Storied Communities


Book Description

Political communities are defined, and often contested, through stories. Scholars have long recognized that two foundational sets of stories � narratives of contact and narratives of arrival � helped to define settler societies. Storied Communities disrupts the assumption that Indigenous and immigrant identities fall into two separate streams of analysis. The authors juxtapose narratives of contact and narratives of arrival as they explore key themes such as narrative form, the nature of storytelling in the political realm, and the institutional and theoretical implications of foundation narratives. By doing so, they open up new ways to imagine, sustain, and transform political communities.




Hey, Wall


Book Description

“Verde’s unique style and simple yet increasingly important messages of peace, mindfulness, and community make her stories a must-share...A must-purchase.” —School Library Journal (starred review) “Walls do not just create barriers and divide spaces. They can be canvases for artmaking; opportunities to shape a community.” —The Horn Book “This story of urban renewal sends a welcome double message by Verde: neighbors and neighborhoods are more than the way they look, and ordinary people can band together to transform big things.” —Publishers Weekly A boy takes on a community art project in order to make his neighborhood more beautiful in this empowering and inspiring picture book by Susan Verde, stunningly illustrated by award-winning artist John Parra. One creative boy. One bare, abandoned wall. One BIG idea. There is a wall in Ángel’s neighborhood. Around it, the community bustles with life: music, dancing, laughing. Not the wall. It is bleak. One boy decides to change that. But he can’t do it alone. Told in elegant verse by Susan Verde and vibrantly illustrated by John Parra, this inspiring picture book celebrates the power of art to tell a story and bring a community together.




Reinventing Community


Book Description

''Human beings are not meant to live alone, or in isolated nuclear family arrangements. We do best in community. But in a few short generations, we've lost many of the social skills necessary for successful community living. The folks ... in Reinventing Community are the vanguard for the future - they're learning today ... what it takes to go beyond the solitary and aliented survival tactics of modern urban life to the full flowering of the human spirit of tomorrow.'' --- Eric Utne, founder of Utne magazine and editor of Cosmo Doogood's Urban Almanac.....Cohousing began in Scandinavia in the 1960s as a response to a feeling of isolation within typical suburban communities, where you don't know your neighbor, nor can you rely on their assistance - not even for a cup of sugar. Cohousing spread to the United States in the 1980s, and there are now several hundred such communities throughout the country in more than thirty states. Reinventing Community is the first cohousing anthology that tells real-world stories from the perspectives of the unique people who live in these communities, whether they be in urban, suburban, or rural settings. Unlike the few ''how-to'' guides in the marketplace today, this book details the lives of these close-knit groups of caring and active neighbors who enjoy their own privacy, yet also share a wonderful sense of camaraderie and connection. Exploring everything from planning a cohousing community to moving in to the joys and challenges of daily life, Reinventing Community shares with its readers a sense of what it takes to build a true community in our often detached and disengaged modern world.




Storied Communities


Book Description

Political communities are defined - and often contested - through stories and storytelling. Scholars have long recognized that two foundational sets of stories - narratives of contact and narratives of arrival - helped to define settler societies. We are only beginning to understand how ongoing issues of migration and settlement are linked to issues of indigenous-settler contact. In Storied Communities, scholars from multiple disciplines disrupt the assumption in many works that indigenous and immigrant identities fall into two separate streams of analysis. The authors do not attempt to build a new master narrative - they instead juxtapose narratives of contact and arrival as they explore key themes: the nature and hazards of telling stories in the political realm; the literary, ceremonial, and identity-forming dimensions of the narrative form; actual narratives of contact and arrival in Canada, Australia, the Americas, New Zealand, and Europe; and the institutional and theoretical implications of foundation narratives and storytelling. In the process, they deepen our understanding of the role of narrative in community and nation building. By bringing to light the links between narratives of contact and narratives arrival, this innovative volume opens up new ways to imagine, sustain, and transform political communities.




