Split Britches


Book Description

The Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe. This unique anthology comes complete with: * seven of Split Britches' best loved performance texts * a critical, historical introduction by Sue-Ellen Case * programme notes to accompany each of the plays * a range of stunning photographic illustrations The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.




Feminism and Theatre


Book Description

This classic study is both an introduction to, and an overview of, the relationship between feminism and theatre.




The Only Way Home is Through the Show


Book Description

"The Only Way Home""Is Through the Show: The Performance Work of Lois Weaver" tells the stories of Lois Weaver: one of the pioneers of feminist and lesbian performance in North America, the UK and beyond. Exploring her career, capturing its history, as well as its aesthetics, principles, collaborations, inspirations, practices, innovations, humour, and commitments, this important book documents the story of Weaver s work by making visible the invisible. It reflects not only on the comparatively well-known work by Split Britches but also on Weaver s solo projects, her performance interventions and her work as a facilitator and leader supporting democratic access to performance and discussion, and championing human rights. Writer-contributors include many of Weaver s most important collaborators, old and new, and many of the most important feminist theorists, journalists and performance makers of the last forty years. Interviews are with seminal performance-makers including Weaver herself, Spiderwoman Theater s founder Muriel Miguel, and Weaver s long-time life partner in and performance collaborator Peggy Shaw. The reader is also treated to a wealth of unpublished and published performance work and exciting ephemera, including Weaver s dirty confessions, lust letters and pieces of memoir, her diary entries and letters as well as substantial documentary and scene-setting images. "The Only Way Home""Is Through the Show" is a lavishly illustrated and expertly curated compendium of Weaver s long and wonderful career so far."




Re-Dressing the Canon


Book Description

Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.




Radical Gestures


Book Description

Wark brings together a wide range of artists, including Lisa Steele, Martha Rosler, Lynda Benglis, Gillian Collyer, Margaret Dragu, and Sylvie Tourangeau, and provides detailed readings and viewings of individual pieces, many of which have not been studied in detail before. She reassesses assumptions about the generational and thematic characteristics of feminist art, placing feminist performance within the wider context of minimalism, conceptualism, land art, and happenings




Memories of the Revolution


Book Description

Scripts, interviews, photos, and critical commentary documenting the riotous beginnings of this long-lived experimental theater space for women




Lady Dicks and Lesbian Brothers


Book Description

Parody, cross-dressing, zany comedy, and unbridled eroticism at a women's theater space in the East Village




Ten Thousand Nights


Book Description

Esteemed scholar and theater aficionado Marvin Carlson has seen an unsurpassed number of theatrical productions in his long and distinguished career. Ten Thousand Nights is a lively chronicle of a half-century of theatre-going, in which Carlson recalls one memorable production for each year from 1960 to 2010. These are not conventional reviews, but essays using each theatre experience to provide an insight into the theatre and theatre-going at a particular time. The range of performances covered is broad, from edgy experimental fare to mainstream musicals, most of them based in New York but with stops at major theatre events in Paris, Berlin, Moscow, Milan, and elsewhere. The engagingly written pieces convey a vivid sense not only of each production but also of the particular venue, neighborhood, and cultural context, covering nearly all significant movements, theatre artists, and groups of the late twentieth century.




Performing Objects and Theatrical Things


Book Description

This book rethinks historical and contemporary theatre, performance, and cultural events by scrutinizing and theorizing the objects and things that activate stages, venues, environments, and archives.




The Loss of Small White Clouds


Book Description

This volume seeks to instigate a discussion about dementia in theatre. The discussions in this book borrow from the literature on dementia’s representation in other artforms, while reflecting on theatre’s unique capacity to incorporate multiple artforms in a live context (hypermediacy). The author examines constructions of diegesis and the use of various performance tools, including physical theatre, puppetry, and postdramatic performance. She discusses stage representations of interior experiences of dementia; selfhood in dementia; the demarcation of those with dementia from those without; endings, erasure, and the pursuit of catharsis; placelessness and disruptions of traditional dramatic constructions of time; and ultimately, performances creatively led by people with dementia. The book traces patterns of narrativisation on the stage—including common dramaturgical forms, settings, and character relationships—as well as examples that transcend mainstream representation. This book is important reading for theatre and performance students, scholars, and practitioners, as well as cultural studies writers engaged in research about narratives of dementia.