Written/Unwritten


Book Description

The academy may claim to seek and value diversity in its professoriate, but reports from faculty of color around the country make clear that departments and administrators discriminate in ways that range from unintentional to malignant. Stories abound of scholars--despite impressive records of publication, excellent teaching evaluations, and exemplary service to their universities--struggling on the tenure track. These stories, however, are rarely shared for public consumption. Written/Unwritten reveals that faculty of color often face two sets of rules when applying for reappointment, tenure, and promotion: those made explicit in handbooks and faculty orientations or determined by union contracts and those that operate beneath the surface. It is this second, unwritten set of rules that disproportionally affects faculty who are hired to "diversify" academic departments and then expected to meet ever-shifting requirements set by tenured colleagues and administrators. Patricia A. Matthew and her contributors reveal how these implicit processes undermine the quality of research and teaching in American colleges and universities. They also show what is possible when universities persist in their efforts to create a diverse and more equitable professorate. These narratives hold the academy accountable while providing a pragmatic view about how it might improve itself and how that improvement can extend to academic culture at large. The contributors and interviewees are Ariana E. Alexander, Marlon M. Bailey, Houston A. Baker Jr., Dionne Bensonsmith, Leslie Bow, Angie Chabram, Andreana Clay, Jane Chin Davidson, April L. Few-Demo, Eric Anthony Grollman, Carmen V. Harris, Rashida L. Harrison, Ayanna Jackson-Fowler, Roshanak Kheshti, Patricia A. Matthew, Fred Piercy, Deepa S. Reddy, Lisa Sanchez Gonzalez, Wilson Santos, Sarita Echavez See, Andrew J. Stremmel, Cheryl A. Wall, E. Frances White, Jennifer D. Williams, and Doctoral Candidate X.




Undiscovered


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N/A no book description




The Library of the Unwritten


Book Description

In the first book in a brilliant new fantasy series, books that aren't finished by their authors reside in the Library of the Unwritten in Hell, and it is up to the Librarian to track down any restless characters who emerge from those unfinished stories. Many years ago, Claire was named Head Librarian of the Unwritten Wing-- a neutral space in Hell where all the stories unfinished by their authors reside. Her job consists mainly of repairing and organizing books, but also of keeping an eye on restless stories that risk materializing as characters and escaping the library. When a Hero escapes from his book and goes in search of his author, Claire must track and capture him with the help of former muse and current assistant Brevity and nervous demon courier Leto. But what should have been a simple retrieval goes horrifyingly wrong when the terrifyingly angelic Ramiel attacks them, convinced that they hold the Devil's Bible. The text of the Devil's Bible is a powerful weapon in the power struggle between Heaven and Hell, so it falls to the librarians to find a book with the power to reshape the boundaries between Heaven, Hell….and Earth.




Bibliotheca Sacra


Book Description




Beau Monde on Empire’s Edge


Book Description

Cover -- Copyright page -- Contents -- List of Illustrations -- Acknowledgments -- Note to the Reader on Transliteration -- Abbreviations -- Introduction: The Beau Monde on the Borderlands -- 1 The Russian Imperial Southwest: Theatre in the Age of Modernism and Pogroms -- 2 The Literary Fair: Mikhail Bulgakov and Mykola Kulish -- 3 Comedy Soviet and Ukrainian? Il'f-Petrov and Ostap Vyshnia -- 4 The Official Artist: Solomon Mikhoels and Les' Kurbas -- 5 The Arts Official: Andrii Khvylia, Vsevolod Balyts'kyi, and the Kremlin -- 6 The Soviet Beau Monde: The Gulag and Kremlin Cabaret -- Notes -- Selected Bibliography -- Index







The Far Hope Collection


Book Description

No law but pleasure. No limit but acquiescence. No rule but secrecy. Welcome to the world of Far Hope, where wicked deeds rule the night and dangerous lovers wait in the shadows. This bundle of morally gray historical romances includes: The Chasing of Eleanor Vane Ajax Dartham, the Duke of Jarrell, has a problem. And that problem is his future niece-in-law. When the clever and capable Lady Eleanor Vane runs off into the night rather than marry his nephew, the duke has a choice. Should he catch Eleanor and return her to her fate—or make Eleanor his own instead? The Last Crimes of Peregrine Hind Peregrine Hind, known to all as the bloodiest highwayman ever to bedevil the road, seeks only one thing—revenge against the Dartham family. And so when a robbery sends the second Dartham son and notorious rakehell Alexander Dartham tumbling to Peregrine’s feet, it seems like fate has given Peregrine his vengeance at last. Except then Alexander offers him a desperate bargain: to kidnap him instead… The Conquering of Tate the Pious England is burning with Norman fires, and Tate—the youngest ever abbess of Far Hope Abbey—is determined to guard the abbey’s ancient secrets with her very life. But the Norman warlord who appears at her gates is not a man, but a cruel and beautiful woman, and it soon becomes clear that she has her eyes set on more than the gold and silver. She wants the abbess too…




Inconceivable Effects


Book Description

In Inconceivable Effects, Martin Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise. Via critical analysis of writers and filmmakers whose projects have changed our ways of viewing the modern world—including Hannah Arendt, Franz Kafka, Walter Benjamin, the directors of Germany in Autumn, and Heiner Müller—these essays furnish a cultural base for contemporary discussions of totalitarian domination, lying and politics, the relation between law and body, the relation between law and justice, the question of violence, and our ways of conceptualizing "the human." A consideration of ethics is central to the book, but ethics in a general, philosophical sense is not the primary subject here; instead, Blumenthal-Barby suggests that whatever understanding of the ethical one has is always contingent upon a particular mode of presentation (Darstellung), on particular aesthetic qualities and features of media. Whatever there is to be said about ethics, it is always bound to certain forms of saying, certain ways of telling, certain modes of narration. That modes of presentation differ across genres and media goes without saying; that such differences are intimately linked with the question of the ethical emerges with heightened urgency in this book.




The Muse of Hope Falls


Book Description

Everyone took a piece of Christie. Now she needs something back. As the muse and lover of one of the greatest painters of the late 20th century, Christie McGraw was once a major figure in New York. Now penniless, abandoned and sick, she needs to sell the last thing of any value that is in her possession. It's a lost masterpiece by her late lover, and she needs the help of Gabriel Viejo, the world expert on the artist, to authenticate it and get into the market. If he can help, she'll make it well worth his while. Gabriel opens negotiations with a shady Greek tycoon in the hope of saving Christie's life &– and boosting his own fortunes into the bargain. But there are some nasty surprises in store. Alan Kane Fraser's devilishly devious debut is a page-turning plunge into the murkier depths of the art world and the age-old relationship between creator and muse.