Ancient Vietnam


Book Description

The history of Vietnam is one of spectacular confrontations, both cultural and ideological between the world of the Chinese - a world adopted by the ethnic Viet living in the Red river basin - and the Indian world - facets of which are seen in the Cham, whose numerous small kingdoms were strung out all along the coast from north of Hue to south of Phan Rang. This book will firstly present the history of Vietnam from the 6th to 15th centuries, highlighting the clashes between the two major civilisations which are the foundation of modern Vietnam. The second part will deal with the archaeology of the sites which are a testament to this history. Maps, plans and numerous photographs will help us to experience the history of ancient Vietnam both in its early beginnings and its subsequent evolution. Traces the history of Vietnam from its early beginnings to the emergence of the Cham civilisation and beyond Explores numerous archaeological sites and monuments In-depth research by a world renowned scholar Includes maps and plans of important archaeological and historical sites 300 colour photographs




Arts of Ancient Viet Nam


Book Description

"Explores Viet Nam's rich heritage, from the Sa Huynh culture (1st millennium B.C.) to art from Hoi An. The authors discuss links between Viet Nam and Indonesia, reflected in the Hindu and Buddhist temples and stone sculptures, and investigate trade in gold and Chinese ceramics with Butuan"--Provided by publisher.




The Buddhist Art


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A Maritime Vietnam


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Powerful new history of Vietnam over two millennia arguing that key political changes resulted from the impact of the sea.




Arts of Asia


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Painter Nguyễn Gia Trí’s Words on Creation


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Painter Nguyễn Gia Trí’s Words on Creation: Notes Kept by Nguyễ Xuȃn Việt By: Nguyễ Xuȃn Việt Author Nguyễn Xuân Việt studied art with the painter Nguyen Sang and Nguyen Gia Tri and brings the words and art of Nguyen Gia Tri to life in Painter Nguyễn Gia Trí’s Words on Creation: Notes Kept. Modern Vietnamese lacquer art is the continuation of two major arts of the world. Lacquer artists at Indochina Fine Arts School had acquired the traditional Japanese laquer technique and used it create material for painting. Vietnamese painters then followed the creative ideology of the Paris Art School through their French educators. From 1954 – 1975. Nguyen Gia Tri continued working on this artform at an art school in New York. Việt provides their own notes on the elaborate and beautiful pieces within this book and hopes to impart some understanding on this unique artform.




Champa and the Archaeology of Mỹ Sơn (Vietnam)


Book Description

The kings of ancient Champa, a civilization located in the central region of today's Vietnam, started building sacred temples in a circular valley more than 1500 years ago. The monuments, now known by the Vietnamese name M? So'n, were discovered by nineteenth-century colonial soldiers and first studied by the French architect Henri Parmentier. Bombed during the Vietnam War, the ruins of the brick towers, decorated with exquisite carvings and sculptures, were designated as a UNESCO World Cultural Heritage site in 1999. An Italian team has worked at the site for the last ten years, doing archaeological research and restoration work in cooperation with Vietnamese specialists. This book is the first published volume based on their efforts. The opening section consists of historical, anthropological and architectural studies of the civilization of Champa. The remainder of the book presents an unusually intimate and extensively illustrated portrait of the archaeologists' research and restoration work at M? So'n. While this book is important for specialists and students of the history and archaeology of Champa and Southeast Asia, it also tells a fascinating story that will appeal to general readers and visitors to this exceptional archaeological site.




War


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Appetites and Aspirations in Vietnam


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In Vietnam during the long nineteenth century from the Tây Son rebellion to the 1920s, individuals negotiated changing interpretations of their culinary choices by their families, neighbors, and governments. What people ate reflected not just who they were, but also who they wanted to be. Appetites and Aspirations in Vietnam starts with the spread of Vietnamese imperial control from south to north, marking the earliest efforts to create a common Vietnamese culture, as well as resistance to that cultural and culinary imperialism. Once the French conquered the country, new opportunities for culinary experimentation became possible, although such experiences were embraced more by the colonized than the colonizers. This book discusses how colonialism changed the taste of Vietnamese fish sauce and rice liquor and shows that state intervention made those products into tangible icons of a unified Vietnamese cuisine, under attack by the French. Vietnamese villagers began to see the power they could bring to bear on the state by mobilizing around such controversies in everyday life. The rising new urban classes at the turn of the twentieth century also discovered new perspectives on food and drink, delighting in unfamiliar snacks or giving elaborate multicultural banquets as a form of conspicuous consumption. New tastes prompted people to reconsider their preferences and their position in the changing modern world. For students of Vietnamese history, food here provides a lens into how people of different class and ethnic backgrounds struggled to adapt first to Vietnamese and then French imperialism. Food historians will find a provocative case study arguing that food does not simply reveal identity but can also help scholars analyze people's changing ambitions.




The Cham of Vietnam


Book Description

The Cham people once inhabited and ruled over a large stretch of what is now the central Vietnamese coast. Written by specialists in history, archaeology, anthropology, art history, and linguistics, these essays reassess the ways that the Cham have been studied.