Stained glass and the Victorian Gothic revival


Book Description

Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.




Victorian Stained Glass


Book Description

A beautifully illustrated guide to the world of Victorian stained glass and its manufacturers and designers. Victorian stained glass – magnificent, colourful and artistic – adorns countless British churches, municipal buildings and homes. Across the decades, several artistic movements influenced these designs, from the Gothic Revival, through the Arts and Crafts Movement and into Art Nouveau as a new century dawned. Historian Trevor Yorke shows how craftsmen re-learned the lost medieval art of colouring, painting and assembling stained glass windows – but also, in this age of industry, how windows were templated and mass produced. Showcasing the exquisite glass generated by famous designers such as A.W.N. Pugin, Pre-Raphaelites William Morris and Edward Burne-Jones, and by leading manufacturers such as Clayton and Bell, this beautifully illustrated book introduces the reader to many wonderful examples of Victorian stained glass and where it can be found.




Gothic Revival Architecture


Book Description

From the Houses of Parliament to the Midland Hotel at St Pancras and Strawberry Hill House, Gothic Revival buildings are some of the most distinctive structures found in Britain. Far from a copy of medieval buildings, it was a style full of colour and invention, in which its exponents created a daring new approach to design. Throwing out the old Classical rule book, Gothic Revival architects like Pugin and George Gilbert Scott designed buildings which were asymmetrical in form and visually expressive of their function. The movement went beyond just bricks and mortar and had a strong moral code, the influence of which was still felt into the 20th century. In this illustrated book, Trevor Yorke tells the story of the Gothic Revival from its origins in the whimsical fancies of the Georgian Period through to its High Victorian climax.







The Color of Light


Book Description

A simple, complete guide to stained glass in a church building for architects, building and renewal committees, pastors, liturgical designers, consultants, and anyone who appreciates the beauty of stained glass.




Arts & Crafts Stained Glass


Book Description

An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art







The Language of Stained Glass


Book Description




Stained Glass


Book Description

Raguin and Pongracz offer a detailed and lavish review of the styles, designs, practitioners, tools, and techniques of stained glass and give the complete history of this exquisite medium.




Stained Glass Windows: An Essay


Book Description

The essay describes the research that Faber did in order to inform his church members as to what kind of windows might be commissioned and placed in Grace Church, Lockport, where he was the resident Catholic priest.The essay is scholarly in tone and Faber goes into a great deal of detail. He was clearly delighted to be tasked with this important role as he says 'It is an unspeakable privilege to be permitted to place a memorial like this in the house of God, bringing ever new comfort and joy to hearts bereaved, and satisfaction to the donors; yes, if there is need to say it, it is an honor to be permitted to do it.' Frederick William Faber (1814 –1863) was a noted English hymn writer and theologian, who converted from Anglicanism to Roman Catholicism in 1845. He was ordained to the Catholic priesthood subsequently in 1847. His best-known work is Faith of Our Fathers. Nicholas Carter lives near Bristol and has been a journalist in the West Country for seventeen years. He is a member of The Sealed Knot.