St. Francis in Italian Painting


Book Description

Originally published in 1950, this book shows that the religious and ethical values that St. Francis was striving after are as essential today as they were in his time. The book presents St. Francis as a complex personality and corrects the rather mawkish interpretation of certain legends. It deals with the environment and development of the saint’s personality and chapters from his biographies by Thomas of Celano or St. Bonaventure and many black and white plates illustrating them which are reproductions of paintings by Italian masters from the XIIIth to the late XVth century.




The Art of the Franciscan Order in Italy


Book Description

This volume includes a collection of essays of scholars from several disciplines and focuses on the art produced for the Franciscans in Italy from the 13th to the 15th century. They contain a wide range of subject matter (fresco, panel, stained glass window) and a variety of approaches.




Images-within-Images in Italian Painting (1250-1350)


Book Description

The rebirth of realistic representation in Italy around 1300 led to the materialization of a pictorial language which dominates global visual culture even today. This book offers the first comprehensive study of Italian meta-painting in the age of Giotto and sheds new light on the early modern and modern history of the phenomenon. The analysis of pictorial illusionism and reality effect together with the liturgical, narrative and typological role of images-within-images makes this work a pioneering contribution to visual studies and premodern Italian culture.




Renaissance


Book Description

A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.




Early Italian Painting


Book Description

Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.




In a New Light


Book Description

Re-evaluates St. Francis in the Desert, Giovanni Bellini's masterpiece, following the major technical study by the Metropolitan Museum in 2010.




Sassetta


Book Description

Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437-1444. To produce this volume, experts in art and general history have joined forces across the boundaries of eight different nations to explore Sassetta's work.




Giotto and His Publics


Book Description

Political strife and religious faction lacerated fourteenth-century Italy. Giotto's commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto's path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi.




The Caporali Missal


Book Description

A little-known and rediscovered illuminated manuscript from the Renaissance is the focal point of this enthralling exploration of Umbrian painting, the role of the Franciscan order, and the artists Bartolomeo and Giacepo Caporali. The Caporali Missal, a sumptuous and important Renaissance missal--or service book for the priest at the altar--was illuminated by the Caporali brothers for the Franciscan community in the hillside town of Montone, near Perugia, in 1469. This exhibition catalog celebrates this important manuscript, recently acquired by the Cleveland Museum of Art, with exquisite reproductions that bring the illuminated pages to life. Additional works by the Caporali brothers and relevant art from the museum's and other collections elucidate the history, style, content, function, and authorship of the missal. Illustrations of a chalice and a paten, a chasuble, and a processional cross enhance the religious and aesthetic context of the manuscript. A series of essays by eminent scholars examine the influence of Florentine artists on the Caporali brothers and explore the spiritual life of the Franciscan community and the history of the friary at Montone. AUTHOR: Stephen N. Fliegel is the Curator of Medieval Art at the Cleveland Museum of Art. ILLUSTRATIONS 100 colour




The Basilica of San Francesco in Assisi


Book Description

A guided tour of the Basilica of San Francesco in Assisi, featuring rarely seen details of magnificent Italian art Founded in 1228, the Basilica of St. Francis in Assisi is the burial place of St. Francis and the mother church of the Franciscan order of monks. It is also a treasure house of art, decorated with monumental frescoes by some of the greatest painters of the thirteenth and fourteenth centuries. The Upper Basilica is perhaps most famed for its sequence of frescoes that celebrate the life and teachings of St. Francis, attributed to Giotto and his workshop, while Cimabue and his followers were responsible for a series of dramatic scenes from the Old and New Testaments. The Lower Basilica, meanwhile, has been expanded through the addition of several magnificent chapels; their titular saints are commemorated with great imagination and immediacy in works by artists including Simone Martini and Pietro Lorenzetti. This book takes its readers on a guided tour of this magnificent complex, aided by a wealth of beautiful photographs. Rarely seen details allow the personal imprints of the artists to shine through, and demonstrate that beyond their diversity of styles, they were all united by a desire to mirror reality while maintaining a sense of the spiritual and the sublime. This unmatched artistic heritage marks a revolutionary era in the flowering of Italian art.