Apartheid's Festival


Book Description

Apartheid's Festival highlights the conflicts and debates that surrounded the 1952 celebration of the 300th anniversary of the landing of Jan Van Riebeeck and the founding of Cape Town, South Africa. Taking place at the height of the apartheid era, the festival was viewed by many as an opportunity for the government to promote its nationalist, separatist agenda in grand fashion. Leslie Witz's fine-grained examination of newspapers, brochures, pamphlets, and advertising materials reveals the expectations of the festival planners as well as how the festival was engineered, historical figures were reconstructed, and the ANC and other anti-apartheid organizations mounted opposition to it. While laying open the darker motives of the apartheid regime, Witz shows that the production of local history is part of a global process forged by the struggle between colonialism and resistance. Readers interested in South Africa, representations of nationalism, and the making of public history will find Apartheid's Festival to be an important study of a society in transition.




The Georgia Peach


Book Description

This book explores the significance of the peach as a cultural icon and viable commodity in the American South.




A History of Folk Music Festivals in the United States


Book Description

This book presents a history of folk music festivals in the United States, beginning in the 19th century and ending in the early 21st century. The focus is on the proliferation and diversity of festivals in the 20th century.




Index of Bicentennial Activities


Book Description




Sin City North


Book Description

The early decades of the twentieth century sparked the Detroit-Windsor region's ascendancy as the busiest crossing point between Canada and the United States, setting the stage for socioeconomic developments that would link the border cities for years to come. As Holly M. Karibo shows, this border fostered the emergence of illegal industries alongside legal trade, rapid industrial development, and tourism. Tracing the growth of the two cities' cross-border prostitution and heroin markets in the late 1940s and the 1950s, Sin City North explores the social, legal, and national boundaries that emerged there and their ramifications. In bars, brothels, and dance halls, Canadians and Americans were united in their desire to cross racial, sexual, and legal lines in the border cities. Yet the increasing visibility of illicit economies on city streets—and the growing number of African American and French Canadian women working in illegal trades—provoked the ire of moral reformers who mobilized to eliminate them from their communities. This valuable study demonstrates that struggles over the meaning of vice evolved beyond definitions of legality; they were also crucial avenues for residents attempting to define productive citizenship and community in this postwar urban borderland.




Staging Indigeneity


Book Description

As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"—a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.







Creating Frames


Book Description

Provides the first significant social and cultural history of Indigenous theatre across Australia. Creating Frames traces the journey behind a substantial national body of work and its importance in ensuring that Indigenous voices are heard.




The Workers' Festival


Book Description

The Workers' Festival ranges widely into many key themes of labour history - union politics and rivalries, radical movements, religion, race and gender, and consumerism/leisure - as well as cultural history - public celebration/urban procession, urban space and communication, and popular culture.