September Commando


Book Description

The second installment of politically charged satire, scrutiny, and social commentary from John Yates' Stealworks graphics compound. Whereas his first anthology of work, Stealworks, was a retrospective that gathered together in a single archival collection previously published material, this latest edition comprises an entirely unpublished selection of incendiary graphics. Featuring over 100 of Yates' designs, September Commando is a visual assault on all things bad. From our benevolent leaders on "Capitol(ist) Hill" to "Twenty First Century Cops," from his "own" apathy-embracing "(de)Generation X" to the selling of "Corporate American" ignorance (and purchase thereof) to the (pocket) enlightened m(asses). Think of it as Barbara Kruger on a social injustice killing spree.




Maximum Rocknroll


Book Description




The Design of Dissent


Book Description

Chosen by the Editors at Amazon.com as one of the top 50 Best Books of 2005 - Now in paperback! With the world's economy in a slump, the Middle East's never ending conflict, and the on-going war on terrorism, there is a heightened awareness in the world community of the many sides of the numerous issues that both directly and indirectly affect our lives. Increasingly, people are feeling powerless and underrepresented because they have no voice. Designers, however, have a voice. They are among the most influential bystanders because their skills enable them to communicate a message easily through the Web or through posters and printed pieces. A picture is worth a thousand words and designers have used this adage to their advantage for years by creating simple yet powerful designs that immediately convey the message to the viewer. The Design of Dissent focuses on graphic work that designers have made as a result of social and political concerns. The time is certainly ripe as the U.S., and world, flares in opposition on so many important issues.




The Design of Dissent, Expanded Edition


Book Description

The Design of Dissent is a global collection of socially and politically driven graphics on issues including Black Lives Matter, Trump protests, refugee crises, and the environment. Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinions is not only our privilege, it is our responsibility. Most importantly, it is a human right, one which must be fervently fought for, protected, and defended. Many of the issues and conflicts visited in the first edition of this book remain vividly present today, as simmering, sometimes throbbing reminders of how the work of democracy and pace of social change is often incremental, requiring patience, diligence, hope, and the continuing brave voices of designers whose skillful imagery emboldens, invigorates, and girds us in the face of struggle. The 160+ new works in this edition document the Arab Spring, the Obama presidency, Occupy Wall Street, Black Lives Matter, the election of Donald Trump, Putin's continuing influence, the Women's March, the ongoing refugee crises, immigration, environment and humanitarian issues, and much more. This powerful collection, totaling well over 550 images, stands not only as a testament to the power of design but as an urgent call to action.




The Struggle Against the State & Other Essays


Book Description

Forced to flee by the Bolsheviks, he eventually ended up in exile in Paris. Marginalized and impoverished, in poor health as a result of wounds sustained in fighting against the Whites and the Bolsheviks, and time spent in prisons inside tsarist Russia before the Revolution and in Eastern European prisons en route to exile afterwards, Nestor Makhno wrote occasional essays in self-vindication and in vindication of the peasant insurgent movement that bore his name.




No Pasaran


Book Description

A collection written by a who's who of antifascist researchers and theorists in the US, including Tal Lavin (Culture Warlords); Kim Kelly (Fight Like Hell), Hilary Moore (No Fascist USA!), and Daryle Lamont Jenkins (One People's Project). ¡No Pasarán! is an anthology of antifascist writing that takes up the fight against white supremacy and the far-right from multiple angles. From the history of antifascism to today's movement to identify, deplatform, and confront the right, and the ways an insurgent fascism is growing within capitalist democracies, a myriad of voices come together to shape the new face of antifascism in a moment of social and political flux.




