Legal Writing Skills


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Awakening the Actor Within


Book Description

"Awakening The Actor Within" is a 12-week workbook aimed at helping actors recover and discover their highest goals and ambitions. It's "The Artist's Way" for actors! It focuses on the subject of helping actors heal from acting "blocks" and getting the courage to act again after being discouraged or disappointed. A spirited workbook that initiates creative expansion and growth for actors. It aims to free an actor's creativity and build a healthy "acting" foundation with a simple, friendly, approach called Acting Practice. The user-friendly workbook teaches actors to form healthy acting habits and rebuild confidence as it guides actors through a series of daily and weekly exercises that empower them with practical tools to overcome their "blocks" (fear, anger, self-loathing, jealousy, self-sabotage, and money). The workbook is set up in a 3 act "screenplay" structure. ACT ONE: Weeks 1-4 focus on dismantling old blocks and creating a solid foundation ACT TWO: Weeks 5-6 focus on working on scripts, character, acting technique and AUDITIONS ACT THREE: Weeks 7-12 focus on marketing and branding your talents.




The Stephen Foster Story


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Stephen Foster


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The Music of Stephen C. Foster


Book Description

This first complete critical edition of the works of Stephen Foster (1826-1864) includes reproductions of not only Foster's songs, but also his children's hymns, piano pieces, and instrumental music--the full range of his compositional activity. The compositions appear in the order Foster wrote them. A critical report by the editors accompanies every piece, and introductory chapters discuss the composer's place in American cultural history, the sources for the edition, performing the music, and musical style. Annotation copyrighted by Book News, Inc., Portland, OR.




Alan LeMay


Book Description

Although much has been written about the 1950s cult film The Searchers, Alan LeMay, the author of the novel upon which the movie is based, has received little attention. This welcome biography tells the engaging story of the career freelance writer who sold his first story at age 19 and never held a permanent job. LeMay gained success in the 1930s writing Westerns and in the 1940s penning scripts for "big outdoor" films but he is best remembered for Searchers (1953) and another novel adapted into a popular film, The Unforgiven (1957). Sometimes rich but frequently poor, LeMay supported a family with his writing and engaged in a variety of ventures, including cattle ranching, polo playing, flying, and road racing. This narrative of his unconventional life offers an insider's view of Hollywood and conveys the unique stresses of a career in screenwriting.




Masterful Stories


Book Description

The early eras of radio storytelling have entered and continue to enter the public domain in large quantities, offering unprecedented access to the Golden Age of Radio. Author and Professor John Pavlik mines the best this age of radio has to offer in Masterful Stories, an examination of the masterpieces of audio storytelling. This book provides a chronological history of the best of the best from radio’s Golden Age, outlining a core set of principles and techniques that made these radio plays enduring examples of storytelling. It suggests that, by using these techniques, stories can engage audiences emotionally and intellectually. Grounded in a historical and theoretical understanding of radio drama, this volume illuminates the foundational works that proceeded popular modern shows such as Radiolab, The Moth, and Serial. Masterful Stories will be a powerful resource in both media history courses and courses teaching audio storytelling for modern radio and other audio formats, such as podcasting. It will appeal to audio fans looking to learn about and understand the early days of radio drama.




Radio Series Scripts, 1930-2001


Book Description

Who were the 35 actors that performed with stars Bud Abbott and Lou Costello in radio's The Abbott and Costello Show? Do scripts survive for the old Burns and Allen shows or the children's crime fighter series The Green Hornet? Serious researchers and curious browsers interested in Golden Age radio will find a wealth of information in this reference collection. Most are from the 1930s, 1940s and 1950s, though subsequent decades are included for long-running shows. Crime series, whodunits, romances, situation comedies, variety shows, soap operas, quiz show series and others are included. Casual browsers will find tidbits on the radio careers of notables from other media (Humphrey Bogart, Ginger Rogers), mention of adaptations by famous authors (Jack London, Ray Bradbury), curious episode titles ("The Gorilla That Always Said Yeh-ah") and series titles (Whispering Streets), and interesting sponsors (Insect-O-Blitz). The first section is an alphabetical list of T.O. Library's significant radio script collections, with notes on their content and format. The second section is the guide to series scripts by program title. Entries include title and basic information, including collection(s) in which they are found; producers, directors, writers, musicians and regular cast; sponsors; and holdings by date, episode number and title. Increasing the book's usefulness for researchers are indexes by name, program and sponsor.




The Ruse of Repair


Book Description

Since the 1990s, literary and queer studies scholars have eschewed Marxist and Foucauldian critique and hailed the reparative mode of criticism as a more humane and humble way of approaching literature and culture. The reparative turn has traveled far beyond the academy, influencing how people imagine justice, solidarity, and social change. In The Ruse of Repair, Patricia Stuelke locates the reparative turn's hidden history in the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s. She shows how feminist, antiracist, and anti-imperialist liberation movements' visions of connection across difference, practices of self care, and other reparative modes of artistic and cultural production have unintentionally reinforced forms of neoliberal governance. At the same time, the US government and military, universities, and other institutions have appropriated and depoliticized these same techniques to sidestep addressing structural racism and imperialism in more substantive ways. In tracing the reparative turn's complicated and fraught genealogy, Stuelke questions reparative criticism's efficacy in ways that will prompt critics to reevaluate their own reading practices.