Ted Shawn


Book Description

In January 1969, just months before the Stonewall Riots, Ted Shawn (1891-1972) wanted to tell a story about how his life, writings, and dances contributed to the rapidly evolving gay liberation movement around him. Shawn died before he was able to put forth a candid account about how he, the "Father of American Dance," was homosexual, but he scrupulously archived his correspondence, diaries, photographs, and motion pictures of his dances, anticipating that the full significance of his choreography would reveal itself in time. Ted Shawn: His Life, Writings, and Dances tells that story.




New Deal Theater


Book Description

New Deal Theater recovers a much ignored model of political theater for cultural criticism.While considered to be less radical in its aesthetics and politics than its celebrated Weimar and Soviet cousins, it nonetheless proved to be highly effective in asserting cultural critique. In this regard it offers a vital alternative to the dominant modernist paradigm developed in Europe. Rather than radicalizing content and form, New Deal theater insisted that the political had to be made commensurable with the language of a mass audience steeped in consumer culture.The resulting vernacular praxis emphasized empathy over alienation, verisimilitude over abstraction. By examining the cultural vectors that shaped this theater, Saal shows why it was more successful on the American stage than its European counterpart and develops a theory of vernacular political theater which can help us think of the political in art in other than modernist terms.




Performing Chinatown


Book Description

In 1938, China City opened near downtown Los Angeles. Featuring a recreation of the House of Wang set from MGM's The Good Earth, this new Chinatown employed many of the same Chinese Americans who performed as background extras in the 1937 film. Chinatown and Hollywood represented the two primary sites where Chinese Americans performed racial difference for popular audiences during the Chinese exclusion era. In Performing Chinatown, historian William Gow argues that Chinese Americans in Los Angeles used these performances in Hollywood films and in Chinatown for tourists to shape widely held understandings of race and national belonging during this pivotal chapter in U.S. history. Performing Chinatown conceives of these racial representations as intimately connected to the restrictive immigration laws that limited Chinese entry into the U.S. beginning with the 1875 Page Act and continuing until the passage of the Immigration and Nationality Act of 1965. At the heart of this argument are the voices of everyday people including Chinese American movie extras, street performers, and merchants. Drawing on more than 40 oral history interviews as well as research in more than a dozen archival and family collections, this book retells the long-overlooked history of the ways that Los Angeles Chinatown shaped Hollywood and how Hollywood, in turn, shaped perceptions of Asian American identity.




Remaking America


Book Description

In a compelling inquiry into public events ranging from the building of the Vietnam Veterans Memorial through ethnic community fairs to pioneer celebrations, John Bodnar explores the stories, ideas, and symbols behind American commemorations over the last century. Such forms of historical consciousness, he argues, do not necessarily preserve the past but rather address serious political matters in the present.




Paying the Toll


Book Description

Since its opening in 1937, the Golden Gate Bridge has become an icon for the beauty and prosperity of the San Francisco Bay Area, as well as a symbol of engineering achievement. Constructing the bridge posed political and financial challenges that were at least as difficult as those faced by the project's builders. To meet these challenges, northern California boosters created a new kind of agency: an autonomous, self-financing special district. The Golden Gate Bridge and Highway District developed into a powerful organization that shaped the politics and government of the Bay Area as much as the bridge shaped its physical development. From the moment of the bridge district's incorporation in 1928, its managers pursued their own agenda. They used all the resources at their disposal to preserve their control over the bridge, cultivating political allies, influencing regional policy, and developing an ambitious public relations program. Undaunted by charges of mismanagement and persistent efforts to turn the bridge (as well as its lucrative tolls) over to the state, the bridge district expanded into mass transportation, taking on ferry and bus operations to ensure its survival to this day. Drawing on previously unavailable archives, Paying the Toll gives us an inside view of the world of high-stakes development, cronyism, and bureaucratic power politics that have surrounded the Golden Gate Bridge since its inception.




Marina Svetlova


Book Description

Marina Svetlova: A Tribute is a book that is intended to engage the professional dancer, as well as the layman, to the dance. The work celebrates the career of one of the most influential ballerinas of the twentieth century. The journey begins with her days as a baby ballerina in the de Basil Original Ballet Russe company, culminating in a tenure as professor of ballet at Indiana University Bloomington. Her intermediary accomplishments in the arts, such as having been named the prima ballerina of New York’s Metropolitan Opera Ballet while enjoying a decade of tours with the Svetlova Dance Ensemble, are explored, along with an appreciation for a lifetime of guest appearances. She appeared around the world as a guest artist with major ballet companies, coupled with frequent performances on television shows such as the Firestone Hour and the Bell television show. Svetlova’s legacy in the dance world is extensively documented in this volume by the inclusion of reviews of many of her performances and is accompanied by a host of stunning pictures produced by several of the most important dance photographers of her day.




African-American Concert Dance


Book Description

Provides biographical and historical information on a group of African-American artists who worked during the 1920s, 1930s, and 1940s to legitimize dance of the African diaspora as a serious art form.




Peel's Bibliography of the Canadian Prairies to 1953


Book Description

The Prairie Provinces cover Alberta, Saskatchewan and Manitoba.







Oxford Playhouse


Book Description

To coincide with the 70th anniversary of its present home on Beaumont Street, Oxford, this account traces the history of the Oxford Playhouse from its earliest roots--a production of Agamemnon in 1880--and the founding of the Oxford University Dramatic Society to the rebuilding of Oxford's New Theatre and, eventually, the launch of the Playhouse itself. Recalling actress Jane Ellis' early desire for a venue where she might play decent roles, as well as her efforts to make it happen, the book also celebrates a galaxy of stars who have acted there, including Flora Robson, John Gielgud, Maggie Smith, Ronnie Barker, Judi Dench, and Helena Bonham Carter, and records the first steps of students such as Rowan Atkinson. In addition to chronicling developments in the theater's management and architecture, this comprehensive tribute explores its highbrow and lowbrow programs, its period of prosperity and postwar collapse, and its unique and vital relationship with the University of Oxford.