Supernatural Horror in Literature


Book Description

Originally published in 1927 in a small-circulation amateur magazine, spanning the period from antiquity until the 1930s, and covering both the Anglo-American world and Continental Europe, Lovecraft’s essay remains unparallelled as a survey of horror literature in our hemisphere. Said literature’s emergence as a genre coincided with the institutional establishment of liberalism, which represents a diametrically opposed worldview. This would suggest that horror literature, even if inadvertently or subconsciously, represents an attempt at escaping the limitations of the secular, materialist, rationalist Weltanschauung of liberal modernity, as well as a desire for meaning in a world rendered meaningless through ‘liberation’ from hierarchies, folk traditions, the occult, and the supernatural. Also of interest is the fact that the aesthetics of Gothic horror are invariably and luxuriantly beautiful (if in a dark way), whereas the logical extreme of rationality (utilitarianism, standardisation) is inherently anti-aesthetic. Would this not indicate, then, that the Age of Reason marked the beginning of a process that concluded in late modernity with the wholesale destruction of beauty, except where it, or the counterfeiting of it, was dictated by economic necessity? If so, we may view Lovecraft’s essay not merely as a resource for those seeking entertainment within a genre of literature, but also a map for those seeking to escape, and begin to transcend, the despair engendered by a worldview that pronounced itself dead when someone spoke of ‘the end of history’.




Supernatural Horror in Literature-Original Edition(Annotated)


Book Description

"Supernatural Horror in Literature" is a 28,000 word essay by American writer H. P. Lovecraft, surveying the development and achievements of horror fiction as the field stood in the 1920s and 30s.




The Annotated Supernatural Horror in Literature


Book Description

Lovecraft's 'Supernatural horror in literature', first published in 1927, is a historical survey of horror literature, with insights into the nature, development and history of the weird tale. Lovecraft discusses horror writing in the Renaissance, the first Gothic novels of the late 18th century, the revolutionary importance of Edgar Allen Poe, the work of figures such as Nathaniel Hawthorne, Ambrose Bierce and William Hope Hodgson and the four 'modern masters' of the time - Arthur Machen, Lord Dunsany, Algernon Blackwood and M.R. James. In this annotated edition, S.T. Joshi has provided commentary on many points.




Supernatural Horror in Literature Annotated


Book Description

Supernatural Horror in Literature is a 28,000 word essay by American writer H. P. Lovecraft, surveying the development and achievements of horror fiction as the field stood in the 1920s and 30s. The essay was researched and written between November 1925 and May 1927, first published in August 1927, and then revised and expanded during 1933-1934.




Supernatural Horror in Literature


Book Description

From the Master of Cosmic Horror ... Supernatural Horror in Literature, H.P. Lovecraft's "master's thesis," is a tour de force of literary analysis, tracing the origins of the horror genre back to its inception and beyond. In it, Lovecraft follows the development of horror-lit down through the centuries--from Horace Walpole, through Mary Wollstonecraft and Bram Stoker, to Algernon Blackwood and Arthur Machen, and on into his own time.




Supernatural Horror in Literature Annotated Super Classic Horror


Book Description

Supernatural Horror in Literature is a 28,000 word essay by American writer H. P. Lovecraft, surveying the development and achievements of horror fiction as the field stood in the 1920s and 30s. The essay was researched and written between November 1925 and May 1927, first published in August 1927, and then revised and expanded during 1933-1934.Great modern American supernaturalist brilliantly surveys history of genre to 1930s, summarizing, evaluating scores of books, including works by Poe, Bierce, M.R. James, "Monk" Lewis, many others. Praised by critics as diverse as Edmund Wilson and Vincent Starrett.




The Colour Out of Space-Original Classic Edition(Annotated)


