Southern California Surf Music, 1960-1966


Book Description

Dick Dale & the Del-Tones began holding weekend dances at the Rendezvous Ballroom in Balboa, California, in the summer of 1960. Over the next year and a half, Dale developed the sound and style that came to be known as "surf music." The result was the development of more powerful guitar amplifiers, a dramatic increase in the sales of Fender guitars and amplifiers, and a shift from New York to West Coast recording studios. More and more people were drawn to the sport of surfing, which became an important part of teen beach culture at the time. Even landlocked teenagers were captured by the moment, carrying surfboards atop their woodies in Phoenix or bleaching their hair blonde in St. Paul. For hundreds of thousands of kids, though, the attraction was not the connection to surfing; it was the connection to the music pioneered by Dick Dale.




Southern California Surf Music, 1960-1966


Book Description

Dick Dale & the Del-Tones began holding weekend dances at the Rendezvous Ballroom in Balboa, California, in the summer of 1960. Over the next year and a half, Dale developed the sound and style that came to be known as "surf music." The result was the development of more powerful guitar amplifiers, a dramatic increase in the sales of Fender guitars and amplifiers, and a shift from New York to West Coast recording studios. More and more people were drawn to the sport of surfing, which became an important part of teen beach culture at the time. Even landlocked teenagers were captured by the moment, carrying surfboards atop their woodies in Phoenix or bleaching their hair blonde in St. Paul. For hundreds of thousands of kids, though, the attraction was not the connection to surfing; it was the connection to the music pioneered by Dick Dale.




Surf Beat


Book Description

SURF BEAT: ROCK AND ROLL'S FORGOTTEN REVOLUTION




Surfin' Guitars


Book Description

Robert J. Dalley Publications proudly announces the release of Surfin' Guitars Instrumental Surf bands Of The Sixties. The printed 3rd edition is available on Amazon Create. You may order a copy at: Https://createspace.com/5862474 for $59.95 plus shipping. This 420 page tome, regarded by many as the "bible of surf music", has been fully revised and expanded to 59 surf groups from the 1960's including Manuel & the Renegades, New Dimensions, Newport Nomads, Rhythm Kings, Surf Teens, Teenbeats, Trademarks, Vara-Tones, Velvetones and Zorba & the Greeks. Most of the photos, record LP covers, 45rpm labels and posters are now in color. Surfin' Guitars will soon be available to download as an E book. Thanks to all of you for your support, patience, suggestions and other contributions you have provided over the years since my book was first published in 1988. Enjoy and keep surf music alive!




Woodland


Book Description

The images in this book document the intertwining of country and city in the character of Woodland, California, since the town's birth in 1853. The flat, rich land of the Great Central Valley, along with its Mediterranean climate and access to water for irrigation, enabled Yolo County to become a top producer of diverse agricultural products, ranging from almonds and tomatoes to grapes and rice. The wealth of the county flowed into Woodland, the county's seat of government, the largest market town, and the major agricultural processing center. As a result, Woodland produced distinguished architecture, abundant cultural and leisure activities, and prosperous businesses. The city's history reflects its ties to local agriculture but also to nearby metropolitan Sacramento and to larger events affecting American society, including technological and organizational innovations, war and social movements, and changing patterns of immigration.




Alabama


Book Description

Introduces the geography, history, economy, famous people, and environment of the Heart of Dixie.




