Sumter County


Book Description

Sumter County was founded on December 18, 1832, on land ceded to the United States by the Choctaw Indians in the Treaty of Dancing Rabbit Creek. Almost immediately, settlers began pouring in from Georgia, Virginia, Tennessee, and the Carolinas. In the 19th and early-20th centuries, most of the residents were farmers; however, following the infestation of the boll weevil, many turned to raising cattle and growing timber. Every November, hundreds of hunters descend upon Sumter County in hopes of harvesting one of the thousands of deer that live on the rolling prairies and in the oak forests lining the Tombigbee River. With the help of Ruby Pickens Tartt, scores of ethnomusicologists, including John and Alan Lomax, traveled hundreds of miles to the red clay country of Sumter County in the 1930s, 1940s, and 1950s to record African American folk songs from people like Vera Hall and Dock Reed.




Haunted Sumter County, Florida


Book Description

Sumter County's serene beauty is cloaked by mystery--a Seminole sage's timeless spell, a lurking swamp monster, a family's spirited legacy and the ghostly cries of brokenhearted souls. Floridian bad boys, mobsters and bank robbers line the pages of Sumter County's criminal past. Murder, mayhem and mystery are embedded in our cultural timeline, from the indigenous eradication to the present-day retirement utopia. Step into the paranormal possibilities swirling inside the historic Baker House in Wildwood. Sense the residual energy that sways from Sumter County's courthouse front steps. Feel the county's macabre history come alive as Deborah Carr Hollingsworth churns up chilling tales from our mysterious past.




Sumter County


Book Description

Sumter County was founded on December 18, 1832, on land ceded to the United States by the Choctaw Indians in the Treaty of Dancing Rabbit Creek. Almost immediately, settlers began pouring in from Georgia, Virginia, Tennessee, and the Carolinas. In the 19th and early-20th centuries, most of the residents were farmers; however, following the infestation of the boll weevil, many turned to raising cattle and growing timber. Every November, hundreds of hunters descend upon Sumter County in hopes of harvesting one of the thousands of deer that live on the rolling prairies and in the oak forests lining the Tombigbee River. With the help of Ruby Pickens Tartt, scores of ethnomusicologists, including John and Alan Lomax, traveled hundreds of miles to the red clay country of Sumter County in the 1930s, 1940s, and 1950s to record African American folk songs from people like Vera Hall and Dock Reed.




South Carolina's Turkish People


Book Description

The story of misunderstood immigrants and their struggle to gain recognition and acceptance in the rural South Despite its reputation as a melting pot of ethnicities and races, the United States has a well-documented history of immigrants who have struggled through isolation, segregation, discrimination, oppression, and assimilation. South Carolina is home to one such group—known historically and derisively as "the Turks"—which can trace its oral history back to Joseph Benenhaley, an Ottoman refugee from Old World conflict. According to its traditional narrative, Benenhaley served with Gen. Thomas Sumter in the Revolutionary War. His dark-hued descendants lived insular lives in rural Sumter County for the next two centuries, and only in recent decades have they enjoyed the full blessings of the American experience. Early scholars ignored the Turkish tale and labeled these people "tri-racial isolates" and later writers disparaged them as "so-called Turks." But members of the group persisted in claiming Turkish descent and living reclusively for generations. Now, in South Carolina's Turkish People, Terri Ann Ognibene and Glen Browder confirm the group's traditional narrative through exhaustive original research and oral interviews. In search of definitive documentation, Browder combed through a long list of primary sources, including historical reports, public records, and private papers. He also devised new evidence, such as a reconstruction of Turkish lineage of the 1800s through genealogical analysis and genetic testing. Ognibene, a descendant of the state's Turkish population, conducted personal interviews with her relatives who had been in the community since the 1900s. They talked at length and passionately about their cultural identity, their struggle for equal rights, and the mixed benefits of assimilation. Ognibene's and Browder's findings are clear. South Carolina's Turkish people finally know and can celebrate their heritage.




A Country Boy from Sumter County, South Carolina


Book Description

I wrote this book to share my life story. I was prompted into writing this book because of so many people that heard me as a guest speaker, me telling different people real-life stories about myself, my stories about my twenty-two months in the army, and my coworkers and many of my former students telling me that I should be putting my stories and experiences in a book. So I decided to write it. For those of you that know me well and those that don’t know as well, you will find this book to be very interesting, downright hilarious, very entertaining, and thought-provoking. I believe you will have so much fun reading it while you laugh.







City of Sumter, and Sumter County


Book Description

Emmit I. Reardon provides a comprehensive history of the city of Sumter and Sumter County, South Carolina from its early Native American settlers to the present day. He includes detailed descriptions of the area's geography, demographics, economic development, and major historical events. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.