Interesting Women


Book Description

For readers of Melissa Bank or Jhumpa Lahiri: witty, seductive stories of expatriate women, their loves and losses.




When Secrets Become Stories


Book Description

She was asking for it. She should have known better. Bekezela (persevere), she was told. It's because I love you, he said. It's not that bad, she told herself. In sharing their experiences from girlhood to the boardroom, from Cape Town's suburbs to the hills of KwaZulu- Natal, women from different walks of life show how chillingly common male violence against women is. Together, their voices form a deafening chorus. Gender-based violence feeds on shame and silence but in this extraordinary collection, brave women reclaim their power and summon the courage in others to do the same. In speaking out, sharing what was once secret, shame's hold is broken. Heart-rending at times, it is the honesty and courage of the writing that truly inspires.




Good Night Stories for Rebel Girls


Book Description

THE SENSATIONAL NO.1 BESTSELLER 'The definitive book of the year in our house, for both parents and offspring' Maggie O'Farrell, Guardian Books of the Year 'Absolutely beautiful - get one for yourself and one to inspire a woman in your life' Stylist 'In an ideal world, not only would mothers read this aloud to their daughters, but teachers would read it to schoolboys' Sunday Times What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Amelia Earhart to Michelle Obama. Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.




Nineteenth-Century Stories by Women


Book Description

“The female novelist of the nineteenth century may have frequently encountered opposition and interference from the male literary establishment, but the female short story writer, working in a genre that was seen as less serious and less profitable, found her work to be actively encouraged.” — from the Introduction. During the nineteenth century women writers finally began to be as popular—and as respected—as their male counterparts. We are all familiar with the novels of Jane Austen, Mary Shelley, Elizabeth Gaskell, George Eliot and the Bröntes. Less familiar is the short fiction of the period; yet a great many nineteenth-century stories by women—both famous and obscure—retain in full measure their power to fascinate and to entertain. For this anthology Glennis Stephenson brings together stories by both British and North American writers; by such established luminaries as Shelley, Gaskell and Kate Chopin; and by lesser-known writers such as the Anglo-Indian writer Flora Steel, the Afro-American Alice Dunbar Nelson and the Canadian Annie Howells Frèchette. The result is an anthology that will be as interesting to the general reader as it will be useful to the student. Stephenson provides background information on all authors, together with a general introduction.




Nineteenth-century Short Stories by Women


Book Description

Brings together 28 lively and readable stories, many of which are re-published here for the first time since their original appearance. Includes fiction by Maria Edgeworth, Mary Shelley, Elizabeth Gaskell and Margaret Oliphant.




Women and Miracle Stories


Book Description

This book contains a multidisciplinary collection of studies on women in miracle stories found in texts ranging from religious classics to contemporary literary fiction. Miracle stories are a genre of great importance for the study of women's religious inheritance and for the historical and cultural understanding of women as 'makers of faith'. Miracle stories are very generally speaking more open to popular religion and culture than, for instance, doctrinal and official ecclesiastical texts, and as such, they can be of special interest to the study of women's lives and religious aspirations. Remarkably, up till now this genre has not been looked at from this point of view. This book aims to open this field for further research by presenting case studies from diverse angles and disciplines. Some of the questions this book tries to answer are: What do miracle stories specifically tell us about women? Are there some (types of) miracles that are in particular related to (certain groups of) women? What do these stories tell us about women as performers and/or subjects of miracles? What can be said about the social function and religious meaning of miracles by specifically looking at the way certain groups of women are practising and experiencing miracles? By including research on miracle stories in contemporary fiction written by women this book also wants to acknowledge and research the disputed status of 'miracles' as well of 'women' in our present society which is moving from modernity to post-modernity. Please note that Women and Miracle Stories is previously published by Brill in hardback (ISBN 90 04 16681 8, still available).




