Slavery and South Asian History


Book Description

"[W]ill be welcomed by students of comparative slavery.... [It] makes us reconsider the significance of slavery in the subcontinent." -- Edward A. Alpers, UCLA Despite its pervasive presence in the South Asian past, slavery is largely overlooked in the region's historiography, in part because the forms of bondage in question did not always fit models based on plantation slavery in the Atlantic world. This important volume will contribute to a rethinking of slavery in world history, and even the category of slavery itself. Most slaves in South Asia were not agricultural laborers, but military or domestic workers, and the latter were overwhelmingly women and children. Individuals might become slaves at birth or through capture, sale by relatives, indenture, or as a result of accusations of criminality or inappropriate sexual behavior. For centuries, trade in slaves linked South Asia with Africa, the Middle East, and Central Asia. The contributors to this collection of original essays describe a wide range of sites and contexts covering more than a thousand years, foregrounding the life stories of individual slaves wherever possible. Contributors are Daud Ali, Indrani Chatterjee, Richard M. Eaton, Michael H. Fisher, Sumit Guha, Peter Jackson, Sunil Kumar, Avril A. Powell, Ramya Sreenivasan, Sylvia Vatuk, and Timothy Walker.




Cultural Contours of India


Book Description

Comprises articles on the life and work of Satya Prakash, b. 1914, Indologist, and papers, most on the history and culture of Rajasthan, India.




The Mertiyo Rathors of Merto, Rajasthan


Book Description

The Meṛtīyo Rāṭhoṛs of Meṛto, Rājasthān is a treasure for scholars of Rajpūt history. Richard D. Saran and Norman P. Ziegler, whose contributions to Rajpūt studies are well known to specialists in the field, have given us a work of deep and exacting scholarship. It is the culmination of decades devoted to the study of Middle Marwari chronicles from Rājasthān. The sources translated here provide access to the fortunes of a branch of the Jodhpur royal family, and in doing so they illuminate the larger world of Rajpūts in the middle period. The Meṛtīyo Rāṭhoṛs are significant for several reasons. Their story traces the emergence of a Rajpūt brotherhood into local prominence and follows the establishment of their kingdom on the eastern edge of Mārvāṛ as a defined territorial unit. The evolution of the Meṛtīyos as a brotherhood passed through several clearly defined stages, including a relationship with the house of Jodhpur that ranged from mutual support among brothers to hostility and clear separation. A study of the Meṛtīyos in this context provides a unique view of the formation of a strong and indpenedent Rajpūt cadet line, of the establishment and defense of a local territory, and of the internal relations among Rajpūt brotherhoods regarding issues of precedence, honor, patronage, and service. The translations are accompanied by an extensive explanatory apparatus taking various forms, which includes a valuable essay on Rajput social organization, complete genealogies, and biographies of all the major personages of the chronicles.










The Hindi Public Sphere 1920–1940


Book Description

This book analyses how a language became the instrument with which the contours of a new nation were traced. Mapping the success of formalized Hindi in creating a regional public sphere in north India in the early twentieth century, the book explores the way many educated Indians, influenced by the British ideas and institutions, expressed interest in new concepts such as progress, unity, and a common cultural heritage. From the development of new codes and institutions to a language that helped to create space for argument and debate, the book gives an overview of the Hindi public sphere. Furthermore, it throws light on the work of Vasudha Dalmia about the nascent Hindi public sphere and brings to light how early-twentieth-century discourses on language, literature, gender, history, and politics form the core of the Hindi culture that exists today.




Cultural History of Modern India


Book Description

'Cultural History Of Modern India Edited By Dilip M. Menon Definitely Qualifies For Interesting Reading&The Different Approach Attempted Through The Book Indubitably Is A Fresh Endeavour For A Multidisciplinary Approach With Sociologists, Art Historians And Music Theorists Working Within A Historical Paradigm.' The Statesman, 9 December 2006 The History Of Modern India Has Been Narrated Largely In Terms Of The Nationalist Movement, Personalities And What Has Been Seen As The 'High' Politics Of The State. Recent Shifts In History Writing Have Tried To Bring In Subordinated Histories Of Regions And Of Groups. We Are Moving Towards A Wider Understanding Of Politics, History And Of The Ordinary People Who Make History. This Collection Tries To Push The Emerging Paradigm Further By Moving Away From Conventional Notions Of The History Of The Nation And Indeed Of The Political. The Six Essays In This Collection Present Original And Pioneering Forays In The Study Of Cricket, Oral History, Gender Studies, Film, Popular Culture And Indian Classical Music. Whether Looking At Issues Of Caste On The Seemingly Level Playing Field Of Cricket In Early Twentieth Century India; Or How A Nineteenth Century Housewife Comes To Pen The First Autobiography By An Indian Woman; Calendar Art Reflecting Deeper Notions Of Religion And Community; Or How An Idea Of Pure Classical Music Faces The Challenge Of Technology, These Essays Show How Ideas Of Self, Community And Art Are Formed Within A Larger Politics. Moreover, Culture Far From Being A Refuge From The Political Is Also The Space Within Which Politics Comes To Be Worked Out.




Shodhak


Book Description