Baragwanath Hospital, Soweto


Book Description

Baragwanath Hospital, Soweto illustrates how this rapidly growing, underfunded but surprisingly effective institution found the niche that allowed it to exist, to provide medical care to a massive patient body and at times even to flourish in the apartheid state. The book offers new ways of exploring the history of apartheid, apartheid medicine and health care. The long history of Chris Hani Baragwanath Hospital (its full current name) or Bara, as it’s popularly known, has been shaped by a complex set of conditions. Established in the early 1940s, Bara stands on land purchased by the Cornish immigrant John Albert Baragwanath in the late nineteenth century. He set up a refreshment post, trading store and hotel on the site – in what is now Soweto – which was a one day journey by ox-wagon from Johannesburg. The hotel became affectionately known as ‘Baragwanath Place’ (the surname is Welsh, from ‘bara’ meaning ‘bread’ and ‘gwenith’ meaning’ wheat’). The land was then bought by Corner House Mining Group and later taken over by Crown Mines Ltd. but was never mined. The British government bought the land in the early 1940s to build a military hospital but by 1947, Baragwanath ceased to operate as a military hospital and under the auspices of the Transvaal Provincial Administration a civilian hospital was opened with 480 beds. Patients were transferred from the ‘non-European’ wing of the Johannesburg General Hospital in the ‘white’ area of Johannesburg. Links were immediately forged with the University of the Witwatersrand and Bara would over time become one of its largest teaching centres. This link brought medical students and their teachers into direct contact with apartheid in the medical sphere. This book will contribute to studies of the history of apartheid that have begun to provide a more nuanced account of its workings. The history of Baragwanath and of the doctors and nurses who worked there tells us much about apartheid ideology and practice, as well as resistance to it, in the realm of health care.




Sounds of a Cowhide Drum/Imisindo Yesigubhu Sesikhumba Senkomo


Book Description

Originally published in 1971 by Lionel Abrahams' Renoster Books, thisbookquickly became a classic of South African literature, but has been unavailable for many years. This new edition carries a simultaneous isiZulu translation of the poems, and a new foreword by Nadine Gordimer."




Bourdieu and Postcolonial Studies


Book Description

The collected essays demonstrate the ways postcolonial studies has adapted Bourdieu’s sociology of literature to examine the institutions that structure the creation, dissemination, and reception of world literature; the foundational values of postcolonialism as a field and its sometimes ambivalent relationship to the popular; and the ways concepts like habitus, cultural capital, consecration and anamnesis can be deployed in reading postcolonial texts.




The Palgrave Encyclopedia of Urban Literary Studies


Book Description

This encyclopaedia will be an indispensable resource and recourse for all who are thinking about cities and the urban, and the relation of cities to literature, and to ways of writing about cities. Covering a vast terrain, this work will include entries on theorists, individual writers, individual cities, countries, cities in relation to the arts, film and music, urban space, pre/early and modern cities, concepts and movements and definitions amongst others. Written by an international team of contributors, this will be the first resource of its kind to pull together such a comprehensive overview of the field.




Fireflames


Book Description




Sing for Our Execution


Book Description




New Adventures of Alice


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Our Words, Our Worlds


Book Description

This groundbreaking, multi-genre anthology answers the question: what did the literary landscape look like in South Africa at the start of the twenty-first century? It documents a slice of this landscape by bringing together the writings of over twenty contributors through literary critique, personal essays and interviews. The book tells the story of the seismic shift that transformed national culture through poetry and is the first of its kind to explore the history and impact of poetry by Black women, in their own voices. It straddles disciplines: literary theory, feminism, history of the book and politics - thus decolonising literary culture. Our Words, Our Worlds covers expansive reflections: from the international diplomacy-transforming poem, 'I Have Come to Take You Home' by Diana Ferrus, to the pioneering publisher duduzile zamantungwa mabaso; from the self-confessed closeted poet Sedica Davids, to the fiery unapologetic feminist Bandile Gumbi; from the world-renowned Malika Ndlovu, to the engineer and award-winning Nosipho Gumede; from the formidable foursome Feela Sistah, to feminist literary scholars V.M. Sisi Maqagi and Barbara Boswell. The collective contributions are a testimony to the power of creativity and centrality of poetry in a changing society. This book is an assertion of Black women's intellectual prowess and - as Gabeba Baderoon puts it - black women's visions of 'a world made whole by their presence'. Contributors: Gabeba Baderoon, Barbara Boswell, Sedica Davids, Phillippa Yaa de Villiers, Diana Ferrus, Vangi Gantsho, Bandile Gumbi, Nosipho Gumede, Myesha Jenkins, Ronelda Sonnet Kamfer, duduzile zamantungwa mabaso, Makgano Mamabolo, Napo Masheane, Lebogang Mashile, V.M. Sisi Maqagi, Mthunzikazi Mbungwana, Natalia Molebatsi, Qhakazambalikayise Thato Mthembu, Tereska Muishond, Malika Ndlovu, Maganthrie Pillay, Toni Stuart, Makhosazana Xaba.




The Bavino Sermons


Book Description

Born in Orlando West, Soweto, in Johannesburg, Lesego Rampolokeng is a poet, novelist, playwright, filmmaker and writing teacher who rose to prominence in the 1980s, a turbulent period in South Africa’s history. Originally published in 1999, The Bavino Sermons includes such memorable poems as ‘Lines for Vincent’, ‘Riding the victim train’, ‘To Gil Scott-Heron’, ‘Crab attack’,‘Rap Ranting’ and ‘The Fela Sermon’.




Missing


Book Description

Beverly Rycroft was born in the Eastern Cape. She is a graduate of the University of Cape Town and the University of the Witwatersrand. A qualified teacher, she taught for several years before turning to writing full-time. She has written articles for both local and international magazines and in 2000 was joint winner of the Femina/Sensa Features competition. Her poems have appeared in Carapace and New Coin, and are due to appear in the 2009 edition of Scrutiny 2. She lives in Cape Town with her family. Missing is her first collection of poems.