Book Description

The Colour Out of Space is a science fiction/horror short story by American author H. P. Lovecraft, written in March 1927. In the tale, an unnamed narrator pieces together the story of an area known by the locals as the "blasted heath" in the wild hills west of the fictional town of Arkham, Massachusetts. The narrator discovers that many years ago a meteorite crashed there, poisoning every living being nearby; vegetation grows large but foul tasting, animals are driven mad and deformed into grotesque shapes, and the people go insane or die one by one.Lovecraft began writing "The Colour Out of Space" immediately after finishing his previous short novel, The Case of Charles Dexter Ward, and in the midst of final revision on his horror fiction essay "Supernatural Horror in Literature". Seeking to create a truly alien life form, he drew inspiration from numerous fiction and nonfiction sources. First appearing in the September 1927 edition of Hugo Gernsback's science fiction magazine Amazing Stories, "The Colour Out of Space" became one of Lovecraft's most popular works, and remained his personal favorite of his short stories. It has been adapted to film several times, as Die, Monster, Die! (1965), The Curse (1987), Colour from the Dark (2008), The Colour Out of Space (Die Farbe) (2010) and Color Out of Space (2019).An unnamed surveyor from Boston, telling the story in the first-person perspective, attempts to uncover the secrets behind a shunned place referred to by the locals of Arkham as the "blasted heath." Unable to garner any information from the townspeople, the protagonist seeks out an old and allegedly crazy man by the name of Ammi Pierce, who relates his personal experiences with a farmer who used to live on the cursed property, Nahum Gardner. Pierce claims that the troubles began when a meteorite crashed into Gardner's lands in June 1882.The meteorite shrinks but does not cool, and local scientists cannot discern its origin. As it shrinks, it leaves behind "globules of colour" which are referred to as such only by analogy, as they fall outside the range of anything known in the visible spectrum. The stone is eventually destroyed by six bolts of lightning, and the lab specimens are destroyed when placed in a glass beaker. The following season, Gardner's crops grow unnaturally large and abundant. When he discovers that, despite their appearance, they are inedible, he becomes convinced that the meteorite has poisoned the soil. Over the following year, the problem spreads to the surrounding vegetation and local animals, altering them in unusual ways; the plants around the farmhouse become "slightly luminous in the dark. Gardner's wife goes mad, and he locks her in the attic. Over time, Gardner isolates his family from the neighboring farmers; Pierce becomes his only contact with the outside world.Shortly after the onset of Mrs. Gardner's madness, the vegetation erodes into a grey powder, and the water from the well becomes tainted. One of Gardner's sons, Thaddeus, also goes mad, and Gardner locks him in a different room of the attic. The livestock turns grey and dies off; like the crops, their meat is tasteless and inedible. Thaddeus dies in the attic. Merwin, another of Gardner's sons, vanishes while retrieving water from the contaminated well. After two weeks with no contact from Gardner, Pierce visits the farmstead and witnesses the tale's eponymous horror in the attic. Gardner's final son, Zenas, has disappeared, and the "colour" has infected Nahum's wife, whom Pierce puts out of her misery. Pierce flees the decaying house as the horror destroys the last surviving resident, Nahum.Pierce returns later that day to the farmstead with six men, including a doctor, who examine Nahum's remains. They discover both Merwin and Zenas' eroding skeletons at the bottom of the well, as well as bones of several other creatures. As they reflect upon their discoveries in the house, a light begins to shine from...




Supernatural Horror in Literature


Book Description

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form. Against it are discharged all the shafts of materialistic sophistication which clings to frequently felt emotions and external events, and of a naively insipid idealism which deprecates the aesthetic motive and calls for a didactic literature to "uplift" the reader toward a suitable degree of smirking optimism. But in spite of all this opposition the weird tale has survived, developed, and attained remarkable heights of perfection; founded as it is on a profound and elementary principle whose appeal, if not always universal, must necessarily be poignant and permanent to minds of the requisite sensitiveness.The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life. Relatively few are free enough from the spell of the daily routine to respond to rappings from outside, and tales of ordinary feelings and events, or of common sentimental distortions of such feelings and events, will always take first place in the taste of the majority; rightly, perhaps, since of course these ordinary matters make up the greater part of human experience. But the sensitive are always with us, and sometimes a curious streak of fancy invades an obscure corner of the very hardest head; so that no amount of rationalisation, reform, or Freudian analysis can quite annul the thrill of the chimney-corner whisper or the lonely wood.




Holy Terror Annotated


Book Description

This vintage book contains a collection of chilling and macabre stories by Welsh author and mystic Arthur Machan. The stories include: "The Brightest Boy", "The Tree of Life", "Opening the Door", "The Marriage of Panurge", "The Holy Things", "Psychology", "The Turanians", "The Rose Garden", "The Ceremony", "The Soldiers' Rest", "The Happy Children", "The Cosy Room", "Munitions of War", "The Great Return", and more. These unsettling supernatural tales are not to be missed by lovers of horror or mystery fiction, and they would make for worthy additions to allied collections. Arthur Machen (1863 - 1947) was a Welsh author and renowned mystic during the 1890s and early 20th century who garnered literary acclaim for his contributions to the supernatural, horror, and fantasy fiction genres. His seminal novella "The Great God Pan" (1890) has become a classic of horror fiction, with Stephen King describing it as one of the best horror stories ever written in the English language. Other notable fans of his gruesome tales include William Butler Yeats and Arthur Conan Doyle; and his work has been compared to that of Robert Louis Stevenson, Bram Stoker, and Oscar Wilde. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.




The Damned


Book Description

Known as one of the key figures in the 'weird' horror movement that arose in England and the United States in the early twentieth century, Algernon Blackwood was known for inserting surprising, often sophisticated twists into his tales. The Damned tells the story of a haunted house whose supernatural activity stems from an unlikely source.This is one of those books that gets hurt by modern horror writing. The atmosphere is creepy and there is a constant sense of dread throughout. You constantly expect something horrible to happen, and it never really does. A lot of reviewers on this site have used that as a criticism. They say nothing really happens, which was exactly the point of the book, even going so far as being explicitly stated.This book was written in 1914 and is one of the great, original haunted house stories. I highly recommend it for horror literature lovers. Blackwood is a legend within the genre and inspired countless writers, including H.P. Lovecraft and Caitlin Kiernan.