Still Roaring


Book Description

Jim Phillips was the only voice of the Clemson Tigers for generations of fans. For 36 years, his matter-of-fact play by play brought Clemson athletics to life over the radio in South Carolina and wherever the Clemson network was broadcast. Phillips covered football from Frank Howard to Tommy Bowden, including the 1981 national championship season under Danny Ford. He broadcast Clemson's first 15 NCAA tournament games in seven appearances. In workmanlike fashion, he helped build audiences and credibility for baseball and women's basketball when many top college broadcasters delegated those sports to less experienced colleagues.Although Jim Phillips died suddenly of an aortic aneurysm on September 9, 2003, his memories endure in Still Roaring: Jim Phillips's Life in Broadcasting. In interviews before his death, Phillips told the story of his life to author Ken Tysiac. They talked about football in the president's box after games at Death Valley; about basketball at a Chili's Restaurant halfway between Duke and Chapel Hill; and about college baseball at Cascio's Restaurant in Omaha during the College World Series. In Still Roaring, Phillips recalls a personal guarantee from Charlie Waters before a huge victory for venerable coach Frank Howard. He shares memories of quiet time spent with Danny Ford after the Tigers captured the national title in the Orange Bowl, and he relates the message Rick Barnes gave the Clemson basketball team before a rare, memorable win at Duke's Cameron Indoor Stadium. He also traces the beginnings of future major leaguers such as Mark Lemke and David Justice back to the time Phillips covered them with the Greenville Braves. Phillips's memoirs are often humorous and always heartfelt?a personal history of Clemson athletics and the South Carolina sports scene.




The Coquíes Still Sing


Book Description

A powerful story about home, community, and hope, inspired by the rebuilding of Puerto Rico following Hurricane Maria in 2017, written by debut author Karina González and illustrated by Krystal Quiles. "This book is more than beautiful." - Yuyi Morales, Caldecott Honoree and New York Times bestselling creator of Dreamers Co-quí, co-quí! The coquí frogs sing to Elena from her family’s beloved mango tree—their calls so familiar that they might as well be singing, “You are home, you are safe.” But home is suddenly not safe when a hurricane threatens to destroy everything that Elena knows. As time passes, Elena, alongside her community, begins to rebuild their home, planting seeds of hope along the way. When the sounds of the coquíes gradually return, they reflect the resilience and strength of Elena, her family, and her fellow Puerto Ricans. The Coquies Still Sing is also available in Spanish.










An Accidental Journalist


Book Description

When an idealistic American named Edmund Stevens arrived in Moscow in 1934, his only goal was to do his part for the advancement of international Communism. His job writing propaganda led to a reporting career and an eventual Pulitzer Prize in 1950 for his uncensored descriptions of Stalin's purges. This book tells how Stevens became an accidental journalist-and the dean of the Moscow press corps. The longest-serving American-born correspondent working from within the Soviet Union, Stevens was passionate about influencing the way his stateside readers thought about Russia's citizens, government, and social policy. Cheryl Heckler now traces a career that spanned half a century and four continents, focusing on Stevens's professional work and life from 1934 to 1945 to tell how he set the standards for reporting on Soviet affairs for the Christian Science Monitor. Stevens was a keen observer and thoughtful commentator, and his analytical mind was just what the Monitor was looking for in a foreign correspondent. He began his journalism career reporting on the Russo-Finnish War in 1939 and was the Monitor's first man in the field to cover fighting in World War II. He reported on the Italian invasion of Greece, participated in Churchill's Moscow meeting with Stalin as a staff translator, and distinguished himself as a correspondent with the British army in North Africa. Drawing on Stevens's memoirs-to which she had exclusive access-as well as his articles and correspondence and the unpublished memoirs of his wife, Nina, Heckler traces his growth as a frontline correspondent and interpreter of Russian culture. She paints a picture of a man hardened by experience, who witnessed the brutal crushing of the Iron Guard in 1941 Bucharest and the Kharkov hangings yet who was a failure on his own home front and who left his wife during a difficult pregnancy in order to return to the war zone. Heckler places his memoirs and dispatches within the larger context of events to shed new light on both the public and the private Stevens, portraying a reporter adapting to new roles and circumstances with a skill that journalists today could well emulate. By exposing the many facets of Stevens's life and experience, Heckler gives readers a clear understanding of how this accidental journalist was destined to distinguish himself as a war reporter, analyst, and cultural interpreter. An Accidental Journalist is an important contribution to the history of war reporting and international journalism, introducing readers to a man whose inside knowledge of Stalinist Russia was beyond compare as it provides new insight into the Soviet era.




The Two Romanticisms and other essays


Book Description

The Romantic period is the most appealing but also the most confusing period of English literature for the student. Crucially, this book distinguishes between 'the Romantic' as modern critics use the term and 'the romantic' as it was used during the period itself. The Two Romanticisms, and Other Essays is a collection of critical essays on Romanticism and select Romantic texts, designed to help teachers and students to make sense of the period as a whole and of the poems and novels that appear most frequently on school and university curricula. Each chapter offers a self-contained reading of a different canonical work while engaging with broader themes. Through close readings of Jane Austen, Lord Byron, Samuel Taylor Coleridge, John Keats, Mary Shelley, Percy Bysshe Shelley and William Wordsworth, Professor Christie explores the complexities of the Romantic period and offers fresh insights into pivotal Romantic texts.




Teaching Particulars


Book Description

In Teaching Particulars, Helaine Smith engages her students, grammar school through twelfth grade—and any avid reader—in the questions that great literature evokes. Included are chapters on Homer and Genesis; plays by Sophocles, Shakespeare, and Beckett; poems by Jonson, Donne, Coleridge, Browning, Hopkins, Yeats, Bishop, Hecht, Dove, and Lowell; essays by Baldwin, Lamb, and White; and fiction by Flannery O’Connor, Dickens, Joyce, Poe, Tolstoy, Mann, and Kafka. Whether Helaine Smith is talking to young or older students, she shows how any devoted reader can uncover all sorts of subtle beauty and meaning by reading closely and by assuming that virtually every word and phrase of a great text is deliberate. The question-and-answer form of these jargon-free dialogues creates the feeling of a vibrant classroom where learning and delight are the watchwords. “After her forty years of teaching, Smith’s keen understanding of the literary canon makes her the perfect candidate to write this humorous and insightful book." —Foreword Reviews "Teaching Particulars is an exemplary series of literary conversations by a master teacher on a great variety of important, life-shaping books. The guidance is unfailingly humane, the essays thoughtfully presented by someone who cares as much for the written word as she does about her classroom and her subject matter. Her commentary on Hecht’s ‘Rites and Ceremonies,’ the poet’s complex response to Eliot’s ‘The Waste Land,’ ranks among the very best anywhere, as is true for her reading of Hecht’s ‘Devotions of a Painter,’ which has the further advantage of illuminating that work in light of Elizabeth Bishop’s profound meditation on painting in her ‘Poem.’ Reading Teaching Particulars makes me wish that all of my students could have had Helaine Smith as their teacher.” —Jonathan F. S. Post, Distinguished Professor of English and former Chair of the Department, UCLA “There’s simply nothing else like Teaching Particulars, a book packed with so much wisdom and practical advice about teaching literature that every instructor of grades 6 to 12—and of college classes, too—will want to get a copy right now. Even if you’re not a teacher, I highly recommend it. The love of books pulses through every page Helaine Smith writes, and her passion is infectious. She opens our eyes to the pleasures of reading in a way that few critics can, and she does it all in a book whose style is both elegant and friendly.” —David Mikics, John and Rebecca Moores Professor of English, University of Houston, and author of Slow Reading in a Hurried Age “Teaching Particulars is a bounteous resource for all teachers, as well as a pleasure just to curl up with and read away.” —Susan J. Wolfson, Professor of English, Princeton University “Helaine Smith is a genius of a teacher: witty, imaginative, precise, intuitive, and gracefully learned. Now anyone who opens her Teaching Particulars can have the rare privilege of learning from her how to read, in the truest sense. It’s never too late to be startled into delight by the power of language, and that is the experience offered on every page of this book. It’s a book not only for the schoolroom, but for the school of life.”—Rosanna Warren, Hanna Holborn Gray Distinguished Service Professor, The Committee on Social Thought, The University of Chicago




MacArthur Must Die


Book Description

The bestselling author of WW III “Wonderful, one of the great suspense stories of World War II” —Clive Cussler Set during World War II, MacArthur Must Die is a "what-if" thriller in the great tradition of Eye of the Needle and The Eagle Has Landed, centering on a Japanese assassination plot against General Douglas MacArthur. It is 1942 and Japan owns the Pacific. The speed with which the Japanese have captured vast territories in a few months makes the Nazi Blitzkrieg look plodding by comparison. Hundreds of thousands are taken prisoner as Americans in the Philippines and the British in Singapore are forced to surrender, and President Roosevelt orders MacArthur to escape from the Philippines to Australia, from where he can launch a counter-offensive—hence MacArthur's famous promise, "I shall return." But what if the Japanese have no intention of allowing MacArthur to return to the Philippines or anywhere else within their freshly consolidated empire? And War Minister Tojo orders that MacArthur be assassinated: "MacArthur Must Die." The ingenious assassination plot—involving a submarine-launched, bomb-laden Kamikaze aircraft—is created in vivid, hair-raising detail while the action unfolds against a backdrop of dramatic historical events in the Pacific Theater of Operations that will place the reader convincingly close to the most devastating blow imaginable to the allied cause in the Pacific during World War II. “A high-noon shootout in downtown Brisbane, which produces a denouement straight out of Higgin’s The Eagle Has Landed. As a native of his narrative’s Australian setting, Slater is [also] able to offer flashes of local color.” —Kirkus Reviews




Operation Pax


Book Description

A two-bit con-man is thrown in at the deep end as a desperate hunt takes place in Oxford, in this gripping tale the thrilling climax of which takes place in the vaults of the Bodleian Library.




Haunted


Book Description

Donald closed his eyes, lifting his chin, and drawing his bushy white eyebrows together importantly. The table waited silently, the glass still. ‘It’s the girl,’ he finally said, ‘she’s here. She wants to communicate with you, Meredith. You lead.’ All eyes turned to Meredith, and she felt the camera train on her face. Heart hammering in her chest, her mind went instantly blank. She struggled to think of anything she was supposed to say. Get a grip, Meredith, you’re on camera. The girl wants to speak to you, so treat her like any other child. The only difference is that this one is dead. Just a minor detail, right? ‘OMG. Haunted was fantastic, I couldn’t put it down!’ Done with therapy and desperate for change, Meredith Knight fakes a parapsychology degree and takes a job as a presenter on a locational shoot in Scotland. Part respite from the constraints of caring for her alcoholic mother, part crash course in dealing with the dead, Meredith hopes to dampen her fear and gain the confidence to find out what her dead sister wants. Maybe then Eve will leave for good, and her mother can stay dry. Maybe then she can live a normal life. But as the pressure of the shoot increases, Meredith is left with far more questions than answers, and she struggles to grasp the truth she desperately needs. With her mother in a downward spiral at home, and Eve’s presence intensifying into a claustrophobic malevolence desperate for attention, Meredith is no longer frustrated, she begins to feel haunted, watched, and afraid. 800 miles from home, terrified and alone, Meredith begins to feel she has made a catastrophic mistake. Shadows seen from the corner of her eye, a sinister form that materialises behind the curtains, the reappearance of a childhood teddy bear she would rather forget, and unearthly voicemails left on her phone are setting her nerves on edge. As Eve’s horrifying story closes in there is no escape, Meredith is forced to deal with what really happened to her sister all those years ago. What she uncovers destroys the very foundation of her own dysfunctional childhood, and for the first time in her life she begins to question not only whether she can trust those around her, but whether she can trust herself. ‘Haunted really had me gripped, I didn’t see the end coming.’