Strong Female Lead


Book Description

'Fascinating . . . the most incredible argument for why a female model of leadership might actually be the more powerful and sustainable one' Scarlett Curtis 'A bold, rigorous and lyrical work which feels both timely and essential' Musa Okwonga, author of One of Them Women have been told to 'lean in' and act like men to get ahead. But as our systems crumble, isn't it time we had a different plan? While some at the top are telling us 'it is what it is' as we face financial collapse, a global pandemic, the devastation of our environment and the disintegration of democracies, a new generation of leaders are showing the world how to be better. They're building trust, investing wisely and actively decisively - and they've got one thing in common. In Strong Female Lead, Arwa Mahdawi investigates the qualities of female leaders who show us how it's done, drawing on original research and interviews with Madeleine Albright, Mary Robinson, Audrey Tang and many others and answering a vital question: what can women in power teach all of us about leadership?




Strong Female Character


Book Description

Leading film critic of her generation offers an unflinchingly honest and humorous account of her millennial journey towards self-acceptance through a cinematic lens. Hanna Flint speaks from the heart in Strong Female Character, a personal and incisive reflection on how cinema has been the key to understanding herself and the world we live in. A staunch feminist of mixed-race heritage, Hanna has succeeded in an industry not designed for people like her. Interweaving anecdotes from familial and personal experiences - episodes of messy sex, introspection, and that time actor Vincent D'Onofrio tweeted that Hanna Flint sounded 'like a secret agent' - she offers a critical eye on the screen's representation of women and ethnic minorities, their impact on her life, body image and ambitions, with the humour and eloquence that has made her a leading film critic of her generation. Divided into the sections Origin Story, Coming of Age, Adult Material, Workplace Drama and Strong Female Character, the book ponders how the creative industries could better reflect our multicultural society. Warm, funny and engaging and full of film-infused lessons, Strong Female Character will appeal to readers of all backgrounds and seeks to help us better see ourselves in our own eyes rather than letting others decide who and what we can be.




3 books to know Strong Female Character


Book Description

Welcome to the3 Books To Knowseries, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is:Strong Female Character: - Pride and Prejudice by Jane Austen - Little Women by Louisa May Alcott - The Awakening by Kate ChopinPride and Prejudice is an 1813 romantic novel by Jane Austen. It charts the emotional development of the protagonist Elizabeth Bennet, who learns the error of making hasty judgments and comes to appreciate the difference between the superficial and the essential. The comedy of the writing lies in the depiction of manners, education, marriage and money during the Regency era in Britain. Pride and Prejudice has long fascinated readers, consistently appearing near the top of lists of "most-loved books" among literary scholars and the general public. It has become one of the most popular novels in English literature, with over 20 million copies sold and paved the way for many archetypes that abound in modern literature. Little Women is a novel by American author Louisa May Alcott (18321888), which was originally published in two volumes in 1868 and 1869. Alcott wrote the books over several months at the request of her publisher. Following the lives of the four March sistersMeg, Jo, Beth and Amythe novel details their passage from childhood to womanhood and is loosely based on the author and her three sisters. Scholars classify Little Women as an autobiographical or semi-autobiographical novel. The Awakening is a novel by Kate Chopin, first published in 1899. It is one of the earliest American novels that focuses on women's issues without condescension. It is also widely seen as a landmark work of early feminism, generating a mixed reaction from contemporary readers and critics. The novel's blend of realistic narrative, incisive social commentary, and psychological complexity makes The Awakening a precursor of American modernist literature; it prefigures the works of American novelists such as William Faulkner and Ernest Hemingway and echoes the works of contemporaries such as Edith Wharton and Henry James. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics




Sabotage: A Strong Female Lead Action and Adventure Story


Book Description

Poisoned Wildlife. A Home Burned to the Ground. Can a police officer find the perpetrator before Island life turns deadly? When Policewoman Christine Lane returns to Toronto Island patrol, she is shocked when a brace of ducks is found dead in a lagoon. Was it an adolescent prank gone wrong? Was the water tainted? Could it be a ploy to scare residents into leaving to clear the land for development? When an island house is set aflame, Christine worries about the escalating violence. Can Christine track down the saboteur before someone gets killed? Sabotage is the fourth standalone book in the award-winning Christine Lane Mystery series. If you like strong female protagonists, a lush Island setting and page-turning suspense, don’t miss Sabotage.