Immigrant Women Tell Their Stories


Book Description

“I felt like an alien who fell down to earth, not understanding the rules of the game, making all the possible mistakes, saying all the wrong things.” “Your whole life is in the hands of other people who do not always mean well and there is nothing you can do about it. They can decide to send you away and you have no control.” “The moment I enter the house, I shelve my American self and become the 'little obedient wife' that my husband wants me to be.” “The most difficult part is to find myself again. At the beginning I lost myself.” This jargon-free book documents and analyzes the experience of immigration from the female perspective. It discusses the unique challenges that women face, offers insights into the meanings of their experiences, develops gender-sensitive knowledge about immigration, and discusses implications for the effective development and provision of services to immigrant women. With fascinating case studies of immigration to the United States, Australia, and Israel as well as helpful lists of relevant organizations and Web site/Internet addresses, Immigrant Women Tell Their Stories is for everyone who wants to learn or teach about immigration, especially its female face. “It was like somebody sawed my heart in two. One part remained in Cuba and one part here.” Immigrant Women Tell Their Stories examines the nature of immigration for women through the eyes of those who have experienced it: how they perceive, interpret, and address the nature of the experience, its multiple aspects, the issues that it presents, and the strategies that immigrant women develop to cope with those issues. The women in this extraordinary book came from different spots around the globe, speak different languages and dialects, and their English comes in different accents. They vary in age as well as in cultural, ethnic, social, educational, and professional status. They represent a rainbow of family types and political opinions. In spite of their diversity, all these women share immigration experience. This book provides an understanding of the journeys they traveled and the experiences they lived to bring you new insights into what it means to immigrate as a woman and to frame effective strategies for working with—and for—immigrant women. “My father is the head of the house. When he decided to move to America [from India] my mother and us, the daughters, did not have much say. My mother and I were not happy at all, but it did not matter.” Immigrant Women Tell Their Stories provides you with historical and global perspectives on immigration and addresses: legal, political, economic, social, and psychological dimensions of immigration and its aftermath deconstructing immigration by age, gender, and circumstances major issues of immigrant women—language, mothering, relationships and marriage, finding employment, assimilation (how much and how soon), loneliness, and more resilience in immigrant women immigration from a lesbian perspective guidelines for the development and delivery of services to immigrant women “You may say that I am the bridge, the desert generation that lost the chance to have it my way. But I will do my best to raise my daughters to have more choices than I.” In this well-referenced book, immigrant women from Austria, Bosnia, Cuba, various parts of the former Soviet Union, Guatemala, India, Israel, Lebanon, Mexico, Pakistan, and the Philippines tell us their stories, recount what their experiences entailed and what challenges they posed, and teach us ways to help them cope successfully. “This was the best decision we could have made and the best thing we had ever done.”




"Life Stories of Women Artists, 1550?800 "


Book Description

The struggles and achievements of forty-six notable women artists of the early modern period, as documented by their contemporaries, are uniquely brought together in this anthology. The life stories presented here are foundational texts for the history of art, but since most are found only in rare volumes and few have been translated into English, until now they have been generally inaccessible to many scholars. Originally published in biographical compendia such as Vasari's Lives of the Artists, the writings included here document not only the lives of relatively well known women artists such as Artemisia Gentileschi and Sofonisba Anguissola, but also those who have languished in obscurity, like Anna Waser and Li Yin. Each life story is preceded by a brief introduction to the artist as well as to her biographer, and the texts themselves are annotated to provide necessary clarification. Beyond their documentary value, these stories provide fascinating insight as to how men commonly characterized women artists as exceptions to their sex, and attempted to explain their presence in the male-dominated realm of art. The introductory chapter to the book explores this intriguing gender dynamic and elucidates some of the strategies and historical context that factored into the composition of these lives. The volume includes an appended index to women artists' life stories in biographical compendia of the period




Old Wives' Tales and Other Women's Stories


Book Description

Alerting readers to a body of recent work that has gone under-examined, Tania Modleski redraws in Old Wives' Tales the perimeter of popular culture. A critical analysis of films such as The Ballad of Little Jo, The Piano and Dogfight, Old Wives' Tales also takes up performance, autobiographical experience, and contemporary social issues to illustrate how women's genres mediate between us and reality. Modelski examines the changes occurring in traditional women's genres, such as romances and melodrama, and explores the phenomenon of female authors and performers who "cross-dress"--women, that is, who are moving into male genres and staking out territory declared off-limits by men and by many feminists.