Summary of Amanda Vickery's The Gentleman's Daughter


Book Description

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The women in this study were from families headed by lesser landed gentlemen, attorneys, doctors, clerics, merchants, and manufacturers. They were not pretentious about their aristocracy, but they did not pretend to be members of the fashionable cosmopolitan beau monde. #2 The Georgian social stratum has not been well served by recent historical investigation. The English lesser gentry, who were recruited into prestigious trades, have not been researched at all. #3 The image of a deep cultural divide between the local elites of land and trade is not accurate at the parish level. In fact, the land to the south of Pendle Hill was known for its poor soil, heavy rainfall, and long-established textile industries. #4 The Pennines were a remote area, far from the centers of polite society. However, they were not lacking in polite families. The valley of the Lancashire Calder was home to many well-established families, who built modest mansions and hosted balls in August 1777.




The Gentleman's Daughter


Book Description

Based on a study of the letters, diaries and account books of over 100 women from commercial, professional and gentry families, mainly in provincial England, this book provides an account of the lives of genteel women in Georgian times.




Behind Closed Doors


Book Description

From the award-winning author of The Gentleman’s Daughter,a witty and academic illumination of daily domestic life in Georgian England. In this brilliant work, Amanda Vickery unlocks the homes of Georgian England to examine the lives of the people who lived there. Writing with her customary wit and verve, she introduces us to men and women from all walks of life: gentlewoman Anne Dormer in her stately Oxfordshire mansion, bachelor clerk and future novelist Anthony Trollope in his dreary London lodgings, genteel spinsters keeping up appearances in two rooms with yellow wallpaper, servants with only a locking box to call their own. Vickery makes ingenious use of upholsterer’s ledgers, burglary trials, and other unusual sources to reveal the roles of house and home in economic survival, social success, and political representation during the long eighteenth century. Through the spread of formal visiting, the proliferation of affordable ornamental furnishings, the commercial celebration of feminine artistry at home, and the currency of the language of taste, even modest homes turned into arenas of social campaign and exhibition. The basis of a 3-part TV series for BBC2. “Vickery is that rare thing, an…historian who writes like a novelist.”—Jane Schilling, Daily Mail “Comparison between Vickery and Jane Austen is irresistible…This book is almost too pleasurable, in that Vickery's style and delicious nosiness conceal some seriously weighty scholarship.”—Lisa Hilton, The Independent “If until now the Georgian home has been like a monochrome engraving, Vickery has made it three dimensional and vibrantly colored. Behind Closed Doors demonstrates that rigorous academic work can also be nosy, gossipy, and utterly engaging.”—Andrea Wulf, New York Times Book Review




Furniture-Makers and Consumers in England, 1754–1851


Book Description

Covering the period from the publication of Thomas Chippendale's The Gentleman and Cabinet-Makers' Director (1754) to the Great Exhibition (1851), this book analyses the relationships between producer retailers and consumers of furniture and interior design, and explores what effect dialogues surrounding these transactions had on the standardisation of furniture production during this period. This was an era, before mass production, when domestic furniture was made both to order and from standard patterns and negotiations between producers and consumers formed a crucial part of the design and production process. This study narrows in on three main areas of this process: the role of pattern books and their readers; the construction of taste and style through negotiation; and daily interactions through showrooms and other services, to reveal the complexities of English material culture in a period of industrialisation.




British History 1815-1914


Book Description

This fully revised and updated new edition, extended to cover the period up to 1914, provides the ultimate introduction to British history between the end of the Napoleonic Wars and the outbreak of the First World War.




Encyclopedia of Life Writing


Book Description

First published in 2001. This is the first substantial reference work in English on the various forms that constitute "life writing." As this term suggests, the Encyclopedia explores not only autobiography and biography proper, but also letters, diaries, memoirs, family histories, case histories, and other ways in which individual lives have been recorded and structured. It includes entries on genres and subgenres, national and regional traditions from around the world, and important auto-biographical writers, as well as articles on related areas such as oral history, anthropology, testimonies, and the representation of life stories in non-verbal art forms.




The Study of Dress History


Book Description

Over the past ten years the study of dress history has finally broken free of the shackles that have held it back, and is now benefiting from new, multidisciplinary approaches and practices, which draw on material culture, art history, ethnography, and cultural studies. This book focuses on the development of these new methods to be found within the field of dress history and dress studies, and assesses the current condition and future directions of the subject.




Family and Business During the Industrial Revolution


Book Description

Small businesses were at the heart of the economic growth and social transformation that characterized the industrial revolution in eighteenth and nineteenth century Britain; this monograph examines the economic, social, and cultural history of some of these forgotten businesses and the men and women who worked in them and ran them.




Gender, Crime and Judicial Discretion 1780-1830


Book Description

Crimes in England in the 18th and 19th centuries were committed and judged differently, depending on whether the culprit was male or female. This study of the English judicial system in London provides a detailed view of its complex workings, with particular attention to the role and treatment of women.




Maria Spilsbury (1776?820)


Book Description

Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works.