Storied Land


Book Description

"John Walton never writes predictable books, and Monterey, California, is not a predictable place; the pairing is perfect. Although rooted in Monterey, this book explores how people in general construct historical narratives. Storied Land is as thought-provoking a discussion of public history and what it means to tell stories about the past as anything that I have read."—Richard White, author of Remembering Ahanagran: A History of Stories "With deep research, shrewd analysis, and vivid writing, John Walton reveals how we live in a web of competing stories that connect future and present to a contested past. In recovering the particular riches of Monterey's literally storied past, Walton finds universal experiences of labor, resistance, loss, and silencing. His own masterful storytelling lets us develop a fuller, more humane tie to the people of our past."—Alan Taylor, author of the Pulitzer Prize-winning William Cooper's Town: Power and Persuasion on the Frontier of the Early American Republic "In the borderlands between archived event and public memory, John Walton has found a pathway to understanding the process whereby a community remembers, forgets, denies, affirms, or otherwise structures or re-structures its understanding of itself. Excavating a region and a city important to Native American, Spanish, Mexican, and American California, A Storied Land makes a welcomed contribution to California studies and the larger history and sociology of place."—Kevin Starr, author of Inventing the Dream: California Through the Progressive Era "Once again, John Walton has turned the facts about California into a compelling narrative and a profound meditation on the nature of history and collective memory."—Howard Becker, author of Art Worlds




Stories, Community, and Place


Book Description

From the Blurb: Though social scientists often talk about the "mainstream" of American society, they have very rarely studied it. Stories, Community, and Place does look at this group, examining the socio-linguistic behavior of the white middle-class population of a Midwest city. Barbara Johnstone focuses on the stories people tell about their lives and the stories they jointly create to define the place where they live. She looks at people's stories about incidents in their own lives, discussing what it is that these stories share, in structure and in theme, and what it is that gives each speaker a creative individual voice. She then examines how people use narrative to create, perpetuate, and manipulate social roles and relations. How, for example, are gender roles reflected in the stories women and men tell, and how do men's and women's stories create worlds of contest and community? How do people use reported speech to indicate what their relationships to police officers and other authority figures are like, while simultaneously suggesting what these relationships should be like? The final section of the book connects narrative with place. The author shows, for example, how stories are anchored in the local sociolinguistic world partly by being anchored in the local physical world. Another kind of connection between narrative and place is exemplified in a "community story" created by the media about a natural disaster in the city. This is a story which belongs to the city rather than to any of its citizens, and one in which the city and its citizens become one. Stories, Community, and Place will be of interest to linguists, anthropologists, sociologists, and folklorists, as well as to narratologists of any persuasion.




Communities in Contemporary Anglophone Caribbean Short Stories


Book Description

This book examines the representation of community in contemporary Anglophone Caribbean short stories, focusing on the most recent wave of Anglophone Caribbean short story writers following the genre's revival in the mid-1980s. The first extended study of Caribbean short stories, it presents the phenomenon of interconnected stories as a significant feature of late twentieth- and early twenty-first-century Anglophone Caribbean literary cultures. Lucy Evans contends that the short story collection and cycle, literary forms regarded by genre theorists as necessarily concerned with representations of community, are particularly appropriate and enabling as a vehicle through which to conceptualise Caribbean communities. The book covers short story collections and cycles by Olive Senior, Earl Lovelace, Kwame Dawes, Alecia Mckenzie, Lawrence Scott, Mark McWatt, Robert Antoni and Dionne Brand, and argues that the form of interconnected stories is a crucial part of these writers' imagining of communities, which may be fractured, plural and fraught with tensions, but which nevertheless hold together. The book takes an interdisciplinary approach to the study of community, bringing literary representations of community into dialogue with models of community developed in the field of Caribbean anthropology. The works analysed are set in Trinidad, Jamaica and Guyana, and in several cases the setting extends to the Caribbean diaspora in Europe and North America. Looking in turn at rural, urban, national and global communities, the book draws attention to changing conceptions of community around the turn of the millennium.







The Community College Story


Book Description




Mastering Story, Community and Influence


Book Description

Your digital presence tells the story of who you are... so what should you be saying? In a world overflowing with the noise of Facebook updates, tweets, blog posts, Pinterest pins and YouTube video responses, it’s difficult to connect with the people who matter most to your business and your career. Mastering Story, Community and Influence explains the art of social media storytelling, showing you how to turn your offline expertise into the sort of online thought-leadership that cuts through the noise and attracts larger, more important communities. Whether you’re new to social media or racing to keep up with every new platform, social media storyteller extraordinaire, Jay Oatway, reveals the underlying mechanics and best practices behind becoming a serious online influencer. Mastering Story, Community and Influence will help you become an authoritative presence online and build both the reputation and community you need for your future success in the Social Media Era.