The Big Book of Maryland Ghost Stories


Book Description

Maryland has been an important crossroads since its settlement more than 375 years ago. That strategic location has provided the Old Line State with a rich history and a large body of folklore, from the seafaring legends of the Eastern Shore to the mountain tales of the rugged western counties. Included in this collection of more than 140 stories are tales of ghosts of executed Hessians in Cecil County, the haunts of Fort McHenry, spirits of notorious Maryland residents John Wilkes Booth and Edgar Allen Poe, tragic specters at the Antietam Battlefield, and the tortured ghosts of prisoners of war at Point Lookout. AUTHOR: Ed Okonowicz is a freelance writer and instructor at the University of Delaware. He is the author of many books on Delmarva culture, crime, and the unexplained, including Haunted Maryland (9780811734097) and True Crime: Maryland (9780-811736039).







Reading the World's Stories


Book Description

Reading the World’s Stories is volume 5 in the Bridges to Understanding series of annotated international youth literature bibliographies sponsored by the United States Board on Books for Young People. USBBY is the United States chapter of the International Board on Books for Young People (IBBY), a Switzerland-based nonprofit whose mission is bring books and children together. The series promotes sharing international children’s books as a way to facilitate intercultural understanding and meet new literary voices. This volume follows Children’s Books from Other Countries (1998), The World though Children’s Books (2002), Crossing Boundaries with Children’s Books (2006), and Bridges to Understanding: Envisioning the World through Children’s Books (2011) and acts as a companion book to the earlier titles. Centered around the theme of the importance of stories, the guide is a resource for discovering more recent global books that fit many reading tastes and educational needs for readers aged 0-18 years. Essays by storyteller Anne Pellowski, author Beverley Naidoo, and academic Marianne Martens offer a variety of perspectives on international youth literature. This latest installment in the series covers books published from 2010-2014 and includes English-language imports as well as translations of children’s and young adult literature first published outside of the United States. These books are supplemented by a smaller number of culturally appropriate books from the US to help fill in gaps from underrepresented countries. The organization of the guide is geographic by region and country. All of the more than 800 entries are recommended, and many of the books have won awards or achieved other recognition in their home countries. Forty children’s book experts wrote the annotations. The entries are indexed by author, translator, illustrator, title, and subject. Back matter also includes international book awards, important organizations and research collections, and a selected directory of publishers known for publishing books from other countries.




Spirituality in Young Adult Literature


Book Description

In a time when almost any gritty topic can be featured in a young adult novel, there is one subject that is avoided by writers and publishers. Faith and belief in God seldom appear in traditional form in novels for teens. The lack of such ideas in mainstream adolescent literature can be interpreted by teens to mean that these matters are not important. Yet a significant part of growing up is struggling with issues of spirituality. The underlying problem, of course, is that there are so few writers who are willing to talk to teenagers about God, even indirectly, or who themselves have the religious literacy for the task. Spirituality in Young Adult Literature: The Last Taboo tackles a subject rarely portrayed in fiction aimed at teens. In this volume, Patty Campbell examines not only realistic fiction, but young adult literature that deals with mysticism, apocalyptical end times, and even YA novels that depict the Divine Encounter. Campbell maintains that fantasy works are inherently spiritual, because the plots nearly always progress toward a showdown between good and evil. As such, the author surmises that the popularity of fantasy among teens may represent their interest in the mystical dimensions of faith and the otherworldly. In this study, Campbell examines works of fiction that express perspectives from Christianity, Judaism, Islam, Buddhism, Hinduism, and Sikhism. Distinguished YA novelist Chris Crowe provides a chapter on Mormon values and Mormon YA authors and how their novels integrate those values into their books. By looking at how spirituality is represented in novels aimed at teens, this book asks what progress, if any, has been made in slaying the taboo. Although most of the books discussed in this study are recent, an appendix lists YA books from 1967 to the present that have dealt with issues of faith. A timely look at an important subject, Spirituality in Young Adult Literature will be of interest to young adult librarians, junior and senior high school teachers, and students and instructors of college courses in adolescent literature, as well as to parents of teens.




The Rhetorical Short Story


Book Description

In The Rhetorical Short Story, Purcell examines over ninety short stories as rhetorical artifacts of nearly a century of American history. The words of over seventy-five authors present a pastiche of American voices, from the early days of the Great War to the ongoing conflict in Iraq and Afghanistan. Each of the stories features a type of rhetorical depiction that enables its audience to connect vicariously with the experience presented by the author. This account sees the transformation of the American perspective from an insular one, which emphasizes the purpose driven actions of strong individual agents, to ones in which individuals are caught up in the inevitable consequences of an all-determining stream of events.




The Delaware Valley in the Early Republic


Book Description

"Gabrielle M. Lanier challenges prevailing characterizations of the region as culturally monolithic and reassesses its role in the formation of a distinctly American identity through the history, geography, and architecture of three of the valley's diverse cultural landscapes. Through narratives of individual lives, aggregate data from tax rolls and censuses, archival research, and close analysis of the built vernacular environment, Lanier examines the unique ethnic, class, and religious constitution of each subregion, as well as its racial diversity, political orientation, economic organization, and cultural imprint on the landscape."--Jacket.







The Entailed Hat; Or, Patty Cannon's Times


Book Description

DigiCat Publishing presents to you this special edition of "The Entailed Hat; Or, Patty Cannon's Times" by George Alfred Townsend. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.







Who Hears in Shakespeare?


Book Description

This volume, examining the ways in which Shakespeare's plays are designed for hearers as well as spectators, has been prompted by recent explorations of the auditory dimension of early modern drama by such scholars as Andrew Gurr, Bruce Smith, and James Hirsh. To look at the dynamics of hearing in Shakespeare's plays involves a paradigm shift that changes how we understand virtually everything about them, from the architecture of the buildings, to playing spaces, to blocking, and to larger interpretative issues, including our understanding of character based on players' responses to what they hear, mishear, or refuse to hear. Who Hears in Shakespeare? Auditory Worlds on Stage and Screen is comprised of three sections on Shakespeare's texts and performance history: "The Poetics of Hearing and the Early Modern Stage"; "Metahearing: Hearing, Knowing, and Audiences, Onstage and Off"; and "Transhearing: Hearing, Whispering, Overhearing, and Eavesdropping in Film and Other Media." Chapters by noted scholars explore the complex reactions and interactions of onstage and offstage audiences and show how Shakespearean stagecraft, actualized on stage and adapted on screen, revolves around various situations and conventions of hearing--soliloquies, asides, avesdropping, overhearing, and stage whispers. In short, Who Hears in Shakespeare? enunciates Shakespeare's nuanced, powerful stagecraft of hearing. The volume ends with Stephen Booth's afterword, his inspiring meditation on hearing that considers Shakespearean "audiences" and their responses to what they hear--or don't hear--in Shakespeare's plays.