The Stone Gods


Book Description

A glimpse into unlikely love braved in the face of the void. On the airwaves, all the talk is of the new blue planet–pristine and habitable, like our own 65 million years ago, before we took it to the edge of destruction. And off the air, Billie and Spike are falling in love. What will happen when their story combines with the world’s story, as they whirl towards Planet Blue, into the future? Will they–and we–ever find a safe landing place? Of immense imaginary and emotional scope, The Stone Gods is Jeanette Winterson at her prescient, playful, muscular best. An interplanetary love story, a traveller’s tale, a hymn to the beauty of the world, this is a novel that will change forever the stories we tell about the earth, about love and about stories themselves.




A Line in the Sand


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The Night of the Gods


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Menhirs, Dolmen, and Circles of Stone


Book Description

Why are some rocks simply tossed out of the way, while others, regardless of their size, are held as sacred, mysterious and imbued with power? Humans since the dawn of civilization have used stone to represent the holy, both by fashioning sacred symbols for themselves and by granting recognition to certain sites occurring naturally. Varner shares his love of nature lore, oral traditions, folklore and ancient religious structures that are still so abundant in the world, and offers insights on the history and the technology of these artifacts, while touching on the importance of preserving a sense of reverence in today's world. This study examines the universal appeal of sites from the Dome of the Rock and Stonehenge to sites sacred to the Inuit and the Cherokees, from the Middle East to the American Midwest and the English Midlands. Philosopher-historian Mircea Eliade wrote, "a rock reveals itself to be sacred because its very existence is a hierophany: incompressible, invulnerable, it is that which man is not. It resists time; its reality is coupled with perenniality." The properties of stone were recognized as unique early in humankind's rise to civilization. Even when cultures were transitioning their technologies from stone to metal, it was stone that was used for ritual and other important acts. Early 20th-century Egyptologist Wallis Budge wrote, "in a tomb of the VIth Dynasty at Sakkrah, when the Egyptians had a good knowledge of working in metals, we see in a painting on the wall the act of circumcision being performed on a youth by an operator who uses a flint knife." Little do the keepers of worry stones today realize that they are practicing one of the ancient traditions of transferring their problems to an inanimate object. This volume looks at customs and traditions from around the world, from the curious to the profound, related to stones large and small, from prehistory to today.




The Aesthetics of Authenticity


Book Description

As a concept that increasingly gains importance in contemporary cultural discourse, authenticity emerges as a site of tearing tensions between the fictional and the real, original and fake, margin and centre, the same and the other. The essays collected in this volume explore this paradoxical nature of authenticity in the context of various media. They give ample proof of the fact that authenticity, which depends on giving the impression of being inherent or natural, found not created, frequently turns out to be the result of a careful aesthetic construction that depends on the use of identifiable techniques with the aim of achieving certain effects for certain reasons.




Stone Gods


Book Description

Adam Golaski's newest collection STONE GODS marks his long-awaited return to horror, following the now cult-classic Worse Than Myself (Raw Dog Screaming, 2008). STONE GODS features 15 stories of lives and places set askew.Stone Gods is A Publishers Weekly BookLife Editor's Pick: "Golaski's exploration of the human experience through the supernatural is immersive and self-exploratory. The final story, 'A Rainbow Summer,' employs storytelling itself as a potent instrument. A father breathes life into the animals in Noah's Ark, masterfully capturing the very essence of Stone Gods and what Golaski achieves within these memorable, sharply crafted stories."And praised by Kirkus Reviews: "In measured prose, Golaski's work recalls that of H.P. Lovecraft with surreal shades of Leonora Carrington's or Silvina Ocampo's work. Logic goes out the window in these atmospheric, symbolic tales. A celebration of the strange, cleverly told across stylistic forms."




The Life-Giving Myth


Book Description

Myths are the expression of a form of knowledge essential to life. Including mainly previously unpublished work by A.M. Hocart the book examines such issues as: Why a queen should not have been married before; why a guest is sacred; why people are believed to have been turned into stone; how money originated. These issues are considered as part of a socio-religious complex embraced in many parts of the world, both East and West. (There are chapters on the UK, India, Sri Lanka, Africa, Fiji, Egypt, and Ancient Greece).




Bellona Island Beliefs and Rituals


Book Description

"Monberg's account of the Bellonese religion is descriptive ethnography at its best. It is rich in detail, and the organization of the material gives a coherent view of Bellonese culture and society. While not a comparative study in itself, it provides an abundance of data that will be invaluable for other works that are more comparative in nature." -from the Editor's Note Pacific Islands Monograph Series No.9 Center for Pacific Islands Studies, UH




The Unknown Satanic Verses Controversy on Race and Religion


Book Description

The worldwide controversy surrounding its first publication in 1988 and concurrent death threat against its author, Salman Rushdie, paradoxically led to a narrow understanding of The Satanic Verses, which focused on whether it is insulting to Islam and whether it should be banned. And despite piecemeal attention to its epistemic intricacies by students of postcolonial literature in the aftermath, The Satanic Verses’ essential opacity has never been sufficiently met. The Unknown Satanic Verses Controversy on Race and Religion now responds to this gap through painstakingly detailed attention to the totality of Rushdie’s text. Indeed it uniquely approaches The Satanic Verses’ attempt to mythicize race and migration, on the one hand, and secularize religion and Islam, on the other, from a perspective informed by the perennial debate on religion and politics, esoteric or coded writing in the history of political thought, especially in times of persecution, and Islamic criticism in contemporary world literature. Üner Daglier’s findings accord with another layer of interpretation that emphasizes Rushdie’s across-the-board critique of racial prejudice, penchant for cultural eclecticism, and bitterly skeptical treatment of the foundations of Submission and proposal for feminist Islamic reform, as the antidote for entrenched misogyny, in a world where philosophy is for the rare and religion for the many. They further convey Rushdie’s constant preoccupation with the nature of miracles and postmodern case for intersubjectivity as a criterion for openness to their validity.




Drawing Down the Moon


Book Description

The essential text and classic study of Neo-Paganism Since its original publication, Drawing Down the Moon continues to be the only detailed history of the burgeoning but still widely misunderstood Neo- Pagan subculture. Margot Adler attended ritual gatherings and interviewed a diverse, colorful gallery of people across the United States, people who find inspiration in ancient deities, nature, myth, even science fiction. In this edition, featuring an updated resource guide of newsletters, journals, books, groups, and festivals, Margot Adler takes a fascinating and honest look at the religious experiences, beliefs, and lifestyles of modern America's Pagan groups.