Story Structure in Film. The Multi-Level Model


Book Description

Essay from the year 2019 in the subject Film Science, University of Wisconsin-Milwaukee, language: English, abstract: For new writers, an understanding of story structure is essential. Yet, today, this is almost impossible due to the enormous variety of conflicting theories and views. The scene is filled with controversy and confusion. Three act, five act, nine act, no act... which is it? How does it matter? What will it get you? Writers need to get on with the important work of writing great stories. This essay is intended to get a handle, once and for all, on story structure. So much has already been written on the subject that the new writer investigating her/his craft is confronted with literally hundreds of volumes of conflicting information and theory, ranging from authorities proclaiming structure as “God” to others arguing that structure is a myth. It is interesting how the subject has begun to take on the trappings of religion. The “guru” fervor has reached an all-time high. In order to deal with all the confusion, we’ll have to go to some effort to lay a foundation, before advancing an approach to story structure that applies to the length and breadth of storytelling. From there, the rest of the text is devoted to testing the idea against some of the most well-discussed, “structure-less” films in cinema history.




Narrative Advertising Models and Conceptualization in the Digital Age


Book Description

The ubiquity of technology in modern society has opened new opportunities for businesses to employ marketing strategies. Through digital media, new forms of advertisement creativity can be explored. Narrative Advertising Models and Conceptualization in the Digital Age is a pivotal reference source that features the latest scholarly perspectives on the implementation of narration and storytelling in contemporary advertising. Including a range of topics such as digital games, viral advertising, and interactive media, this book is an ideal publication for business managers, researchers, academics, graduate students, and professionals interested in the enhancement of advertising strategies.




Dramatic Story Structure


Book Description

A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.




Exploring Identity in Literature and Life Stories


Book Description

Today, globalization, migration and political polarization complicate the individual’s search for a cohesive identity, making identity formation and transformation key issues in everyday life. This collection of essays highlights a number of the dimensions of identity, including cultural hybridity, religion, ethnicity, profession, gender, sexuality, and childhood, and explores how they are thematized in different narratives. The stories discussed are set in Australia, Austria, Azerbaijan, France, Germany, Great Britain, Haiti, India, Israel, Japan, Polynesia, Norway, Romania, Spain and South Africa, emphasizing today’s international focus on identity. The majority of the contributions here focus on literary texts, while others investigate identity formations in interviews, language corpora, student reading logs, film, theatre and pathographies.




Story Stakes


Book Description

Make your story a page-turner; make a living as a writer. Wouldn't it be great if readers stayed up all night to finish your screenplay or novel? After such an intense emotional experience, when they're done with your story, these readers won't quickly forget about it and reach for another spec script or novel in their TBR pile. Nope. They'll transform into raving fans who'll tell everyone they know about your work. That's how you get onto Hollywood's radar and eventually make the big spec sale. That's how you get the word-of-mouth recommendations that propel a novel to the top of the best-seller lists. It's how you finally achieve your writing dreams through your creativity. Sounds nice, right? But how do you make it happen? How do you keep readers glued to your screenplay or novel? At first, you might use your writing skills to create a likeable hero or craft a high-concept premise. Sure, these things are important. They entice readers to give your story a chance. But they only go so far. They don't keep readers engaged till the very end. To accomplish this, you need something more. You need stakes. Because of stakes, your hero can't walk away from his problem. As a result, readers won't be able to walk away from your story. See, when stakes are in play, readers will be wondering if your hero will succeed or fail at his goal. Then, they worry about him. Then, they're under tension. To relieve this tension, they MUST stay up all night and finish your story-and when they have, they'll rave about the amazing page-turner they couldn't put down. They'll rave about you. Master story stakes, and your screenplay or novel will stand out in a crowded marketplace. This writing skills guide will show you how. Specifically, you'll learn about: 11 Types of Story Stakes Which Increase Tension and Reader Engagement Some of them you already know. A few will be new. At the very least, you'll have a convenient list to check the next time you need a new reason for your hero to save the day, trick your leading lady, or chase down a suspect. Plus, we'll cover best practices. That way, you'll get the most mileage out of the stakes you choose to include in your story. 8 Modulating Factors Which Affect the Emotional Impact of the Stakes Think of modulating factors like the knobs on a stereo system. They can either turn up the emotional "volume," or...they can mute it. Oftentimes, modulating factors are the secret to wringing out the extra drop of emotion that will give your story an advantage over others in its genre. The Story Stake Matrix This is where we put everything together. It's a tool which will show you: how to use stakes to craft a premise with more commercial appeal how to to raise the stakes (even when they're already high!) how to avoid an anticlimactic ending Let's focus on that second benefit for a minute. Several writing guides will tell you that to keep readers interested, you've got apply your creativity and raise the stakes. But, these books are frustratingly vague on how to accomplish this. This book is not vague. This book will give you specific strategies you can use right away to make high stakes feel even higher. Buy this writing skills guide today and take a step closer toward enthralled readers, raving fans, and killer sales! Also available (in ebook): Inciting Incident: How to Begin Your Story and Engage Audiences Right Away Trough of Hell: How to Wrap Up the Middle of Your Story with Maximum Impact Story Climax: How to Avoid Disappointed Audiences and Craft a Screenplay or Novel Climax that Thrills and Delights




The 1-3-5 Story Structure Made Simple System


Book Description

Hundreds of books claim they can teach you how to write the perfect script. Listen up: your script doesnt need to be perfect to sell! It does need to include nine standard story elements. Producer, writer and story analyst Donna Michelle Anderson, best known in the industry as DMA, has been hammering this point home for more than a decade at UCLA Extension Writers Program, film fests, production companies and more, and as the founder and screenwriting instructor of the Movie in a Box one-day filmmaking seminars.With this concise guide, DMA brings you the simplest steps to unifying a theme, character arc and spine, then streamlining those elements into a sellable script. She calls it The 1-3-5 System. Youre going to call it a miracle.




Handbook of Narratology


Book Description

This handbook provides a systematic overview of the present state of international research in narratology and is now available in a second, completely revised and expanded edition. Detailed individual studies by internationally renowned narratologists elucidate central terms of narratology, present a critical account of the major research positions and their historical development and indicate directions for future research.




Save the Cat!


Book Description

This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!




The Future of Museum and Gallery Design


Book Description

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world. The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualizing museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally. The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.




Point of View, Perspective, and Focalization


Book Description

Stories do not actually exist in the (fictional or factual) world but are constituted, structured and endowed with meaning through the process of mediation, i.e. they are represented and transmitted through systems of verbal, visual or audio-visual signs. The terms usually proposed to describe aspects of mediation, especially perspective, point of view, and focalization, have yet to bring clarity to this field, which is of central importance, not only for narratology but also for literary and media studies. One crucial problem about mediation concerns the dimensions of its modeling effect, particularly the precise status and constellation of the mediating agents, i.e. author, narrator or presenter and characters. The question is how are the structure and the meaning of the story conditioned by these different positions in relation to the mediated happenings perceived from outside and/or inside the storyworld? In this volume, fourteen articles by international scholars from seven different countries address these problems anew from various angles, reviewing the sub-categorization of mediation and re-specifying its dimensions both in literary texts and other media such as drama and theater, film, and computer games.