Studies of the Paris Manuscripts


Book Description

This book is devoted to the studies of Karl Marx’s Paris Manuscripts and presents a new interpretation of early Marx, arguing that his transition to maturity can be found in these manuscripts, and specifically in Comments on James Mill, which was drafted between the First Manuscript and the Second Manuscript. In Comments on James Mill, Marx succeeds in transferring his theoretical framework from the isolated individual to the society and establishes his basic goal, i.e., to explicate the nature of humans and society from the perspective of external economic relations, marking the advent of historical materialism. This study reopens the possibility of interpreting the Paris Manuscripts from the perspective of Hegel. According to the author, it was during the Paris Manuscripts period that Marx shifted his theoretical foundations from Feuerbach to Hegel. On the basis of Hegel’s alienation concept, Marx constructs a new form of alienation theory with “alienation of intercourse” at its core. The theoretical challenge tackled by this book is to restore the authority of alienation theory, and strengthen the position of the Paris Manuscripts in the history of Marx thought, so as to rearrange the traditional landscape of research on early Marx thought.This interpretation, proposed and published for the first time in the world, could compete with the theses of Louis Althusser and Hiromatsu Wataru, which consider Die deutsche Ideologie to be the turning point of Marx. Further, it represents a significant contribution by a Chinese scholar to the international research on Marx.




Another Marx


Book Description

Following the break-up of the Soviet Union, Marx was regarded as a thinker doomed to oblivion about whom everything had already been said and written. However, the international economic crisis of 2008 favoured a return to his analysis of capitalism, and recently published volumes of the Marx-Engels-Gesamtausgabe (MEGA2) have provided researchers with new texts that underline the gulf between Marx's critical theory and the dogmatism of many twentieth-century Marxisms. This work reconstructs with great textual and historical rigour, but in a form accessible to those encountering Marx for the first time, a number of little noted, or often misunderstood, stages in his intellectual biography. The book is divided into three parts. The first – 'Intellectual Influences and Early Writings' – investigates the formation of the young Marx and the composition of his Parisian manuscripts of 1844. The second – 'The Critique of Political Economy' – focuses on the genesis of Marx's magnum opus, beginning with his studies of political economy in the early 1850s and following his labours through to all the preparatory manuscripts for Capital. The third – 'Political Militancy' – presents an insightful history of the International Working Men's Association and of the role that Marx played in that organization. The volume offers a close and innovative examination of Marx's ideas on post-Hegelian philosophy, alienated labour, the materialist conception of history, research methods, the theory of surplus-value, working-class self-emancipation, political organization and revolutionary theory. From this emerges “another Marx”, a thinker very different from the one depicted by so many of his critics and ostensible disciples.




Clandestine Philosophy


Book Description

Clandestine Philosophy is the first work in English entirely focused on the philosophical clandestine manuscripts that preceded and accompanied the birth of the Enlightenment.




A Contribution to the Critique of Political Economy


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Christina Psalter


Book Description

This book is the first detailed analysis of an exquisitely illuminated thirteenth-century Parisian manuscript (The Royal Library, Copenhagen) which was owned by Christina of Norway (1234-1262), daughter of Håkon IV and wife of Philip of Castile and León. New information is provided about the Psalter?'s medieval and later components, its liturgical and other functions, missing illuminations and texts, as well as its provenance and date. Furthermore, the stylistic and iconographic similarities between the Psalter and some of the most important manuscripts illuminated in Paris in the Period, like the three-volume Moralized Bibles, are discussed. Suggestions also are made about the meanings the texts and images might have had for their intended audience.




The Theory of Revolution in the Young Marx


Book Description

The central theoretical argument of this book is that Marx's philosophy of praxis - first formulated in the Thesis on Feuerbach - is at the same time the founding stone of a new world view, and the methodological basis for his theory of (proletarian) revolutionary self-emancipation.




Italian Illuminated Manuscripts in the J. Paul Getty Museum


Book Description

Known for their stunning displays of artistry and technique, Italian illuminated manuscripts have long been coveted by collectors around the world. The J. Paul Getty Museum holds the most recently formed institutional collection of its kind in the United States, yet it spans more than eight centuries and reflects many of the extraordinary achievements of the Italian tradition. Made up of whole manuscripts as well as leaves and cuttings, the Getty collection of Italian illumination contains nearly sixty works and includes the Montecassino Breviary, the Ferrarese Gualenghi-d’Este Hours, and the Roman gradual illuminated by Antonio da Monza for Santa Maria in Aracoeli. Other important acquisitions are one of the finest Bolognese Bibles of the thirteenth century; three leaves from the Laudario of Sant’Agnese, the most ambitious Florentine manuscript from the first half of the fourteenth century; and a missal once owned by the antipope John XXIII. This beautifully illustrated volume presents many splendid examples of Italian painting and illumination. Some are by noted artists such as Girolamo da Cremona, Pacino di Bonaguida, and Pisanello; others are attributed to artists known only by their works, such as the Master of Gerona, who is credited with one of the finest miniatures in the collection. This carefully crafted book is sure to become an essential resource for scholars, students, and collectors.







Flemish Manuscript Painting in Context


Book Description

A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.




Art in a Time of War


Book Description

In the Hundred Years? War, when Paris fell to the English in 1420, the French capital became an occupied city. Parisian patrons of the book arts? and most of their illuminators? fled. The fifteen-year occupation of Paris has been deemed a fallow period for French illumination. Greg Clark?s study reveals a subtler reading of the manuscripts. He traces the career of a Netherlandish artist? dubbed the Master of Morgan 453? who worked in Paris, Amiens, and Picardy during these troubled times. Clark thoroughly analyzes the work and influence of this animated expressionist and iconographic trailblazer.