Soviet Textiles


Book Description

Soviet Textiles ISBN 0-87846-703-3 / 978-0-87846-703-7 Paperback, 8 x 9 in. / 96 pgs / 52 color. / U.S. $24.95 CDN $30.00 August / Design




Twentieth Century Design


Book Description

A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics




The Russian Revolution and Civil War 1917-1921


Book Description

The Russian Revolution and Civil War in the years 1917 to 1921 is one of the most widely studied periods in history. It is also somewhat inevitably one that has generated a huge flow of literature in the decades that have passed since the events themselves. However, until now, historians of the revolution have had no dedicated bibliography of the period and little claim to bibliographical control over the literature. The Russian Revolution and Civil War, 1917-1921offers for the first time a comprehensive bibliographical guide to this crucial and fascinating period of history. The Bibliography focuses on the key years of 1917 to 1921, starting with the February Revolution of 1917 and concluding with the 10th Party Congress of March 1921, and covers all the key events of the intervening years. As such it identifies these crucial years as something more than simply the creation of a communist state.




Twentieth-Century Pattern Design


Book Description

"Twentieth-Century Pattern Design combines photographs - including many newly published images - with soundly researched text, creating an essential resource for enthusiasts and historians of modern design. The book also serves as a creative sourcebook for students and designers, inspiring new flights of fancy in pattern design."--Jacket.




Neo-Calvinism and the French Revolution


Book Description

The French Revolution was the scene of much intellectual and social upheaval. Its impact touched a wide range of subjects: the relationship of the church to the state, social relationships, science, literature, fashion, philosophy and theology. Although the French Revolution's momentum was felt across Europe and North America, it met a particularly interesting response in the Netherlands, at that time the scene of a burgeoning neo-Calvinist movement. In that context, the likes of Groen van Prinsterer, Abraham Kuyper and Herman Bavinck responded to the French Revolution's ideals and influence in a variety of intellectual and practical ways.This book approaches that Dutch response from a range of historical and theological perspectives, and in so doing explores the relationship between the French Revolution and the development of neo-Calvinism. Beginning with historical portraits of Bavinck and Kuyper in relation to the Revolution, the perspectives offered also include, amongst others, the place of multilingualism in neo-Calvinism and the Revolution, neo-Calvinist and Revolutionary approaches to fashion, a dialogue between Kuyperian theology and Kieslowski's Three Colours trilogy, and a contemporary neo-Calvinist critique of French laïcité. This book forms part of a wider Project neo-Calvinism supported by the Theologische Universiteit Kampen and the VU University Amsterdam.




Design


Book Description




Fashion Meets Socialism


Book Description

This book presents, above all, a study of the establishment and development of the Soviet organization and system of fashion industry and design as it gradually evolved in the years after the Second World War in the Soviet Union, which was, in the understanding of its leaders, reaching the mature or last stage of socialism when the country was firmly set on the straight trajectory to its final goal, Communism. What was typical of this complex and extensive system of fashion was that it was always loyally subservient to the principles of the planned socialist economy. This did not by any means indicate that everything the designers and other fashion professionals did was dictated entirely from above by the central planning agencies. Neither did it mean that their professional judgment would have been only secondary to ideological and political standards set by the Communist Party and the government of the Soviet Union. On the contrary, as our study shows, the Soviet fashion professionals had a lot of autonomy. They were eager and willing to exercise their own judgment in matters of taste and to set the agenda of beauty and style for Soviet citizens. The present book is the first comprehensive and systematic history of the development of fashion and fashion institutions in the Soviet Union after the Second World War. Our study makes use of rich empirical and historical material that has been made available for the first time for scientific analysis and discussion. The main sources for our study came from the state, party and departmental archives of the former Soviet Union. We also make extensive use of oral history and the writings published in Soviet popular and professional press.