Hollywood Eden


Book Description

“Hollywood Eden brings the lost humanity of the record business vividly back to life ... [Selvin’s] style is blunt, unpretentious and brisk; he knows how to move things along entertainingly ... Songs about surfboards and convertibles had turned quaint, but in this book, their coolness is restored.” — New York Times From surf music to hot-rod records to the sunny pop of the Beach Boys, Jan & Dean, the Byrds, and the Mama’s & the Papa’s, Hollywood Eden captures the fresh blossom of a young generation who came together in the epic spring of the 1960s to invent the myth of the California Paradise. Central to the story is a group of sun-kissed teens from the University High School class of 1959 — a class that included Jan & Dean, Nancy Sinatra, and future members of the Beach Boys — who came of age in Los Angeles at the dawn of a new golden era when anything seemed possible. These were the people who invented the idea of modern California for the rest of the world. But their own private struggles belied the paradise portrayed in their music. What began as a light-hearted frolic under sunny skies ended up crashing down to earth just a few short but action-packed years later as, one by one, each met their destinies head-on. A rock ’n’ roll opera loaded with violence, deceit, intrigue, low comedy, and high drama, Hollywood Eden tells the story of a group of young artists and musicians who bumped heads, crashed cars, and ultimately flew too close to the sun.




Symphony and Song


Book Description

Symphony and Song takes its title from Coleridge’s poem “Kubla Khan,” and explores the relation between words and music from a variety of critical and practical perspectives. The contributors to this volume apply recent theoretical approaches ranging from the “Mozart Effect” in cognitive psychology, through stylistics and conceptual metaphor, to transtextuality in the analysis of a range of songs, song lyrics, poetry, ekphrastic prose, and instrumental music. Topics explored here include opera and pop music from around the world, Australian Aboriginal oral poetry, political instrumentalization and censorship of song lyrics, and teaching foreign language using songs.




New Geographies of Music 2


Book Description

This book is the second installment of a trilogy that explores the spatial dimensions of music. Music has generated substantial interest among geographers, but other academic disciplines have also developed related spatial perspectives on music. This trilogy brings together multiple approaches, each book investigating a bundle of interrelated themes. New Geographies of Music 2: Music in Urban Tourism, Heritage Policies and Place-making starts by exploring contemporary approaches to the study of popular music, as well as the relations existing between music, tourism, heritage and urban geography. The chapters address a range of issues, including how music shapes the "feel" of touristic towns and urban public spaces, how music scenes have an increasing role in heritage and tourism policies, and how this recognition of music has consequences on artistic practices and urban imaginaries. This is a must-read for anyone interested in the relationship between space and music. Séverin Guillard is an Assistant Professor in Geography at the University of Picardie Jules Verne, Amiens, France and a member of the research unit Habiter le Monde (Inhabiting the World). His research focuses on music, cultural policies and events in French, American, and British cities. Joseph Palis is an Associate Professor and Chairperson at the Department of Geography, University of the Philippines-Diliman. He has been a DJ at WXYC-Chapel Hill since 2006. Ola Johansson is a Professor of Geography at the University of Pittsburgh in Johnstown. He holds a Ph.D. from the University of Tennessee. Johansson is the author of the book Songs from Sweden (2020, Palgrave Macmillan), and co-author of Sound, Society, and the Geography of Popular Music and World Regional Geography. .




Ethno-Aesthetics of Surf in Florida


Book Description

Ethno-aesthetics of Surf in Florida discusses surf and music as glocal sociocultural constructs. Focusing on Florida's unexplored surfing culture, the book illustrates how musical experience begets representations about the world that highlight ways of acting and being of various sociocultural communities. Based on the conceptualization of ethno-aesthetics, this ethnographic study provides an analysis of the Space Coast surfers community's collaborative effort to build social cohesion through their musicking. This transdisciplinary research in American Studies draws upon various theoretical perspectives from both the humanities and social sciences, including ethnomusicology, social psychology, and sociolinguistics, to propose new ways of exploring the links between surfing and musicking. This monograph looks past the myth of iconic 1960s Californian surf music to show how, as a result of the glocalization of surfing, the musicking of Floridian surfers has allowed them to express their subjectivities and to make sense of their world. This book contributes to the debate on the disputed notions of identity and representations by establishing connections between a local expression of the surf lifestyle and its music. It proposes theoretical models that explain cultural hybridization, appropriation, and belonging in surfing. It also develops concepts and notions, such as surfanization, surf strand, lifestyle crossover, and identity marking, to illustrate how global practices, such as surfing, are endowed with various modes of expression exemplified by the emergence of unique regional subcultures of surfing.