Space-Time Geometries for Motion and Perception in the Brain and the Arts


Book Description

This book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception. Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists.




Space-Time Geometries for Motion and Perception in the Brain and the Arts


Book Description

This book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception. Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists. .







Proceedings of the 2023 2nd International Conference on Public Culture and Social Services (PCSS 2023)


Book Description

This is an open access book. 2023 2nd International Conference on Public Culture and Social Services (PCSS 2023) was held on August 11–13, 2023 in Qingdao, China Public culture is a cultural form formed to meet the common needs of society, where everyone can participate in culture, enjoy culture, and create culture. A good public culture can not only enhance the happiness of residents, but also cultivate one's character through moral cultivation. Moreover, it can improve the charm, vitality, self-confidence and cohesion of the city, and promote the cultural exchanges between the city and the outside world. The more developed the economy is, the more powerful the country is, the more it attaches importance to the construction of Urban culture. Public culture is the basic culture of a city and has far-reaching significance in shaping Urban culture. Social services refer to activities in the fields of education, medical and health care, elderly care, childcare, housekeeping, culture, tourism, sports, and other social sectors that rely on diverse entities to provide services to meet the multi-level and diverse needs of the people. They are related to the most direct and practical interests of the general public. There is an essential difference between social services and for-profit commercial services, as they are welfare services. PCSS explores how to make society develop better and people feel happier by discussing the relationship between public culture and social services. The specific content, activities, and services provided by public culture need to be adapted to the level of social development and supply capacity, and therefore are dynamically adjusted, up-to-date, and tailored to local conditions. Public culture involves a wide range of social undertakings, including ideology, culture, news and publishing, radio and television, as well as national fitness, popular science, and mass rule of law cultural activities. Social services belong to the basic public services provided by the government, which is the most prominent feature of public culture compared to other cultural types and forms, and also the theoretical basis for forming a policy system for public cultural services. Public culture and social services interact with each other, and to a certain extent, public culture determines the type of social services, which in turn affects the development of public culture.







Perception of Space and Motion


Book Description

During the past 25 years, the field of space and motion perception has rapidly advanced. Once thought to be distinct perceptual modes, space and motion are now thought to be closely linked. Perception of Space andMotion provides a comprehensive review of perception and vision research literature, including new developments in the use of sound and touch in perceiving space and motion. Other topics include the perception of structure from motion, spatial layout,and information obtained in static and dynamic stimulation.Spatial layoutStructure from motionInformation on static and dynamic stimulation (visual, acoustic, and haptic)




The Architecture Co-laboratory


Book Description

Publicatie n.a.v. de conferentie gehouden op 1 april 2006 op de faculteit Bouwkunde van de TU Delft over de huidige en toekomstige veranderingen rond de digitaal ontworpen architectuur- en designpraktijk.




Spaces Speak, Are You Listening?


Book Description

How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.




General Relativity from A to B


Book Description

"This beautiful little book is certainly suitable for anyone who has had an introductory course in physics and even for some who have not."—Joshua N. Goldberg, Physics Today "An imaginative and convincing new presentation of Einstein's theory of general relativity. . . . The treatment is masterful, continual emphasis being placed on careful discussion and motivation, with the aim of showing how physicists think and develop their ideas."—Choice




Direct Perception


Book Description