Unlikeable Female Characters


Book Description

"A fresh feminist appraisal of the pop culture canon." —Publishers Weekly How bitches, trainwrecks, shrews, and crazy women have taken over pop culture and liberated women from having to be nice. Female characters throughout history have been burdened by the moral trap that is likeability. Any woman who dares to reveal her messy side has been treated as a cautionary tale. Today, unlikeable female characters are everywhere in film, TV, and wider pop culture. For the first time ever, they are being accepted by audiences and even showered with industry awards. We are finally accepting that women are—gasp—fully fledged human beings. How did we get to this point? Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and co-founder of the horror film collective and podcast The Final Girls, takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture—and society—is finally ready to embrace complicated women. Praise for Unlikeable Female Characters: "Fascinating, insightful, and kick-ass." —Emma Jane Unsworth, internationally bestselling author of Grown Ups and Animals "Beautifully written." —Chelsea G. Summers, author of A Certain Hunger "Part-cultural exposé, part-Taylor Swift album." —Clarisse Loughrey, Chief Film Critic at The Independent "Brilliant masterpiece breaking down the tired tropes of TV and beyond." —Aparna Shewakramani, author of She's Unlikeable and star of Indian Matchmaking




Female Agencies and Subjectivities in Film and Television


Book Description

This volume provides an overview of the landscape of mediated female agencies and subjectivities in the last decade. In three sections, the book covers the films of women directors, television shows featuring women in lead roles, and the representational struggles of women in cultural context, with a special focus on changes in the transformative power of narratives and images across genres and platforms. This collection derives from the editors’ multi-year experiences as scholars and practitioners in the field of film and television. It is an effort that aims to describe and understand female agencies and subjectivities across screen narratives, gather scholars from around the world to generate timely discussions, and inspire fellow researchers and practitioners of film and television.




The Australian Film Yearbook - 2021 Edition


Book Description

The Australian Film Yearbook features the work of the flourishing Australian film industry, with over one hundred Australian feature, non-fiction, and short films released to cinemas, streaming platforms, and film festivals during 2021.Discover a thriving and vital film industry that is positively buzzing with filmmakers eager to tell Australian stories, with over forty interviews and contributions that highlight the range of skill-sets and wealth of talent on show during 2021. Sharing their voice and perspectives on what it means to be a filmmaker are Australian creatives such as Costume Designer Erin Roche (High Ground), Director Sally Aitken (Playing with Sharks), Editor Rachel Grierson-Johns (Strong Female Lead), Director Matthew Walker (I'm Wanita), Composer Angela Little (Streamline), Writer/Director Thomas Wilson-White (The Greenhouse), Editor Nick Fenton (Nitram) and filmmakers Tina Fielding, Jacqueline Pelczar, and Cody Greenwood (Sparkles).From independent films through to Hollywood-backed productions, you will find critical examinations of iconic and hidden Australian films, providing a historical touchstone for where Australian cinema was during the turbulent year filled with changes and challenges - 2021.




Women in Popular Culture [2 volumes]


Book Description

Including more than 300 alphabetically listed entries, this 2-volume set presents a timely and detailed overview of some of the most significant contributions women have made to American popular culture from the silent film era to the present day. The lives and accomplishments of women from various aspects of popular culture are examined, including women from film, television, music, fashion, and literature. In addition to profiles, the encyclopedia also includes chapters that provide a historical review of gender, domesticity, marriage, work, and inclusivity in popular culture as well as a chronology of key achievements. This reference work is an ideal introduction to the roles women have played, both in the spotlight and behind it, throughout the history of popular culture in America. From the stars of Hollywood's Golden Age to the chart toppers of the 2020s, author Laura L. Finley documents how attitudes towards these icons have evolved and how their influence has shifted throughout time. The entries and essays also address such timely topics as feminism, the #MeToo movement, and the gender pay gap.




Inclusive Screenwriting for Film and Television


Book Description

Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8, I May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.




Popular Culture, Political Economy and the Death of Feminism


Book Description

While some have argued that we live in a ‘postfeminist’ era that renders feminism irrelevant to people’s contemporary lives this book takes ‘feminism’, the source of eternal debate, contestation and ambivalence, and situates the term within the popular, cultural practices of everyday life. It explores the intimate connections between the politics of feminism and the representational practices of contemporary popular culture, examining how feminism is ‘made sensible’ through visual imagery and popular culture representations. It investigates how popular culture is produced, represented and consumed to reproduce the conditions in which feminism is valued or dismissed, and asks whether antifeminism exists in commodity form and is commercially viable. Written in an accessible style and analysing a broad range of popular culture artefacts (including commercial advertising, printed and digital news-related journalism and commentary, music, film, television programming, websites and social media), this book will be of use to students, researchers and practitioners of International Relations, International Political Economy and gender, cultural and media studies.