St. Elmo


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St. Elmo's Fire


Book Description

St. Elmo's Fire is a maritime phenomenon where natural electrical discharge, primarily from lightning, causes a ship's mast to glow. Its aura can be seen for miles, and it has been believed to be either an evil omen or a sign of protection and good luck at sea. Beginning in the Port of New York in fall, 1834, St. Elmo's Fire is a fast-paced story of adventure and misadventure. Twenty-year-old Donecha (DONecka) Van Fossen, bookish son of Irish-Dutch immigrant parents, manages to escape their dreary life and follow his dream of becoming a seaman. After his family's tenement is burned to the ground, Donecha is taken aboard the sailing ship Il Paradiso as tutor to the captain's son, eleven-year-old Lyle, who has been held captive at sea for most of his young life. Finding out why and by whom is the central mystery. As the bond between Donecha and Lyle grows, they discover that the true mission of Il Paradiso is twofold: to rescue Liana, Lyle's hidden sister, from the clutches of Mediterranean relatives who would seize both children and appropriate their rightful inheritance, and also to find their mysterious mother, who appears to Lyle as the "glow in the sky". Moving from the Port of New York across the Atlantic to various Mediterranean ports, and back, the travelers return shortly before the Great Fire of New York leveled most of lower Manhattan in December, 1835. Well into the nineteenth century, the stormy Atlantic was still open range for privateers, latter day pirates. Dramatic encounters and narrow escapes throughout the journey build suspense. The rescue effort involves intrigues, pursuits, betrayals, as well as merriment, humor and a touch of romance. In the end Il Paradiso succeeds where Il Purgatorio and Il Inferno have failed. In addition to Donecha and Lyle, other major characters include Mr. Crawdon, landlord, shipowner and father to Lyle; Slogo, the ship's galley cook; Lyle's sister, Liana; and Lyle's pet monkey, the Little Marqus. Characters are merry and scary, wry and sly. Linked into plot and character development are recurrent motifs of fires, secret passages, lively turnabouts of streotypes and the escapades of Lyle's clever little monkey. In the end, the wily Mr. Crawdon and the unlikely Slogo turn out to be the saviors of them all. Numerous character and plot shifts draw the reader to a surprising conclusion. St. Elmo's Fire is a family-oriented story, between 35,000 and 36,000 words, divided into 26 short chapters, It is suitable for family reading and late elementary or middle school readers, both boys and girls, or as a chapter book. The characters and situations are credible in context and historical and geographical detail is generally accurate. The story would be well illustrated with lively drawings, say pen and gouache. Cinematic potential.




The Book in the Bottle


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A family finds a mysterious bottle. Within the bottle, a book. Within the book, a story. And within the story their own adventure. Supposing a book were to appear sewn from all the different parts of your favorite stories. What could it be, but a tale of change? .Frogs become princes, orphans become kings, kings become beggars, milkmaids become knights. Duels become dances, tombs become houses, a deathly chase becomes a coronation. We read to children bedtime stories that warn them and promise them: all thing change. Then we click off the light, expecting them to be unchanged when they wake in the morning. In a bottle is a book, and in the book is a city built of pieces. In that city is a beggar who became a duke, a rat who becomes a cat, a song that became a promise. Ghosts, assassins, kings and cobblers shift and dance across this city, finding who they are by what story they tell of themselves. And in the very center of the dance, a man stands balanced on a wheel.From the book: I consider. "A good adventure story has a chase through a graveyard. There shall be a duel on a cliff by moonlight or firelight or lightning. There must be treasure. A magic ring. A haunted tomb and a ruined castle. Guards tricked, villains confounded. A lost heir, disguises, an assassin, ghosts, revenge, mutant tigers -" "What?" I ignore that. "- mutant tigers, an ancient battle between good and evil, an execution, a daring escape. There must be a prophecy that actually surprises, a final battle with an unexpected ending. There must be dull villagers, street-smart orphans and an impossibly clever-but-wicked noble villain." "What book is this?" I brush that aside. "No one book. It is my list of pieces from the best. Adventures by night in a graveyard are in Tom Sawyer, in Great Expectations, The Horse and His Boy, in Harry Potter. Duels are in The Three Musketeers and The Princess Bride. The Westing Game and The Three Musketeers have mystery and disguises. The Treasure of Alpheus Winterborn and The Hobbit and Treasure Island and Tom Sawyer have treasures and a mystery. The High King and The Mouse and His Child have a prophecy that actually surprises. Lord of The Rings has magic rings and ghosts and the lost heir and mutant tigers -" "Does not!" " -and The Beggar Princess and The Prince and The Pauper have the clever street-wise kids. Harry Potter and The Black Cauldron and The Sword in the Stone and Momo and The Wizard of Oz all have the crazy wizard and the orphan with a destiny and The Last Unicorn and Lud in the Mist and The Thirteen Clocks and Three Musketeers and The Princess Bride have the sly noble villain."I have to stop for breath. I must be getting old.




