Sunday


Book Description

The mere mention of "Sunday" will immediately conjure up a rich mix of memories, associations, and ideas for most anyone of any age. Whatever we think of-be it attending church, reading a bulky newspaper, eating brunch, or watching football-Sunday occupies a unique place in Western civilization. But how did we come to have a day with such a singular set of traditions? Here, historian Craig Harline examines Sunday from its ancient beginnings to contemporary America in a fascinating blend of stories and analysis. For the earliest Christians, the first day of the week was a time to celebrate the liturgy, observe the Resurrection, and work. But over time, Sunday in the Western world took on still other meanings and rituals, especially in the addition of both rest and recreation to the day's activities. Harline illuminates these changes in enlightening profiles of Sunday in medieval Catholic England, Sunday in the Reformation, and Sunday in nineteenth-century France-home of the most envied and sometimes despised Sunday of the modern world. He continues with moving portraits of soldiers and civilians trying to observe Sunday during World War I, examines the quiet Sunday of England in the 1930s, and concludes with the convergence of various European traditions in the American Sunday, which also adds some distinctly original habits of its own, such as in the realms of commerce and professional sports.With engaging prose and scholarly integrity, "Sunday" is an entertaining and long-overdue look at a significant hallmark of Western culture.







Beyond Free Speech and Propaganda


Book Description

In Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907–1927, Jay Douglas Steinmetz provides an original and detailed account of the political developments that shaped the American Film Industry in the silent years. In the 1900s and 1910s, the American film industry often embraced the arguments of film free speech and extolled the virtues of propagandistic cinema—the visual art of persuasion seen as part and parcel of deliberative democracy. The development of American cinema in these years was formatively shaped by conflicts with another industry of cultural consumption: liquor. Exhibitors battled with their competitors, the ubiquitous saloon, while film producers often attacked the immorality of drink with explosive propaganda on the screen. But the threat of censorship and economic regulation necessitated control and mastery over the social power of the cinema (its capacity to influence the public through the visualization of ideas) not an open medium of expression or an explicitly political instrument of molding public opinion. By the early 1920s, big producer-distributors based in Southern California sidelined arguments for film free speech and tamped down the propagandistic possibilities of the screen. Through their trade association, the Motion Picture Producers and Distributors of America, headed by Republican insider Will H. Hays, the emerging moguls of Hollywood negotiated government regulation, prohibition, and the insurgency of the Ku Klux Klan in the turbulent 1920s. A complex and interconnected work of political history, this volume also uncovers key aspects in the development of modern free speech, propaganda in American political culture, the modern Republican Party, cultural developments leading up to prohibition, and the rise and fall of the Ku Klux Klan in the 1920s. This work will be of particular interest to film and political historians interested in social movements, economic development, regulation, and the evolution of consumer capitalism in the early 20th century.




The Bibliotheca Sacra


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Springfield City Library Bulletin


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Catalog of Copyright Entries


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