Marvelous Possessions


Book Description

A masterwork of history and cultural studies, Marvelous Possessions is a brilliant meditation on the interconnected ways in which Europeans of the Age of Discovery represented non-European peoples and took possession of their lands, particularly in the New World. In a series of innovative readings of travel narratives, judicial documents, and official reports, Stephen Greenblatt shows that the experience of the marvelous, central to both art and philosophy, was manipulated by Columbus and others in the service of colonial appropriation. Much more than simply a collection of the odd and exotic, Marvelous Possessions is both a highly original extension of Greenblatt’s thinking on a subject that has permeated his career and a thrilling tale of wandering, kidnapping, and go-betweens—of daring improvisation, betrayal, and violence. Reaching back to the ancient Greeks, forward to the present, and, in his new preface, even to fantastical meetings between humans and aliens in movies like Close Encounters of the Third Kind, Greenblatt would have us ask: How is it possible, in a time of disorientation, hatred of the other, and possessiveness, to keep the capacity for wonder—for tolerant recognition of cultural difference—from being poisoned?




The Marvellous Land of Snergs


Book Description

Human children Joe and Sylvia have magical adventures in the land of the snergs, a race of people only slightly taller than the average table.




Marvellous Thieves


Book Description

Although many of its stories originated centuries ago in the Middle East, the Arabian Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Arabian Nights is richer than standard criticism suggests. “Marvellous Thieves, which draws on hitherto neglected sources, is a brilliant, fluent and original work of literary scholarship.” —Robert Irwin, Literary Review “This fine book...cogently probes an influential period in the knotted and at times sordid history of the Arabian Nights, serving as a fine example to those unraveling this promiscuous and forever malleable set of stories.” —Charles Shafaieh, Wall Street Journal “Intelligent and engrossing...The great merit of Horta’s book is that its interest always lies in the story of the story, in mapping out the complex network of the translators, editors and travellers behind the Arabian Nights, in ways that enrich our sense of this remarkable text.” —Shahidha Bari, Times Higher Education




Marvellous Grounds


Book Description

Toronto has long been a place that people of colour move to in order to join queer of colour communities. Yet the city’s rich history of activism by queer and trans people who are Black, Indigenous, or of colour (QTBIPOC) remains largely unwritten and unarchived. While QTBIPOC have a long and visible presence in the city, they always appear as newcomers in queer urban maps and archives in which white queers appear as the only historical subjects imaginable. The first collection of its kind to feature the art, activism, and writings of QTBIPOC in Toronto, Marvellous Grounds tells the stories that have shaped Toronto’s landscape but are frequently forgotten or erased. Responding to an unmistakable desire in QTBIPOC communities for history and lineage, this rich volume allows us to imagine new ancestors and new futures.




The Marvelous Clouds


Book Description

“An ambitious re-writing—a re-synthesis, even—of concepts of media and culture . . . It is nothing less than an attempt at a history of Being.” —Los Angeles Review of Books When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true—environments are media. Peters defines media expansively as elements that compose the human world. Drawing from ideas implicit in media philosophy, Peters argues that media are more than carriers of messages: they are the very infrastructures combining nature and culture that allow human life to thrive. Through an encyclopedic array of examples from the oceans to the skies, The Marvelous Clouds reveals the long prehistory of so-called new media. Digital media, Peters argues, are an extension of early practices tied to the establishment of civilization such as mastering fire, building calendars, reading the stars, creating language, and establishing religions. New media do not take us into uncharted waters, but rather confront us with the deepest and oldest questions of society and ecology: how to manage the relations people have with themselves, others, and the natural world. A wide-ranging meditation on the many means we have employed to cope with the struggles of existence—from navigation to farming, meteorology to Google—The Marvelous Clouds shows how media lie at the very heart of our interactions with the world around us.




On Marvellous Things Heard


Book Description

Derived formally from Aristotle's Minor Work of the same title, my variation of "On Marvellous Things [Seen and] Heard" explores a range of literary appropriations of art and music, in terms of translation and metamorphosis. Part investigation, part inventory, and part invention (in the musical sense: a composition in simple counterpoint), this dissertation indirectly assays the narrating subject as she directly assays literatures that presume to speak, and not speak, of sounds and silences. Structured as a triptych (I. Critical Introductions, II. Creative Body, III. Critical Conclusions), three essays serve to frame the hybrid Galerie de Difformité at the collection's core. Adhering to natural processes of deformation and reformation, "On Marvellous Things Seen and Heard" draws upon a variety of disciplines and approaches, including museum studies, art history, disability studies, and music. In the vein of the "open work" (to borrow Umberto Eco's term), this critical and creative collection straddles literary genres to challenge their boundaries.




Surrealism, Occultism and Politics


Book Description

This volume examines the relationship between occultism and Surrealism, specifically exploring the reception and appropriation of occult thought, motifs, tropes and techniques by Surrealist artists and writers in Europe and the Americas, from the 1920s through the 1960s. Its central focus is the specific use of occultism as a site of political and social resistance, ideological contestation, subversion and revolution. Additional focus is placed on the ways occultism was implicated in Surrealist discourses on identity, gender, sexuality, utopianism and radicalism.




Conversations on Chemistry


Book Description

Bright, humorous and engaging, Marcet's best-selling 1805 book was designed to introduce women to scientific ideas.




The Marvellous Moon Map


Book Description

"I've got you, and you've got me - so we'll be all right" . . . One day, adventurous Mouse sets off to find the moon with his Marvellous Moon Map, leaving his worried friend Bear behind. But as the Woods get darker, and the weather gets worse, Mouse soon realizes that he needs more than just the Moon Map to find his way . . . An emotional and atmospheric tale of true friendship, beautifully told by Teresa Heapy with stunning illustrations from Waterstones-Prizewinning David Litchfield




Too Marvellous For Words


Book Description

Midnight feasts in dorms, jolly japes with chums, pranks on mad teachers and no boys whatsoever: THE REAL MALORY TOWERS LIFE from award-winning writer, Julie Welch. ‘As we spilled from the train we could hear loud revving and smell exhaust fumes, and there in the forecourt was a coach waiting to drop us all off at our various houses. I’d been living for this moment since I’d arrived at the school; since before that. . . We were all schoolgirls everywhere, past, present and future, real and imagined. We were Darrell and her chums at Malory Towers – except the school in front of me wasn’t quite the picture I had imagined. Suddenly I had this out-of-nowhere, waking up from a coma moment, as if I had been whisked away by a tornado or washed up by shipwreck on an unknown shore. Where was I? How did I get here? I was on my own, and now I would have to survive. . .' Too Marvellous for Words! is the wonderfully evocative and entertaining memoir of life in an all-girls boarding school in Suffolk in the early 1960s. Award-winning writer Julie Welch remembers her time spent at Felixstowe College, a long-lost world of arcane rules and happenings, when the headmistress and the Head of Science raced each other on public roads in their sports cars, and when having meringues for birthday tea instead of plain cake was branded ‘disgraceful’. As the social morals of post-war Britain collided with those of the decadent 1960s, Julie and her fellow pupils discovered Radio Caroline, fashion and the facts of life at the same time as playing lacrosse derbies, attending classical music concerts and sea-bathing.The years spent at Felixstowe College made a lasting impression on the girls who boarded there. Amidst all the fun, deeply emotional attachments were made, with some girls – whose parents were remote or absent – finding support from their classmates that they didn't get at home. Too Marvellous for Words! is the real Malory Towers life, full of character and charm, and serviing as both a memoir and a fascinating social history of a way of English life lived by 'young ladies' some 50 years ago.