Music Since 1900


Book Description

**** One of the most celebrated references on the music of this century, cited in BCL3, Sheehy, and Walford. Beginning with January 1, 1900, it illuminates every significant day in music history, highlighting debuts, deaths, performances, and an abundance of entertaining music trivia. This edition revises and combines the 1971 fourth edition and its 1986 supplement with descriptive chronologies from 1985 through 1991. It retains the now classic preface to the fourth edition, the Letters and Documents section that includes letters to Slonimsky from Schoenberg, Ives, Varese, and George Bernard Shaw, and the Dictionary of Terms. This edition celebrates Slonimsky's 100th birthday (April 27th). Annotation copyright by Book News, Inc., Portland, OR




Music Since 1900


Book Description

This indispensable music reference provides a day-by-day account of events and accomplishments in the world of music since the turn of the century. This new edition combines the 1971 fourth edition and the 1986 Supplement, and adds 500 new entries covering the years 1986-1991. It provides a complete history of this century's music in one volume. Includes a dictionary of terms and index.




Music Since 1900


Book Description

This 6th edition brings music of the 20th century to a close with coverage of years not included in the 5th edition--1992-2000. Entries on roughly 1,000 more composers, performers, musicologists, critics, and opera directors offer critical commentary, notable premieres and debuts, deaths of significant figures, as well as important festivals and concerts around the world.




Supplement to Music Since 1900


Book Description




Composers Since 1900


Book Description




Women and Music in America Since 1900 [2 Volumes]


Book Description

This two-volume reference describes the role of women in all types of music in the U.S. since 1900. The alphabetically-arranged entries cover important individuals (chosen for the significance of their contributions rather than for their popularity), biographical overviews, gender issues, education, music genres, honors and awards, organizations and professions. Entries (ranging from half a page to several pages in length) conclude with a short list of further readings, and about 100 are accompanied by a b & w photograph. A historical overview and a chronology are also included. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).




Music and Narrative Since 1900


Book Description

This comprehensive volume offers a wide-ranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which composers were quick to exploit. The new conceptions of time, narrative voice, plot, and character that accompanied these experiments also had a significant impact on contemporary music. The repertoire explored in the collection ranges across a wide variety of genres and includes composers from Charles Ives and the Pet Shop Boys to Thomas Adès and Dmitri Shostakovich.




Composers Since 1900


Book Description

Offers brief biographies of significant European and American composers of the twentieth century




Arthur Bliss


Book Description

This title was first published in 2002. This volume of essays seeks to reflect aspects of the life and work of Arthur Bliss, Master of the Queen's Music. Though each is self-contained, the editor has attempted to keep a theme running throughout. Looking beyond surface impressions is an attitude constantly expressed.




Music in the Late Twentieth Century


Book Description

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks-the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. Music in the Late Twentieth Century is the final installment of the set, covering the years from the end of World War II to the present. In these pages, Taruskin illuminates the great compositions of recent times, offering insightful analyses of works by Aaron Copland, John Cage, Milton Babbitt, Benjamin Britten, Steve Reich, and Philip Glass, among many others. He also looks at the impact of electronic music and computers, the rise of pop music and rock 'n' roll, the advent of postmodernism, and the contemporary music of Laurie Anderson, John Zorn, and John Adams. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.