Still Colored


Book Description

My personal story was written to show and relate the experiences I had working as an executive in Southwest Georgia in the late nineties through 2009. I heard stories from my in-laws about the experiences they had growing up in the South, but I never believed it would happen to me. I grew up thinking that because of my education, life was going to be easy for me and my family. I had not experienced this form of discrimination in my entire life, due to the fact that I was raised by white people from the age of fifteen to twenty-four. I felt it only happened to individuals who were lazy and wanted to blame their circumstances on others. I knew it would not happen to me because my husband was a successful lawyer licensed in three states; my in-laws were doctors; and I had a great education. Needless to say, I found out when we moved to Georgia - even after associating with the President of the United States and the likes of the founder of Habitat for Humanity International - it was obvious that I was still colored.




The Broken Crayon That Colored Still


Book Description

Sexually abused and broken by the decisions of those meant to care for her, Santoria had a few life-altering decisions to make of her own. None, however, would be more important than the first. The Broken Crayon is a self-help book wrapped up in a memoir about Santoria's journey from child molestation to college graduation. Each chapter begins with a story and ends with a lesson. All together, they will inspire you to: Identify the source of your brokenness, exploit it for your own good, and forgive those involved in it, including yourself. Whether you are fifteen or fifty, if you are ready to come face to face with your own childhood trauma, then this book is for you. If you are not, buy the book anyways. Give it to that friend or relative you keep telling yourself needs it more than you... at least until your own pain demands to be felt.




Realistic Still Life in Colored Pencil


Book Description

Realistic Still Life in Colored Pencil provides beginning-to-intermediate artists with a comprehensive, easy-to-follow, and engaging guide to creating lifelike still lifes in colored pencil, utilizing a wide range of techniques.




For Colored Boys who Have Considered Suicide when the Rainbow is Still Not Enough


Book Description

"Commentator Keith Boykin expands on the 'It Gets Better' project by bringing together 44 stories by men of color on coming of age, coming out, and coming home to their families and their communities."--P. [4] of cover.




What Color Is the Sacred?


Book Description

Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path. Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich. Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.




Realistic Still Life in Colored Pencil


Book Description

Rendering artwork that leaves your viewers contemplating whether a piece might actually be a photograph is no easy task! Perfect for both aspiring and established artists, Realistic Still Life in Colored Pencil is an easy-to-understand guidebook that shows you the secrets to drawing lifelike still life artwork in the dynamic medium of colored pencil. If you want to learn how to render realistic still lifes using a wide range of techniques, this approachable, engaging guide is just the resource. After an introduction to the basic tools and materials, you will discover a variety of basic colored-pencil techniques, such as: Hatching Crosshatching Shading Blending Layering Burnishing And much more! In addition, you will find more complex techniques for creating realistic still lifes, including how to render various textures, like glass, wood, porcelain, flower petals, and others. Throughout the book, the expert artist, art instructor, and author offers artist tips and techniques for checking proportions, using layers to build color and depth, and looking for “hidden” colors to achieve realistic effects. Also included is valuable information for connecting all of the elements for polished and professional results. Packed with easy-to- follow instructions, plenty of helpful tips, and beautiful artwork and photographs to inspire, Realistic Still Life in Colored Pencil is the perfect resource for taking your colored-pencil art to the next level.




I'm Still Here


Book Description

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • From a leading voice on racial justice, an eye-opening account of growing up Black, Christian, and female that exposes how white America’s love affair with “diversity” so often falls short of its ideals. “Austin Channing Brown introduces herself as a master memoirist. This book will break open hearts and minds.”—Glennon Doyle, #1 New York Times bestselling author of Untamed Austin Channing Brown’s first encounter with a racialized America came at age seven, when she discovered her parents named her Austin to deceive future employers into thinking she was a white man. Growing up in majority-white schools and churches, Austin writes, “I had to learn what it means to love blackness,” a journey that led to a lifetime spent navigating America’s racial divide as a writer, speaker, and expert helping organizations practice genuine inclusion. In a time when nearly every institution (schools, churches, universities, businesses) claims to value diversity in its mission statement, Austin writes in breathtaking detail about her journey to self-worth and the pitfalls that kill our attempts at racial justice. Her stories bear witness to the complexity of America’s social fabric—from Black Cleveland neighborhoods to private schools in the middle-class suburbs, from prison walls to the boardrooms at majority-white organizations. For readers who have engaged with America’s legacy on race through the writing of Ta-Nehisi Coates and Michael Eric Dyson, I’m Still Here is an illuminating look at how white, middle-class, Evangelicalism has participated in an era of rising racial hostility, inviting the reader to confront apathy, recognize God’s ongoing work in the world, and discover how blackness—if we let it—can save us all.