Ssu-ma Chʻien


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Ssu Ma Chien Grand Historian of China


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Ssu Ma Chien Grand Historian of China - Scholar's Choice Edition


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Ssu-ma Ch'ien


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The Grand Scribe's Records


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This second volume of the ongoing annotated translation of Ssu-ma Ch'ien's Shi chi(The Grand Scribe's Records), widely acknowledged as the most important early Chinese history, contains the "basic annals" of five early Han-dynasty emperors. The annals trace the first century of Han rule (206 BC to ca. 100 BC) in a year-by-year account that focuses on imperial activities. In The Grand Scribe's Records, Ssu-ma Ch'ien revitalised the style of the annals he had written for previous rulers. Here are accounts of the peasant who founded the dynasty, Liu Pang, a man noted as much for his licentiousness as he was his ruthless political instinct, and of his cruel wife, Empress Lÿ, who murdered her chief rival for Liu Pang's affections in the most gruesome manner. The annals of two relatively undistinguished emperors follow. The volume concludes with Ssu-ma's depiction of perhaps the greatest ruler of the Han, Emperor Wu, told within the context of his delusive attempts to find a means to achieve immortality. When completed this translation will bring all 130 chapters of the Shih chi into English. Volumes 1 and 7 were published by Indiana University Press in 1994.




Worlds of Bronze and Bamboo


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Sima Qian (c. 100 B.C.E.) was China's first historian—he was known as Grand Astrologer at the court of Emperor Wu during the Han dynasty—and, along with Confucius and the First Emperor of Qin, was one of the creators of imperial China. His Shiji (published for Columbia in a translation by Burton Watson as Records of the Grand Historian) not only became the model for the twenty-six Standard Histories that the historians of each Chinese dynasty wrote to legitimize the dynastic succession, but also has been an enormously influential resource to historians, literary scholars, philosophers, and many others seeking an understanding of early Chinese history. In Worlds of Bronze and Bamboo, Grant Hardy presents convincing evidence that the Shiji is quite unlike such Western counterparts as the histories of Herodotus and Thucydides, for, Hardy argues, Sima Qian's work seeks not only to represent but to influence the world in a manner based on Confucian concepts of sageliness and "the rectification of names." Although many scholars have sought close parallels between Sima Qian and the Greek historians—either criticizing Sima's work, as if Western models of historical interpretation could serve as a template by which to read it, or overemphasizing his "objectivity" to more closely align his text with these "respectable" Greek models—Hardy boldly contends that the Chinese historian never intended to produce a consistent, closed interpretation of the past. Instead, Hardy argues, the Shiji is a microcosm in which Sima Qian sought to represent the open-endedness and multivalence of the world around him, revealing and reinforcing the natural order. In mapping out this model of the world, Sima embodies the historian as sage rather than chronicler. Transcending mere accuracy in recording events, such a historian seeks not to present an opinion about what happened in the past, buttressed with rational arguments and pertinent evidence, but to penetrate the outer details of an incident and discover the moral truths it embodies. Thus intuiting the moral significance of events, the sage-historian delineates the Way and offers his readers a chance to become more in tune with the natural order. Illustrating his provocative theses about the Shiji by analyzing Sima Qian's handling of specific historical personages and episodes such as the First Emperor of the Qin, the hereditary house of Confucius, and the conflicts that ended with the founding of the Han dynasty, Hardy both extends and challenges existing interpretations of this crucial yet understudied text and sheds light on its puzzles and incongruities.




Ssu Ma Chien Grand Historian of China - Primary Source Edition


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




The Grand Scribe's Records, Volume XI


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Part of the extraordinary multi-volume portrait of ancient China written by a court official of the Han Dynasty. The Grand Scribe’s Records, Volume XI presents the final nine memoirs of Ssu-ma Ch’ien’s history, continuing the series of collective biographies with seven more prosopographies on the ruthless officials, the wandering gallants, the artful favorites, those who discern auspicious days, turtle and stalk diviners, and those whose goods increase, punctuated by the final account of Emperor Wu’s wars against neighboring peoples and concluded with Ssu-ma Ch’ien’s postface containing a history of his family and himself. Praise for the series: “[An] indispensable addition to modern sinology.” —China Review International “The English translation has been done meticulously.” —Choice




The Indiana Companion to Traditional Chinese Literature


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"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.