Spray Nation


Book Description

Culled from the extensive archives of one of the most renowned graffiti photographers of all time comes this remarkable collection of previously unpublished images of New York’s graffiti scene in the 1980s. If you were a graffiti writer in 1980s New York City, you wanted Martha Cooper to document your work—and she probably did. Cooper has spent decades immortalizing art that is often overlooked, and usually illegal. Her first book, 1984’s Subway Art (a collaboration with Henry Chalfant), is affectionately referred to by graffiti artists as the “bible”. To create Spray Nation, Cooper and editor Roger Gastman pored through hundreds of thousands of 35mm Kodachrome slides, painstakingly selecting and digitizing them. The photos range from obscure tags to portraits, action shots, walls, and painted subway cars. They are accompanied by heartfelt essays celebrating Cooper’s drive, spirit, and singular vision. The images capture a gritty New York era that is gone forever. And although the original pieces (as well as many of their creators) have been lost, these powerful photos feel as immediate as a subway train thundering down the tracks.




Spray Nation


Book Description

"Spray Nation is a dynamic collection of hundreds of previously unpublished images taken in the 1980s by renowned photographer Martha Cooper. Her rare photos, including tags, portraits, action shots, walls and painted subway cars, capture the golden age of graffiti and its practitioners at a time when few people were paying attention"--publisher.




Subway Art


Book Description

Traces the history of New York graffiti, shows a variety of painted subway cars, and desribes the graffiti writers and how they work.




Nation's Health


Book Description




I Am 1up


Book Description

1UP (One United Power) is a name which provokes different emotions within the Graffiti scene: respect, admiration, envy, competitiveness and inspiration. It was almost 10 years ago that 1UP first appeared on the scene, producing work throughout Berlin - from small tags in the subways to large-scaled pieces on walls, skyscrapers or trains. Since they first arrived, no surface in Berlin has been guaranteed to be safe from their creative prowess.




Stencil Nation


Book Description

A cutting-edge color art book documenting stencil graffiti's graphic innovation on an international scale.




Getting Up


Book Description

"Getting Up" is the term used by graffiti "artists" to describe their success in making their mark on the New York subway system. Through candid interviews, New Yorker Craig Castleman documents the inside story of the lives and activities of these young graffitists.







Freight Train Graffiti


Book Description

As dazzling as the art it celebrates, this volume is packed with 1,000 full-color illustrations and features in-depth interviews with more than 125 train artists and "writers" to provide unprecedented perspective into graffiti.




LA Graffiti Black Book


Book Description

This collection of unique works by 150 Los Angeles graffiti and tattoo artists represents an unprecedented collaboration across the city’s diverse artistic landscape. Many graffiti artists carry sketchbooks, called black books, and they ask crew members and others whose work they admire to inscribe their books with lettering or drawings. A few years ago, the Getty Research Institute invited artists, including Angst, Axis, Big Sleeps, Chaz, Cre8, Defer, EyeOne, Fishe, Heaven, Hyde, Look, ManOne, and Prime, to consider the idea of a citywide graffiti black book. During visits to the Getty Center, the artists viewed rare books related to calligraphy and letterforms, including works by Albrecht Dürer and Leonardo da Vinci. The artists instantly recognized the connections to their own practices and were particularly drawn to a liber amicorum (book of friends), a form of autograph book popular in the seventeenth century. Passed from hand to hand, it was filled with signatures, poetry, and coats of arms, like a black book from another era. Inspired by this meeting of minds across centuries, these artists became both creators and curators, crafting their own pages and inviting others to contribute. Eventually 150 Los Angeles artists decorated 143 individual pages. These were bound together into an exquisite artists’ book that became known as the Getty Graffiti Black Book. This publication reproduces each page from the original artists’ book and recounts the story of an unprecedented collaboration across the diverse artistic landscape of Los Angeles.