Studies in Short Fiction


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Chekhov and the Poetics of Memory


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Memory is one of the most pervasive and complex motifs in Anton Chekhov's prose. This book clearly demonstrates that memory is not only a dominant theme, but, more significantly, a structuring principle that shapes the poetic, temporal, and spatial composition of several of Chekhov's stories from 1887 to 1904, including some of his best known works, such as «The Bishop, » «The Lady with a Lapdog, » «The House with a Mezzanine, » and «The Black Monk». Chekhov and the Poetics of Memory examines various modes of memory - nostalgic, regenerative, commemorative - and traces their expression in the language of the journey, prayer, and artistic inspiration, shedding light on the centrality of the themes of spiritual growth and moral action in Chekhov's work. In considering the larger theoretical and cultural context of memory, this study breaks new ground in showing the impact on Chekhov's work of the Eastern Orthodox religious tradition, as well as Henri Bergson and other modernist notions of time and memory.




Guide to the Collections


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Histoire Russe


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Review of National Literatures


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This is the third and last of three "smaplers" of essays selected from Review of National Literatures, the prestigious series published between 1970 and 2001 and distributed in over 40 foreign countries and the US by Council on National Literatures. The essays chosen for this third volume reflect CNL's interest in expanding the traditional "comparative" canon by presenting European authors, works, and literary movements in a new light or from an unusual point of view. Among the essays chosen for this third "sampler" is Victor Lange's Expressionism: A Topological Essay; Eldred Jones' Racial Terms for Africans in Elizabethan Usage; Egbert Krispyn's Netherlamdic Studies in the Seventies; Frank J. Warnke's Bibliographical Spectrum: Holland; P.S. Guptara's The Impact of Europe on the Development of Indian Literature; and essays on modern Russian literature, Canadian fiction, Machiavelli's Christian pessimism, the Italian Postmodern; andan unusual contribution by the famous French author Jean-Louis Barrault, Familiar Memories of Paul Claudel (adapted and translated by Henri Peyre, for many years distinguished professor in the Graduate School of The City University of New York, who is also represented here with his own essay, Paul Claudel: Bibliographical Spectrum).







The American Bibliography of Slavic and East European Studies


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Journal articles, books, book chapters, book reviews, dissertations, and selected government publications on East-Central Europe and the former Soviet Union published in the United States and Canada