A Killing in Antiques


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Treasure hunting is not for the faint of heart. Luckily, Lucy St. Elmo, owner of the Cape Cod antiques shop St. Elmo Fine Antiques, has more than enough heart. What she needs to improve are her tracking skills-or else the wrong man could be convince of a one-of-a-kind murder.




The St. Elmo Murders


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This is the third in a three-novel series featuring Dan and Etta Currie. A mysterious telegram from Matt Halliday, an old friend, led Dan Currie to travel to 1880s St. Elmo, a gold mining boom town high in the Colorado Rockies. When he arrived, his friend lay mortally wounded. Halliday died in Currie's arms. Currie vowed he would not leave St. Elmo until Halliday's murderer was captured. Dan's investigation led him to try to unravel the complex web of alliances and animosities that were the seamy underbelly of St. Elmo. With the help of a newspaper publisher and another old friend, Currie was slowly but surely sorting out the players. The murderer, apparently worried that Currie was getting too close, made several unsuccessful attempts on Currie's life. Would Currie figure it out before they killed him?




The Ponder Heart


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“A wonderful tragicomedy” of a Mississippi family, a vast inheritance, and an impulsive heir, by the Pulitzer Prize–winning author of Delta Wedding (The New York Times). Daniel Ponder is the amiable heir to the wealthiest family in Clay County, Mississippi. To friends and strangers, he’s also the most generous, having given away heirlooms, a watch, and so far, at least one family business. His niece, Edna Earle, has a solution to save the Ponder fortune from Daniel’s mortifying philanthropy: As much as she loves Daniel, she’s decided to have him institutionalized. Foolproof as the plan may seem, it comes with a kink—one that sets in motion a runaway scheme of mistaken identity, a hapless local widow, a reckless wedding, a dim-witted teenage bride, and a twist of dumb luck that lands this once-respectable Southern family in court to brave an embarrassing trial for murder. It’s become the talk of Clay County. And the loose-tongued Edna Earle will tell you all about it. “The most revered figure in contemporary American letters,” said the New York Times of Eudora Welty, which also hailed The Ponder Heart—a winner of the William Dean Howells Medal which was adapted into both a Broadway play and a PBS Masterpiece series—as “Miss Welty at her comic, compassionate best.”




St. Elmo


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The Blood Tartan


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Centuries ago a mysterious family of mad geniuses split into five clans; feuding, hiding, hoarding their secrets of fighting and art, magic and science. Now at the dawn of the mechanical 19th century, only the five clans united can hold back the blood-red tide of industrial apocalypse. Unless they dive into it laughing. I did say 'mad'




With the Old Breed


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“Eugene Sledge became more than a legend with his memoir, With The Old Breed. He became a chronicler, a historian, a storyteller who turns the extremes of the war in the Pacific—the terror, the camaraderie, the banal and the extraordinary—into terms we mortals can grasp.”—Tom Hanks NEW YORK TIMES BESTSELLER In The Wall Street Journal, Victor Davis Hanson named With the Old Breed one of the top five books on epic twentieth-century battles. Studs Terkel interviewed the author for his definitive oral history, The Good War. Now E. B. Sledge’s acclaimed first-person account of fighting at Peleliu and Okinawa returns to thrill, edify, and inspire a new generation. An Alabama boy steeped in American history and enamored of such heroes as George Washington and Daniel Boone, Eugene B. Sledge became part of the war’s famous 1st Marine Division—3rd Battalion, 5th Marines. Even after intense training, he was shocked to be thrown into the battle of Peleliu, where “the world was a nightmare of flashes, explosions, and snapping bullets.” By the time Sledge hit the hell of Okinawa, he was a combat vet, still filled with fear but no longer with panic. Based on notes Sledge secretly kept in a copy of the New Testament, With the Old Breed captures with utter simplicity and searing honesty the experience of a soldier in the fierce Pacific Theater. Here is what saved, threatened, and changed his life. Here, too, is the story of how he learned to hate and kill—and came to love—his fellow man. “In all the literature on the Second World War, there is not a more honest, realistic or moving memoir than Eugene Sledge’s. This is the real deal, the real war: unvarnished, brutal, without a shred of sentimentality or false patriotism, a profound primer on what it actually was like to be in that war. It is a classic that will outlive all the armchair generals’ safe accounts of—not the ‘good war’—but the worst war ever.”—Ken Burns




St. Elmo


Book Description