String quartet in C minor, op. 17, no. 2
Author : Anton Rubinstein
Publisher :
Page : 12 pages
File Size : 46,61 MB
Release : 1996
Category : String quartets
ISBN :
Author : Anton Rubinstein
Publisher :
Page : 12 pages
File Size : 46,61 MB
Release : 1996
Category : String quartets
ISBN :
Author : Joseph Haydn
Publisher : Courier Corporation
Page : 131 pages
File Size : 22,85 MB
Release : 2000-01-01
Category : Music
ISBN : 0486413942
In the course of a 50-year period, Haydn composed some 80 string quartets, whose range and variety of structural invention rank second only to those of Beethoven. This fine new anthology consists of the six pieces known collectively as Op. 17: String Quartet in E Major, Op. 17, No. 1; String Quartet in F Major, Op. 17, No. 2; String Quartet in E-flat Major, Op. 17, No. 3, and three other pieces.
Author :
Publisher :
Page : 448 pages
File Size : 27,91 MB
Release : 1910
Category : Music
ISBN :
Author : J. Haydn
Publisher :
Page : pages
File Size : 15,9 MB
Release :
Category :
ISBN :
Author : George S. Bozarth
Publisher : U of Nebraska Press
Page : 700 pages
File Size : 33,41 MB
Release : 1996-01-01
Category : Music
ISBN : 9780803212381
For two decades, beginning in the early 1870s, Robert Keller, music editor for N. Simrock Verlag in Berlin, worked with diligence and devotion to usher into print most of Johannes Brahms's major compositions, including all four of his symphonies, the Violin Concerto, the Double Concerto, the Second Piano Concerto, and numerous chamber, choral, and vocal works. This volume collects for the first time the complete extant correspondence between Brahms and Keller, as preserved in the collections of the Library of Congress and the Gesellschaft der Musikfreunde in Vienna. To read their correspondence is to witness a relationship of mutual respect and increasing friendship and to gain an appreciation for the meticulous labor that went into the publication of Brahms's masterpieces. Keller’s admiration for the composer's genius was answered by Brahms's affection for Keller’s diligence and musical expertise. The vicissitudes of the publication process from composer’s manuscript to printed score are documented in fascinating detail. This edition includes a transcription of the letters in the original German.
Author : Alberto Bachmann
Publisher :
Page : 508 pages
File Size : 44,61 MB
Release : 1925
Category : Cellists
ISBN :
Author : Nicholas Marston
Publisher : Cambridge University Press
Page : 138 pages
File Size : 47,12 MB
Release : 1992-10-30
Category : Music
ISBN : 9780521398923
Nicholas Marston traces the fascinating history of Schumann's Fantasie, Op. 17.
Author : Harold Reeves (Firm)
Publisher :
Page : 700 pages
File Size : 49,18 MB
Release : 1919
Category : Music
ISBN :
Author : Stephen Hefling
Publisher : Routledge
Page : 404 pages
File Size : 48,72 MB
Release : 2004-03-01
Category : Music
ISBN : 1135887624
Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, the French composers, Smetana and Dvorák, and the end-of-the-century pre-modernists. Each chapter is written by a noted authority in the field. The book serves as a general introduction to Romantic chamber music, and would be ideal for a seminar course on the subject or as an adjunct text for Introduction to Romantic Music courses. Plus, musicologists and students of 19th century music will find this to be an invaluable resource.
Author : Timothy Cutler
Publisher : Routledge
Page : 314 pages
File Size : 12,48 MB
Release : 2019-02-04
Category : Music
ISBN : 1351069152
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.