Story Like a Journalist - Story Bible Overview


Book Description

Want to write novels that feel real enough to the reader to have been ripped from the headlines, whatever your genre? Think like a journalist. Journalists consult sources and reference materials to find realistic detail for their stories. But if you're a novelist - you have to build the reference source for your story world from scratch. In this textbook/workbook you will learn how to apply the 5-Ws and H to the building blocks of the novel, in order to start building a Story Bible. (Other workbooks in this series cover each 5-Ws question in depth, adding to the overview information found here). This workbook also deals with how to get organized and set parameters for your work, and how to apply lessons from the journalism classroom to novel writing. It also discusses how to research effectively, so that you can apply real-world history, science and location information to your fiction. There is instructional material that focuses on understanding different aspects of what you are promising to deliver in your novel. All of this works in tandem with the worksheets. -- Hemmingway worked as a newspaper journalist before he became a fiction writer. E.B. White did a stint at the New Yorker. L.M. Montgomery was a reporter in Halifax before tackling Anne of Green Gables. Margaret Mitchell got her start as a reporter for the Atlanta Journal Sunday Magazine. What these writers have in common: an excellent sense of character, and the ability to write clean prose that clearly puts forwards the characters' goals and motivations. This ability may well come from having mastered the journalistic art, which emphasizes creating a sound story that balances logic, research and emotional authenticity. Even if you're working in a purely creative world, you can still use those principles, and learn to organize and research like a journalist, and to ask the questions a journalist asks either before or after you write your story.




Reforming Journalism


Book Description

"Marvin Olasky, editor-in-chief of World magazine, lays out the foundational principles, practical techniques, and history of journalism, showing us how to become citizen-reporters and discerning consumers of news"--




Story Like a Journalist


Book Description

The Story Like a Journalist series combines journalistic planning strategies and novel writing theory into a systematic workbook that takes you from determining the best protagonist for your story to imbuing your work with meaning.




Story Like a Journalist - Who Relates to Character


Book Description

Want to write novels that feel real enough to the reader to have been ripped from the headlines, whatever your genre? Think like a journalist. When you look at the classic questions journalists ask, the first one is generally WHO? In noveling terms WHO relates to character. Take a deep dive into understanding who your characters are and what drives them to act with a series of worksheets that will help you define everything from psychological traits and archetypes to character skills and backstory. In this textbook/workbook you will learn how to build a distinct cast of characters with qualities that can be specifically attacked by your plot. There is instructional material that focuses on understanding the psychological aspects of character building, as well as the importance of physicality. All of this works in tandem with the worksheets. -- Hemmingway worked as a newspaper journalist before he became a fiction writer. E.B. White did a stint at the New Yorker. L.M. Montgomery was a reporter in Halifax before tackling Anne of Green Gables. Margaret Mitchell got her start as a reporter for the Atlanta Journal Sunday Magazine. What these writers have in common: an excellent sense of character, and the ability to write clean prose that clearly puts forwards the characters' goals and motivations. This ability may well come from having mastered the journalistic art, which emphasizes creating a sound story that balances logic, research and emotional authenticity. Even if you're working in a purely creative world, you can still use those principles, and learn to organize and research like a journalist, and to ask the questions a journalist asks either before or after you write your story.




The Jesus Storybook Bible


Book Description

The Moonbeam Award Gold Medal Winner in the religion category, The Jesus Storybook Bible tells the Story beneath all the stories in the Bible. At the center of the Story is a baby, the child upon whom everything will depend. Every story whispers his name. From Noah to Moses to the great King David---every story points to him. He is like the missing piece in a puzzle---the piece that makes all the other pieces fit together. From the Old Testament through the New Testament, as the Story unfolds, children will pick up the clues and piece together the puzzle. A Bible like no other, The Jesus Storybook Bible invites children to join in the greatest of all adventures, to discover for themselves that Jesus is at the center of God's great story of salvation---and at the center of their Story too.




