String Quartet, G Major. Op. 17, No. 5
Author : Joseph Haydn
Publisher :
Page : pages
File Size : 27,11 MB
Release : 1942
Category :
ISBN :
Author : Joseph Haydn
Publisher :
Page : pages
File Size : 27,11 MB
Release : 1942
Category :
ISBN :
Author : Joseph Haydn
Publisher :
Page : 34 pages
File Size : 38,41 MB
Release : 1959
Category : String quartets
ISBN :
Author : Arnold Bax
Publisher :
Page : 0 pages
File Size : 38,13 MB
Release :
Category : String quartets
ISBN :
Author : Joseph Haydn
Publisher :
Page : 28 pages
File Size : 33,24 MB
Release : 1942
Category : String quartets
ISBN :
Author : Joseph Haydn
Publisher : Courier Corporation
Page : 131 pages
File Size : 28,76 MB
Release : 2000-01-01
Category : Music
ISBN : 0486413942
In the course of a 50-year period, Haydn composed some 80 string quartets, whose range and variety of structural invention rank second only to those of Beethoven. This fine new anthology consists of the six pieces known collectively as Op. 17: String Quartet in E Major, Op. 17, No. 1; String Quartet in F Major, Op. 17, No. 2; String Quartet in E-flat Major, Op. 17, No. 3, and three other pieces.
Author : Ludwig van Beethoven
Publisher : Performer's Edition
Page : 342 pages
File Size : 17,26 MB
Release : 2009-12-30
Category : Music
ISBN : 1450518125
Beethoven followed in the footsteps of Haydn, father of the string quartet, and created what is now regarded as one of the finest collections of masterworks in the string quartet genre. From the early quartets, reminiscent of some of Mozart's quartets, to the soaring and emotional late quartets, these works have become favorites of both performers and audiences around the world. This collections includes the full scores for all 16 string quartets as well as the Grosse Fuge. Early String Quartets: String Quartet No. 1 in F Major (Op. 18, No. 1) String Quartet No. 2 in G Major (Op. 18, No. 2) String Quartet No. 3 in D Major (Op. 18, No. 3) String Quartet No. 4 in C minor (Op. 18, No 4) String Quartet No. 5 in A Major (Op. 18, No. 5) String Quartet No. 6 in Bb Major (Op. 18, No. 6) Middle String Quartets: String Quartet No. 7 in F Major (Op. 59, No. 1) String Quartet No. 8 in E minor (Op. 59, No. 2) String Quartet No. 9 in C Major (Op. 59, No. 3) String Quartet No. 10 in Eb Major "Harp" (Op. 74) String Quartet No. 11 in F minor "Serioso" (Op. 95) Late String Quartets: String Quartet No. 12 in Eb Major (Op. 129) String Quartet No. 13 in Bb Major (Op. 130) String Quartet No. 14 in C# minor (Op. 131) String Quartet No. 15 in A minor (Op. 132) String Quartet No. 16 in F Major (Op. 135) Grosse Fuge (Op. 133)
Author : Harold Reeves (Firm)
Publisher :
Page : 700 pages
File Size : 30,86 MB
Release : 1919
Category : Music
ISBN :
Author : Timothy Cutler
Publisher : Routledge
Page : 314 pages
File Size : 43,48 MB
Release : 2019-02-04
Category : Music
ISBN : 1351069152
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Author : Melvin Berger
Publisher : Courier Corporation
Page : 502 pages
File Size : 39,43 MB
Release : 2013-06-17
Category : Music
ISBN : 0486316726
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Author : Kevin Korsyn
Publisher : Oxford University Press
Page : 221 pages
File Size : 41,45 MB
Release : 2004-12-02
Category : Music
ISBN : 0190292792
As a work of cultural criticism that recalls the concerns of Foucault, Hayden White, Zizek, and others Decentering Music examines the struggle for the authority to speak about music at a time when the humanities are in crisis. By linking the institutions that support musical research, including professional associations and universities, to complex historical changes such as globalization and the commodification of knowledge, Korsyn undertakes a critique of musical scholarship as an institutional discourse, while contributing to a general theory of disciplinary structures that goes beyond the limits of any single field. In asking a number of fundamental questions about the models through which disciplinary objects in music are constructed, Korsyn suggests unexpected relationships between works of musical scholarship and the cultural networks in which they participate. Thus David Lewin's theory of musical perceptions is compared to Richard Rorty's concept of the "liberal ironist," Susan McClary's feminist narrative of music history is juxtaposed with T.S. Eliot's "dissociation of sensibility," and Steven Feld's work in recording the music of the Kaluli people is compared to the treatment of ambient sound in contemporary cinema. Developing a framework for interpretation in dialogue with a number of poststructuralist writers, Korsyn goes far beyond applying their thought to the analysis of music; by showing the cultural dilemmas to which their work responds, Korsyn suggests how musical research already participates in these ideas. Rather than impose any single method, Decentering Music empowers readers to choose for themselves by interrogating their own values and ideological commitments, exploring the enabling conditions for statements about music. By demonstrating the complicity of opposing positions and challenging readers to reexamine their own values, Decentering Music will surely provoke debate, while appealing to readers in a variety of fields, and to anyone concerned about the crisis in the humanities.