Stranger With My Face


Book Description

Laurie Stratton finally has everything a sixteen-year-old could ever want. But just as her perfect summer comes to a close, things start to unravel when her boyfriend insists he saw her out with another guy-when Laurie was really home sick! More mysterious sightings convince Laurie someone very real is out there, watching her. . . . The truth reveals a long-lost sister who has spent the years growing bitter and dangerous. She has learned how to haunt Laurie, but the visits soon become perilous. She wants something from Laurie-her life!




Summer of Fear


Book Description

From the moment Rachel's family takes in her orphaned cousin Julia, strange things start to happen. Rachel grows suspicious but soon finds herself alienated from her own life. Julia seems to have enchanted everyone to turn against her, leaving Rachel on her own to try and prove that Julia is a witch. One thing about Julia is certain-she is not who she says she is, and Rachel's family is in grave danger.




Down a Dark Hall


Book Description

A paranormal rollercoaster ride with goosebumps at every turn--now a motion picture starring Uma Thurman and Anna Sophia Robb! Kit Gordy sees Blackwood Hall towering over black iron gates, and she can't help thinking, This place is evil. The imposing mansion sends a shiver of fear through her. But Kit settles into a routine, trying to ignore the rumors that the highly exclusive boarding school is haunted. Then her classmates begin to show extraordinary and unknown talents. The strange dreams, the voices, the lost letters to family and friends, all become overshadowed by the magic around them. When Kit and her friends realize that Blackwood isn't what it claims to be, it might be too late.




Stranger Faces


Book Description

Speculative essays that probe the mythology of the face by the author of The Old Drift




Hello, Stranger: Stories of Connection in a Divided World


Book Description

We navigate our interactions with strangers according to a host of unwritten rules, rituals and (sometimes awkward) attempts at politeness. But what if the people we meet were not a problem, but a gift? When philosopher and traveller Will Buckingham's partner died, he sought solace in throwing open the door to new people. Now, as we reflect on our experiences of the pandemic and its enforced separations, and as global migration figures ever more prominently in our collective future, Buckingham brings together insights from philosophy, anthropology, history and literature to explore how our traditions of meeting the other can mitigate the issues of our time. Taking in stories of loneliness, exile and friendship from classical times to the modern day, and alighting in adapting communities from Birmingham to Myanmar, Hello, Stranger asks: how do we set aside our instinctive xenophobia - fear of outsiders - and embrace our equally natural philoxenia - love of strangers and newness?




Stranger with My Face


Book Description




Stranger With My Face


Book Description







Lois Duncan


Book Description

Discusses the life and work of the young adult author, including early works, inspirations, and critical discussions of her books.




Ideologies of Identity in Adolescent Fiction


Book Description

Ideologies of Identity in Adolescent Fiction examines the representation of selfhood in adolescent and children's fiction, using a Bakhtinian approach to subjectivity, language, and narrative. The ideological frames within which identities are formed are inextricably bound up with ideas about subjectivity, ideas which pervade and underpin adolescent fictions. Although the humanist subject has been systematically interrogated by recent philosophy and criticism, the question which lies at the heart of fiction for young people is not whether a coherent self exists but what kind of self it is and what are the conditions of its coming into being. Ideologies of Identity in Adolescent Fiction has a double focus: first, the images of selfhood that the fictions offer their readers, especially the interactions between selfhood, social and cultural forces, ideologies, and other selves; and second, the strategies used to structure narrative and to represent subjectivity and intersubjectivity.