Book Description
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Rick Altman
Publisher : Psychology Press
Page : 308 pages
File Size : 45,90 MB
Release : 1992
Category : Performing Arts
ISBN : 9780415904575
First Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Lyn Layton
Publisher : Routledge
Page : 95 pages
File Size : 17,58 MB
Release : 2013-08-16
Category : Education
ISBN : 1136631615
The second edition of Sound Practice looks afresh at how young children can be helped to discover basic facts about an alphabetic spelling system, within the context of their developing spoken language. It examines why children might fail to understand letter-sound links; the origins of severe and persistent difficulties with achieving functional literacy skills; and developmental processes underpinning the areas of learning identified in national initiatives for promoting children's learning. The book also discusses the need for differentiation strategies to respond to individual children's learning needs within national initiatives, and techniques and approaches that can be effectively applied to fulfil curriculum objectives. Phonological awareness is the key to independent literacy and must be explicitly tackled in the classroom in order to promote early reading and writing and to address written language difficulties in older children. This book is a suitable resource for initial and in-service training for teachers and teaching assistants and includes photocopiable worksheets.
Author : Pauline Oliveros
Publisher : iUniverse
Page : 132 pages
File Size : 29,22 MB
Release : 2005
Category : Aleatory music
ISBN : 0595343651
Deep Listening: A Composer's Sound Practice offers an exciting guide to ways of listening and sounding. This book provides unique insights and perspectives for artists, students, teachers, meditators and anyone interested in how consciousness may be effected by profound attention to the sonic environment . Deep Listening(R) is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking Deep Listening classes at Rensselaer Polytechnic Institute and Mills College. Deep Listening practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the Deep Listening classes and retreats. Oliveros is recognized as a pioneer in electronic music and a leader in contemporary music as composer, performer, educator and author. Her works are performed internationally and her improvisational performances are documented extensively on recordings, in the literature and on the worldwide web.
Author : Karen Collins
Publisher : MIT Press
Page : 248 pages
File Size : 37,56 MB
Release : 2020-09-01
Category : Science
ISBN : 0262362910
An introduction to the concepts and principles of sound design practice, with more than 175 exercises that teach readers to put theory into practice. This book offers an introduction to the principles and concepts of sound design practice, from technical aspects of sound effects to the creative use of sound in storytelling. Most books on sound design focus on sound for the moving image. Studying Sound is unique in its exploration of sound on its own as a medium and rhetorical device. It includes more than 175 exercises that enable readers to put theory into practice as they progress through the chapters.
Author : John Borwick
Publisher : Oxford University Press, USA
Page : 616 pages
File Size : 16,85 MB
Release : 1994
Category : Antiques & Collectibles
ISBN : 9781280765018
The sound recording industry encompasses musicians, acousticians, electronic engineers, and broadcasters. A full understanding of the specialised equipment used to record, transmit, and reproduce speech and music, and of the operational techniques which have been evolved over half a century, can be achieved only in the present type of multiple author handbook. Addressing the user rather than the designer or manufacturer, the specialist authors here assembled explain and describe their own approach to their particular part of the industry. In sum, therefore, their book provides a comprehensive guide to each link in the recording chain which students, practitioners, and new entrants to the world of recording will find stimulating and informative. This fourth edition has been comprehensively updated to take account of the many rapid advances in recording techniques, computer-controlled equipment, new digital recording formats, and the proliferation of consumer audio/video media.
Author : Leo Murray
Publisher : Routledge
Page : 312 pages
File Size : 28,79 MB
Release : 2019-05-22
Category : Performing Arts
ISBN : 1317298233
Sound Design Theory and Practice is a comprehensive and accessible guide to the concepts which underpin the creative decisions that inform the creation of sound design. A fundamental problem facing anyone wishing to practice, study, teach or research about sound is the lack of a theoretical language to describe the way sound is used and a comprehensive and rigorous overarching framework that describes all forms of sound. With the recent growth of interest in sound studies, there is an urgent need to provide scholarly resources that can be used to inform both the practice and analysis of sound. Using a range of examples from classic and contemporary cinema, television and games this book provides a thorough theoretical foundation for the artistic practice of sound design, which is too frequently seen as a ‘technical’ or secondary part of the production process. Engaging with practices in film, television and other digital media, Sound Design Theory and Practice provides a set of tools for systematic analysis of sound for both practitioners and scholars.
