Cable


Book Description

Collects Cable (1993) #59-70, Annual '99; X-Man #45-47. Cable stars in power-packed adventures from an explosive era! The Askani’son’s world is rocked when he battles Jack Truman, the highly trained S.H.I.E.L.D. operative known as Agent 18! When the Nemesis Contract is opened, Cable will face the wrath of Zzzax, the fury of Nick Fury and the portent of Project Deathlok! Then, when Stryfe strikes, Nathan must unite with his “blood brother” Nate Grey — the headstrong young refugee from the Age of Apocalypse known as X-Man — to stop him! But Cable will need help from the Avengers when the end times draw near, courtesy of the Harbinger of Apocalypse! Plus: Rachel Summers — the once and future Phoenix — makes her return! With the Prophecy of the Twelve looming on the horizon, will Cable embrace his Apocalyptic destiny?




1996 Comic Book Index


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Saga of the Swamp Thing


Book Description

Graphic Novel. This first volume, collecting issues 20-27 of THE SAGA OF THE SWAMP THING, also features a foreword by famed horror author Ramsey Campbell and a new introduction by Swamp Thing co-creator and original series editor Len Wein.




The Saga of the Swamp Thing (1982-) #37


Book Description

What does it take to grow a Swamp Thing? Find out in 'Growth Patterns,' as the being regrows himself one day—and leaf—at a time! John Constantine makes his comic book debut as an evil peers into the DC Universe.




Roots of the Swamp Thing


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Comics Buyer's Guide 1996 Annual


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Congressional Record


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Ghosts in the Machine


Book Description

(Limelight). Looking back on a century that witnessed the emergence of motion pictures to become, almost immediately, a dominant cultural force in our lives, this penetrating and provocative book argues that "movies (like cathedrals) cannot help but display the subconscious impulses oftheir society." From D.W. Griffith to the Marx Brothers to film noir, "what are conceived and consumed as innocent pop movies ... are in fact manifestations of wild horror, superstitious ignorance, fatalistic dread and bigoted savagery."




Comics through Time [4 volumes]


Book Description

Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time: A History of Icons, Idols, and Ideas provides students and general readers a one-stop resource for researching topics, genres, works, and artists of comic books, comic strips, and graphic novels. The comprehensive and broad coverage of this set is organized chronologically by volume. Volume 1 covers 1960 and earlier; Volume 2 covers 1960–1980; Volume 3 covers 1980–1995; and Volume 4 covers 1995 to the present. The chronological divisions give readers a sense of the evolution of comics within the larger contexts of American culture and history. The alphabetically arranged entries in each volume address topics such as comics publishing, characters, imprints, genres, themes, titles, artists, writers, and more. While special attention is paid to American comics, the entries also include coverage of British, Japanese, and European comics that have influenced illustrated storytelling of the United States or are of special interest to American readers.




Fear and Trembling


Book Description

In our time nobody is content to stop with faith but wants to go further. It would perhaps be rash to ask where these people are going, but it is surely a sign of breeding and culture for me to assume that everybody has faith, for otherwise it would be queer for them to be . . . going further. In those old days it was different, then faith was a task for a whole lifetime, because it was assumed that dexterity in faith is not acquired in a few days or weeks. When the tried oldster drew near to his last hour, having fought the good fight and kept the faith, his heart was still young enough not to have forgotten that fear and trembling which chastened the youth, which the man indeed held in check, but which no man quite outgrows. . . except as he might succeed at the earliest opportunity in going further. Where these revered figures arrived, that is the point where everybody in our day begins to go further.