous and The Good, the Bad, and the Ugly and in the “easterns” which influenced them, such as Yojimbo. Other films discussed include Wagon Master, High Noon, Calamity Jane, The Big Country, The Unforgiven, Dead Man, Wild Bill, There Will Be Blood and No Country for Old Men. Contributors Ross Care Corey K. Creekmur Yuna de Lannoy K. J. Donnelly Caryl Flinn Claudia Gorbman Kathryn Kalinak Charles Leinberger Matthew McDonald Peter Stanfield Mariana Whitmer Ben Winters The Routledge Music and Screen Media Series offers edited collections of original essays on music in particular genres of cinema, television, video games and new media. These edited essay collections are written for an interdisciplinary audience of students and scholars of music and film and media studies.




Women's Voices from the Western Frontier


Book Description

Women's Voices from the Western Frontier continues the evocative tone of the author's previous book, Women's Voices from the Oregon Trail. Sweeping yet intimate, Susan G. Butruille's book gives voice to the women of the many western frontiers through their journals, stories, songs & recipes. Here are strung-together moments of everydayness, punctuated by a Pueblo woman's corn grinding song, a Hispanic wedding feast & horseback rides across the prairie, hair flying free.