Author : Brian Kane
Publisher :
Page : 337 pages
File Size : 41,37 MB
Release : 2014
Category : Music
ISBN : 0199347840
Sound coming from outside the field of vision, from somewhere beyond, holds a privileged place in the Western imagination. When separated from their source, sounds seem to manifest transcendent realms, divine powers, or supernatural forces. According to legend, the philosopher Pythagoras lectured to his disciples from behind a veil, and two thousand years later, in the age of absolute music, listeners were similarly fascinated with disembodied sounds, employing various techniques to isolate sounds from their sources. With recording and radio came spatial and temporal separation of sounds from sources, and new ways of composing music. Sound Unseen: Acousmatic Sound in Theory and Practice explores the phenomenon of acousmatic sound. An unusual and neglected word, "acousmatic" was first introduced into modern parlance in the mid-1960s by avant garde composer of musique concrète Pierre Schaeffer to describe the experience of hearing a sound without seeing its cause. Working through, and often against, Schaeffer's ideas, Brian Kane presents a powerful argument for the central yet overlooked role of acousmatic sound in music aesthetics, sound studies, literature, philosophy and the history of the senses. Kane investigates acousmatic sound from a number of methodological perspectives -- historical, cultural, philosophical and musical -- and provides a framework that makes sense of the many surprising and paradoxical ways that unseen sound has been understood. Finely detailed and thoroughly researched, Sound Unseen pursues unseen sounds through a stunning array of cases -- from Bayreuth to Kafka's "Burrow," Apollinaire to %Zi%zek, music and metaphysics to architecture and automata, and from Pythagoras to the present-to offer the definitive account of acousmatic sound in theory and practice. The first major study in English of Pierre Schaeffer's theory of "acousmatics," Sound Unseen is an essential text for scholars of philosophy of music, electronic music, sound studies, and the history of the senses.
Author : Rob Bridgett
Publisher : CRC Press
Page : 303 pages
File Size : 48,99 MB
Release : 2021-05-18
Category : Computers
ISBN : 1000372731
Leading with Sound is the must-have companion guide to working on video game projects. Focused on the creative, collaborative, philosophical and organizational skills behind game sound and eschewing the technical, this book celebrates the subjects most essential to leading with sound in video game development at any level. Refuting the traditional optics of sound as a service in favour of sound as a pro-active visionary department, , this book examines each of the four food-groups of dialogue, sound design, music and mix, not through the usual technical and production lenses of ‘how’ and ‘when’, but the essential lens of ‘why’ that enables leadership with sound. Leading with Sound is essential reading for aspiring sound designers, inside and outside of the classroom, as well as experienced professionals in the game industry.
Author : Nina Sun Eidsheim
Publisher : Duke University Press Books
Page : 0 pages
File Size : 23,62 MB
Release : 2015-12-11
Category : Music
ISBN : 9780822360469
In Sensing Sound Nina Sun Eidsheim offers a vibrational theory of music that radically re-envisions how we think about sound, music, and listening. Eidsheim shows how sound, music, and listening are dynamic and contextually dependent, rather than being fixed, knowable, and constant. She uses twenty-first-century operas by Juliana Snapper, Meredith Monk, Christopher Cerrone, and Alba Triana as case studies to challenge common assumptions about sound—such as air being the default medium through which it travels—and to demonstrate the importance a performance's location and reception play in its contingency. By theorizing the voice as an object of knowledge and rejecting the notion of an a priori definition of sound, Eidsheim releases the voice from a constraining set of fixed concepts and meanings. In Eidsheim's theory, music consists of aural, tactile, spatial, physical, material, and vibrational sensations. This expanded definition of music as manifested through material and personal relations suggests that we are all connected to each other in and through sound. Sensing Sound will appeal to readers interested in sound studies, new musicology, contemporary opera, and performance studies.
Author : Eckard Mommertz
Publisher : Walter de Gruyter
Page : 114 pages
File Size : 20,53 MB
Release : 2012-12-17
Category : Architecture
ISBN : 303461473X
Schallschutz und Akustik gehören vielleicht nicht zu den primären Parametern, die den Entwurf eines Gebäudes normalerweise beeinflussen. Doch spätestens wenn man den Vortragenden im Seminarraum nicht versteht, der Geräuschpegel im Großraumbüro unerträgliche Ausmaße annimmt oder das Rumoren des Nachbars einem den Schlaf raubt, wird klar, wie wesentlich die Raumakustik zum alltäglichen Wohlbefinden beiträgt. Nicht nur Konzertsäle oder das antike Amphitheater erheben Anspruch auf akustische Qualität, sondern jedes Gebäude, sogar jeder Raum besitzt eine akustische Dimension, die je nach Funktion in ihren individuellen Anforderungen variiert. Der vorliegende Praxis-Band vermittelt allen Fachplanern, Architekten, aber auch interessierten Bauherren praxisnahe Kenntnisse zum Thema Akustik im Hochbau, angefangen von normativen Regelungen über Planungs- und Prognosemethoden bis hin zu den Bereichen Raumakustik, Bauakustik und Schallschutz im Städtebau. Typologische Kapitel erläutern beispielhaft den richtigen Umgang mit der Thematik an verschiedenen Gebäudearten wie beispielsweise Wohn- und Bürogebäuden, Schulen, Kindergärten, Hörsälen, Veranstaltungsräumen etc. , denn angemessene akustische Bedingungen tragen zum Erfolg eines Projektes massgeblich bei.