Story Like a Journalist - What Relates to Premise


Book Description

Want to write novels that feel real enough to the reader to have been ripped from the headlines, whatever your genre? Think like a journalist. Just like a journalist, as a fiction writer, you will need to define WHAT your story is about. For the novelist WHAT relates to premise. In this textbook/workbook you will look at what you plan to write about from different angles and will use the information you uncover to create a story premise that has an active protagonist in an intriguing story, fighting for high stakes. (These can include both external-world stakes and emotional stakes). This workbook also deals with how to generate ideas. There is instructional material that focuses on understanding how to build conflict into your story, understand clear goals and motivations for character action, and making sure that your stakes are high enough. All of this works in tandem with the worksheets. -- Hemmingway worked as a newspaper journalist before he became a fiction writer. E.B. White did a stint at the New Yorker. L.M. Montgomery was a reporter in Halifax before tackling Anne of Green Gables. Margaret Mitchell got her start as a reporter for the Atlanta Journal Sunday Magazine. What these writers have in common: an excellent sense of character, and the ability to write clean prose that clearly puts forwards the characters' goals and motivations. This ability may well come from having mastered the journalistic art, which emphasizes creating a sound story that balances logic, research and emotional authenticity. Even if you're working in a purely creative world, you can still use those principles, and learn to organize and research like a journalist, and to ask the questions a journalist asks either before or after you write your story.




Discovery House Bible Atlas


Book Description

With scores of full-color maps, photographs, detailed commentary, and much more, the Discovery House Bible Atlas helps you grasp the vital connection between the land of the Bible and the teachings and events of Scripture. Covering the full sweep of the Holy Land--the Coastal Plain, the Central Mountain Range, the Jordan Valley, and the Transjordan Plateau--this fascinating volume provides big-picture and on-site views that bring new vibrancy and meaning to God’s Word. From little-known cities to famous landmarks, you’ll learn the significance of these locations and why, even today, they are relevant to your relationship with the Lord.




A Writer's Life


Book Description

The inner workings of a writer’s life, the interplay between experience and writing, are brilliantly recounted by a master of the art. Gay Talese now focuses on his own life—the zeal for the truth, the narrative edge, the sometimes startling precision, that won accolades for his journalism and best-sellerdom and acclaim for his revelatory books about The New York Times (The Kingdom and the Power), the Mafia (Honor Thy Father), the sex industry (Thy Neighbor’s Wife), and, focusing on his own family, the American immigrant experience (Unto the Sons). How has Talese found his subjects? What has stimulated, blocked, or inspired his writing? Here are his amateur beginnings on his college newspaper; his professional climb at The New York Times; his desire to write on a larger canvas, which led him to magazine writing at Esquire and then to books. We see his involvement with issues of race from his student days in the Deep South to a recent interracial wedding in Selma, Alabama, where he once covered the fierce struggle for civil rights. Here are his reflections on the changing American sexual mores he has written about over the last fifty years, and a striking look at the lives—and their meaning—of Lorena and John Bobbitt. He takes us behind the scenes of his legendary profile of Frank Sinatra, his writings about Joe DiMaggio and heavyweight champion Floyd Patterson, and his interview with the head of a Mafia family.But he is at his most poignant in talking about the ordinary men and women whose stories led to his most memorable work. In remarkable fashion, he traces the history of a single restaurant location in New York, creating an ethnic mosaic of one restaurateur after the other whose dreams were dashed while a successor’s were born. And as he delves into the life of a young female Chinese soccer player, we see his consuming interest in the world in its latest manifestation.In these and other recollections and stories, Talese gives us a fascinating picture of both the serendipity and meticulousness involved in getting a story. He makes clear that every one of us represents a good one, if a writer has the curiosity to know it, the diligence to pursue it, and the desire to get it right.Candid, humorous, deeply impassioned—a dazzling book about the nature of writing in one man’s life, and of writing itself.




The Case for Christ


Book Description

The book consists primarily of interviews between Strobel (a former legal editor at the Chicago Tribune) and biblical scholars such as Bruce Metzger. Each interview is based on a simple question, concerning historical evidence (for example, "Can the Biographies of Jesus Be Trusted?"), scientific evidence, ("Does Archaeology Confirm or Contradict Jesus' Biographies?"), and "psychiatric evidence" ("Was Jesus Crazy When He Claimed to Be the Son of God?"). Together, these interviews compose a case brief defending Jesus' divinity, and urging readers to reach a verdict of their own.




The Gospel Story Bible


Book Description

"Based on the ESV Bible, this unique, illustrated Bible storybook uses 156 stories to present God's plan of salvation in Christ from its opening narrative in Genesis to its finale in Revelation."--Provided by publisher.