Subversive Words


Book Description

From the book: "Paris was fond of stormy weather and emerging toads; the thirst for knowledge was supreme, and the first to read and reread the news were the first to render it with criticism. Authors and readers, great and small, all shared the impression that they were caught between truth and falsehood, and moreover that the 'probable-improbable' they relished so much was being manipulated by the complex strategies of the court, the police and the petty hordes of the evil-minded. We cannot understand the curiosity of the Parisian public without realizing that they did at least know one thing: the extent they were being made fools of." The eighteenth century was awash with rumor and talk. The words and opinions of ordinary people filled the streets of Paris. But were these simply the isolated grumblings and gossip of the crowd, or is it possible to speak of genuine "public opinion" among the common people? This is the subject of Subversive Words, the newest book by French historian Arlette Farge. Farge begins with Jürgen Habermas's notion of a bourgeois public sphere. However, whereas Habermas was concerned mostly with the "cultured classes," Farge focuses on the uneducated common people. Drawing on chronicles, newspapers, memoirs, police reports, and news sheets from the time, she finds that by the second half of the eighteenth century ordinary Parisians had come to assert their right to hold and declare clear opinions on what was happening in their city--visible, real, everyday events such as executions, price rises, and revolts. Yet the government preferred to regard ordinary Parisians as unsophisticated, impulsive, or inept. In the years leading up to the Revolution, however, the administration increasingly feared the mobilization of these people. Officially, it denied the existence of any distinct popular public opinion, but in practice it kept the streets of Paris under regular surveillance through a system of spies, inspectors, and observers. Amid this curious tension between denial and action, Farge argues, popular rumors arose and gained a life of their own. Wise and filled with vivid descriptions of everyday life, Subversive Words is cultural and intellectual history at its best.




Subversive Words


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The Subversive Copy Editor


Book Description

Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.




Subversive Scribes and the Solomonic Narrative


Book Description

Investigates the Solomonic narrative through the optics of propaganda and, specifically, subversion. This book explores examples of scribal subversion in 1 Kings 1-11. It examines texts that undermine the legitimacy or the legacy of Solomon and explores the social context in which scribal subversion was not only possible, but perhaps necessary.




Subversive Cross Stitch


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Needlework is America's most popular craft, with about 38 million stitchers according to the Hobby Industry of America. Subversive Cross Stitch puts a 21st-century spin to this age-old art. Step-by-step instructions for 35 hilarious projects are sure to appeal to the savvy stitch-n-bitch generation.




Subversive Spirituality


Book Description

In Subversive Spirituality Peterson has gathered together a host of writings penned over the past twenty-five years that reflect on the overlooked facets of the spiritual life. Comprising occasional pieces, short biblical studies, poetry, pastoral readings, and interviews, this work captures the epiphanies of life with the pleasing pastoral style and inspiring depth of insight for which Peterson is well known. Peterson describes his book this way: "This gathering of articles and essays, poems and conversations, is a kind of kitchen midden of my noticings of the obvious in the course of living out the Christian life in the vocational context of pastor, writer, and professor. The randomness and repetitions and false starts are rough edges that I am leaving as is in the interests of honesty. Spirituality is not, by and large, smooth. I do hope, however, that these pieces will be found to be freshly phrased".




Teaching As a Subversive Activity


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A no-holds-barred assault on outdated teaching methods—with dramatic and practical proposals on how education can be made relevant to today's world. Praise for Teaching As a Subversive Activity “A healthy dose of Postman and Weingartner is a good thing: if they make even a dent in the pious . . . American classroom, the book will be worthwhile.”—New York Times Book Review “Teaching and knowledge are subversive in that they necessarily substitute awareness for guesswork, and knowledge for experience. Experience is no use in the world of Apollo 8. It is simply necessary to know. However, it is also necessary to know the effect of Apollo 8 in creating a new Global Theatre in which student and teacher alike are looking for roles. Postman and Weingartner make excellent theatrical producers in the new Global Theatre.”—Marshall McLuhan “It will take courage to read this book . . . but those who are asking honest questions—what’s wrong with the worlds in which we live, how do we build communication bridges cross the Generation Gap, what do they want from us?—these people will squirm in the discovery that the answers are really within themselves.”—Saturday Review “Neil Postman and Charles Weingartner go beyond the now-familiar indictments of American education to propose basic ways of liberating both teachers and students from becoming personnel rather than people . . . the authors have created what may become a primer of ‘the new education’ Their book is intended for anyone, teacher or not, who is concerned with sanity and survival in a world of precipitously rapid change, and it’s worth your reading.”—Playboy “This challenging, liberating book can unlock not only teachers but anyone for whom language and learning are not dead.”—Nat Hentoff




Subversive


Book Description

A wizard. An unwilling assistant. An explosive secret. In an America controlled by wizards and 100 years behind on women's rights, Beatrix Harper counts herself among the resistance-the Women's League for the Prohibition of Magic. Then Peter Blackwell, the only wizard her town has ever produced, unexpectedly returns home and presses her into service as his assistant. Beatrix fears he wants to undermine the League. His real purpose is far more dangerous for them both. Subversive is the first novel in the Clandestine Magic trilogy, set in a warped 21st century that will appeal to fans of romantic gaslamp fantasy. All three books will be released in the fall of 2020. If you're a reader who prefers to know upfront whether a book has a happy ending, what the level of violence or trauma is, whether there are sex scenes and how substantial a part romance plays in the plot, scroll down to the author biography for a link to those details. What reviewers are saying: "An exciting new series! ... I found it hard to put the book down when real life came calling." - Life in the Book Lane Reviews "A spectacular story of magic, politics, social classes, and the uncompromising need to do what you think is right." - Bookshelf Adventures "Readers who enjoy fantasy stories with strong female protagonists, magical powers, intriguing political plots, and a great love story will love Subversive." - One Book More




The Power of a Whisper


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Facts are Subversive


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Timothy Garton Ash is well known as an astute and penetrating observer of a dazzling array of subjects, not least through his many contributions to the New York Review of Books. This collection of his essays from the last decade reveals his knack for ferreting out exceptional insights into a troubled world, often on the basis of firsthand experience. Whether he is writing about how “liberalism” has become a dirty word in American political discourse, the problems of Muslim assimilation in Europe, Ukraine’s Orange Revolution, Günter Grass’s membership in the Waffen-SS, or the angry youth of Iran, Garton Ash combines a gimlet eye for detail with deep knowledge of the history of his chosen subjects. Running through this book is the author’s insistence that, whatever some postmodernists might claim, there are indeed facts—and we have both a political and a moral duty to establish them. By practicing what it preaches, Facts Are Subversive shows why Timothy Garton Ash is one of the world’s leading political writers. “The best and most perceptive political writer of our time . . . This book shines the clearest of lights on an entire decade.”—John Simpson “One of the most reliable and acute observers of the past present, able to report on events as a witness and, simultaneously, assess them with a coolness of judgment that almost always holds up over time.”—George Packer, New York Times Book Review “One of the most enjoyable political books you’ll read this year.”—GQ