Voices of the Paris Commune


Book Description

The Paris Commune of 1871, the first instance of a working-class seizure of power, has been subject to countless interpretations; reviled by its enemies as a murderous bacchanalia of the unwashed while praised by supporters as an exemplar of proletarian anarchism in action. As both a successful model to be imitated and as a devastating failure to be avoided. All of the interpretations are tendentious. Historians view the working class’s three-month rule through their own prism, distant in time and space. Voices of the Paris Commune takes a different tack. In this book only those who were present in the spring of 1871, who lived through and participated in the Commune, are heard. The Paris Commune had a vibrant press, and it is represented here by its most important newspaper, Le Cri du Peuple, edited by Jules Vallès, member of the First International. Like any legitimate government, the Paris Commune held parliamentary sessions and issued daily printed reports of the heated, contentious deliberations that belie any accusation of dictatorship. Included in this collection is the transcript of the debate in the Commune, just days before its final defeat, on the establishing of a Committee of Public Safety and on the fate of the hostages held by the Commune, hostages who would ultimately be killed. Finally, Voices of the Paris Commune contains a selection from the inquiry carried out twenty years after the event by the intellectual review La Revue Blanche, asking participants to judge the successes and failures of the Paris Commune. This section provides a fascinating range of opinions of this epochal event.




Modem Times 2.0


Book Description

As the editor of London’s revolutionary New Worlds magazine in the swinging sixties, Michael Moorcock has been credited with virtually inventing modern Science Fiction: publishing such figures as Norman Spinrad, Samuel R. Delany, Brian Aldiss and J.G. Ballard. Moorcock’s own literary accomplishments include his classic Mother London, a romp through urban history conducted by psychic outsiders; his comic Pyat quartet, in which a Jewish antisemite examines the roots of the Nazi Holocaust; Behold The Man, the tale of a time tourist who fills in for Christ on the cross; and of course the eternal hero Elric, swordswinger, hellbringer and bestseller. And now Moorcock’s most audacious creation, Jerry Cornelius—assassin, rock star, chronospy and maybe-Messiah—is back in Modem Times 2.0, a time-twisting odyssey that connects 60s London with post-Obama America, with stops in Palm Springs and Guantanamo. Modem Times 2.0 is Moorcock at his most outrageously readable—a masterful mix of erudition and subversion. Plus: The non-fiction essay “My Londons” and an Outspoken Interview with literature’s authentic Lord of Misrule.




Unflattering Photos of Fascists


Book Description

Donald Trump is hated on the Left, but we owe him thanks for accomplishing what no other president has ever accomplished. He has brought into the bright light of day for the first time a quasi-fascist movement in the United States, the roiling ugliness known as the Amerikaner Trumpenvolk. One of the principle locations for quasi-fascist and fascist organizing in the United States in the last five years has been Portland, OR. Notably, local fascist and white nationalist groups have forged alliances with far right conservatives, members of the GOP, patriot militia members, Proud Boys, and extremist Christian groups like Patriot Prayer. When these clowns show up in public they mean to intimidate, they mean to spread violence, and they mean to recruit new members. They also make spectacles of themselves, which, thankfully, Jeff Schwilk is there to document. These candid, unflattering, moments captured by Schwilk allow us to gaze at these monsters not how they'd like us to see them, but in a pathetic light of their own making. Thirty photos are paired with essays skewering these Trumpenvolk, adding up to an entertaining, unique, and powerful indictment of the hate groups and haters operating in the U.S. today.




The Permanent Guillotine


Book Description

When the Bastille was stormed on July 14, 1789, it wasn’t a crowd of breeches-wearing professionals that attacked the prison, freed the internees, and killed its superintendent, carrying off his head on a pike. It was the working people of Paris, who didn’t wear breeches, the sans-culottes. In the course of the French Revolution the sans-culottes questioned the economic system, the nature of property, the role and even the legitimacy of religion, and for the first time placed class relations at the heart of a revolutionary upheaval. They did so in an often-inchoate fashion, but they were new players on the stage of history, and the Revolution constituted their learning curve. The Permanent Guillotine is an anthology of figures who expressed the will and wishes of this nascent revolutionary class, in all its rage, directness, and contradictoriness. Taken together, these documents provide a full portrait of the left of the left of the Revolution, of the men whose destruction by Robespierre allowed for Robespierre himself to be destroyed and for all the progressive measures they advocated and he implemented to be rolled back. The Revolution they made was ultimately stolen from them, but their attempt was a fertile one, as their ideas flourished in the actions of generations of French revolutionaries.