Sound States


Book Description

By investigating the relationship between acoustical technologies and twentieth-century experimental poetics, this collection, with an accompanying compact disc, aims to 'turn up the volume' on printed works and rethink the way we read, hear, and talk about literary texts composed after telephones, phonographs, radios, loudspeakers, microphones, and tape recorders became facts of everyday life. The collection's twelve essays focus on earplay in texts by James Joyce, Ezra Pound, H.D., Samuel Beckett, William Burroughs, Amiri Baraka, Bob Kaufman, Robert Duncan, and Kamau Brathwaite and in performances by John Cage, Caribbean DJ-poets, and Cecil Taylor. From the early twentieth-century soundscapes of Futurist and Dadaist 'sonosphers' to Henri Chopin's electroacoustical audio-poames, the authors argue, these states of sound make bold but wavering statements--statements held only partially in check by meaning. The contributors are Loretta Collins, James A. Connor, Michael Davidson, N. Katherine Hayles, Nathaniel Mackey, Steve McCaffery, Alec McHoul, Toby Miller, Adalaide Morris, Fred Moten, Marjorie Perloff, Jed Rasula, and Garrett Stewart.










International Democracy Documents


Book Description

Since the end of the Cold War a plentitude of books and articles have been published on the subject of democracy and international law. During this same period numerous international treaties, declarations, resolutions and policy papers have been adopted. International Democracy Documents brings together the most important universal documents as well as those from Africa, the Americas, the Arab Region, Asia and Europe. The Editors provide a comprehensive General Introduction to the collection, and contextually introduce each chapter. The volume fills a gap in the literature and contributes to the advancement of the study of human rights, democracy and the rule of law. "À n’en pas douter, ce copieux inventaire constituera un outil fort utile, et en tout cas un excellent point de départ, pour celui ou celle qui s’intéresse à la notion de démocratie en droit international. Puisse cet ouvrage contribuer, comme c’est le vœu de ses auteurs (p. 35), à faciliter la recherche, le développement et le renforcement des standards et valeurs démocratiques au plan international..." : Laurent Weyers, Revue Belge de droit international, No. 2014/2 "It is no exaggeration to recommend that every library in the “Third World’s” law schools should have this volume on their shelves." : Pranoto Iskandar, in: Indonesian Journal of International & Comparative Law (IJICL) Volume III Issue 4 (October 2016), p. 799-806




Fur Seal Abitration


Book Description




Inner Sound


Book Description

Over the last century, developments in electronic music and art have enabled new possibilities for creating audio and audio-visual artworks. With this new potential has come the possibility for representing subjective internal conscious states, such as the experience of hallucinations, using digital technology. Combined with immersive technologies such as virtual reality goggles and high-quality loudspeakers, the potential for accurate simulations of conscious encounters such as Altered States of Consciousness (ASCs) is rapidly advancing. In Inner Sound, author Jonathan Weinel traverses the creative influence of ASCs, from Amazonian chicha festivals to the synaesthetic assaults of neon raves; and from an immersive outdoor electroacoustic performance on an Athenian hilltop to a mushroom trip on a tropical island in virtual reality. Beginning with a discussion of consciousness, the book explores how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance. Taking a broad view across a wide range of genres, Inner Sound draws connections between shamanic art and music, and the modern technoshamanism of psychedelic rock, electronic dance music, and electroacoustic music. Going beyond the sonic into the visual, the book also examines the role of altered states in film, visual music, VJ performances, interactive video games, and virtual reality applications. Through the analysis of these examples, Weinel uncovers common mechanisms, and ultimately proposes a conceptual model for Altered States of Consciousness Simulations (ASCSs). This theoretical model describes how sound can be used to simulate various subjective states of consciousness from a first-person perspective, in an interactive context. Throughout the book, the ethical issues regarding altered states of consciousness in electronic music and audio-visual media are also examined, ultimately allowing the reader not only to consider the design of ASCSs, but also the implications of their use for digital society.




United States Investor


Book Description







by United States. Introduction to sonar


Book Description

SONAR (sound navigation and ranging) systems have many similarities to RADAR and electro-optical systems. Again, detection is based on the propagation of waves between the target and detector. There are active sonar systems, where the wave propagates from the transmitter to the target and back to the receiver, analogous to pulse-echo radar. There are also passive sonar systems, where the target is the source of the energy which propagates to the receiver, analogous to passive infrared detection. Therefore, a great deal of what has been discussed about these systems will also apply to sonar. Sonar, however, differs fundamentally from radar and electro-optics because the energy is transferred by acoustics waves propagating in water. So we first begin by discussing the characteristics of acoustic waves.