The Southern Miscellany


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Southern Miscellany


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Mixing It Up


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Too often depicted as a region with a single, dominant history and a static culture, the American South actually comprises a wide range of unique places and cultures, each with its own history and evolving identity. John Shelton Reed’s Mixing It Up is a medley of writings that examine how ideas of the South, and what it means to be southern, have changed over the last century. Through essays, op-eds, speeches, statistical reports, elegies, panegyrics, feuilletons, rants, and more, Reed’s penetrating observations, wry humor, and expansive knowledge help him to examine the South’s past, survey its present, and venture a few modest predictions about its future. Touching on an array of topics from the region’s speech, manners, and food, to politics, religion, and race relations, Reed also assesses the work of other pundits, scholars, and South-watchers. From Appalachia to New Orleans, Mixing it Up: A South-Watcher’s Miscellany offers a collection of lively prose and provocative observations about this ever-changing region and its people.




Memoirs of Georgia


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Southern Miscellany


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Atlanta and Environs


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Atlanta and Environs is, in every way, an exhaustive history of the Atlanta Area from the time of its settlement in the 1820s through the 1970s. Volumes I and II, together more than two thousand pages in length, represent a quarter century of research by their author, Franklin M. Garrett—a man called “a walking encyclopedia on Atlanta history” by the Atlanta Journal-Constitution. With the publication of Volume III, by Harold H. Martin, this chronicle of the South’s most vibrant city incorporates the spectacular growth and enterprise that have characterized Atlanta in recent decades. The work is arranged chronologically, with a section devoted to each decade, a chapter to each year. Volume I covers the history of Atlanta and its people up to 1880—ranging from the city’s founding as “Terminus” through its Civil War destruction and subsequent phoenixlike rebirth. Volume II details Atlanta’s development from 1880 through the 1930s—including occurrences of such diversity as the development of the Coca-Cola Company and the Atlanta premiere of Gone with the Wind. Taking up the city’s fortunes in the 1940s, Volume III spans the years of Atlanta’s greatest growth. Tracing the rise of new building on the downtown skyline and the construction of Hartsfield International Airport on the city’s perimeter, covering the politics at City Hall and the box scores of Atlanta’s new baseball team, recounting the changing terms of race relations and the city’s growing support of the arts, the last volume of Atlanta and Environs documents the maturation of the South’s preeminent city.




Southern Frontier Humor


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If, as some suggest, American literature began with Huckleberry Finn, then the humorists of the Old South surely helped us to shape that literature. Twain himself learned to write by reading the humorists’ work, and later writers were influenced by it. This book marks the first new collection of humor from that region published in fifteen years—and the first fresh selection of sketches and tales to appear in over forty years. Thomas Inge and Ed Piacentino bring their knowledge of and fondness for this genre to a collection that reflects the considerable body of scholarship that has been published on its major figures and the place of the movement in American literary history. They breathe new life into the subject, gathering a new selection of texts and adding Twain—the only major American author to contribute to and emerge from the movement—as well as several recently identified humorists. All of the major writers are represented, from Augustus Baldwin Longstreet to Thomas Bangs Thorpe, as well as a great many lesser-known figures like Hamilton C. Jones, Joseph M. Field, and John S. Robb. The anthology also includes several writers only recently discovered to be a part of the tradition, such as Joseph Gault, Christopher Mason Haile, James Edward Henry, and Marcus Lafayette Byrn, and features authors previously overlooked, such as William Gilmore Simms, Ham Jones, Orlando Benedict Mayer, and Adam Summer. Selections are timely, reflecting recent trends in literary history and criticism sensitive to issues of gender, race, and ethnicity. The editors have also taken pains to seek out first printings to avoid the kinds of textual corruptions that often occur in later versions of these sketches. Southern Frontier Humor offers students and general readers alike a broad perspective and new appreciation of this singular form of writing from the Old South—and provides some chuckles along the way.