Summary of the arguments respecting Copy-right. [Signed, B. M.]
Author : B. M.
Publisher :
Page : 4 pages
File Size : 32,7 MB
Release : 1814
Category :
ISBN :
Author : B. M.
Publisher :
Page : 4 pages
File Size : 32,7 MB
Release : 1814
Category :
ISBN :
Author :
Publisher :
Page : 612 pages
File Size : 29,5 MB
Release : 1891
Category :
ISBN :
Author :
Publisher :
Page : 466 pages
File Size : 19,87 MB
Release : 1891
Category :
ISBN :
Author : British museum. Dept. of printed books
Publisher :
Page : 504 pages
File Size : 41,15 MB
Release : 1931
Category :
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 1066 pages
File Size : 32,75 MB
Release : 1946
Category : English literature
ISBN :
Author :
Publisher :
Page : 694 pages
File Size : 26,94 MB
Release : 1985
Category : Books
ISBN :
Author : British Museum. Department of Printed Books
Publisher :
Page : 448 pages
File Size : 10,28 MB
Release : 1963
Category : English imprints
ISBN :
Author : British Library
Publisher :
Page : 1066 pages
File Size : 49,58 MB
Release : 1946
Category :
ISBN :
Author : John Adams
Publisher :
Page : 968 pages
File Size : 31,69 MB
Release : 1992
Category : Catalogs, Union
ISBN :
Author : Petr Szczepanik
Publisher : Springer Nature
Page : 303 pages
File Size : 19,93 MB
Release : 2020-05-15
Category : Business & Economics
ISBN : 3030448509
This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets.