Swift: The Man, his Works, and the Age


Book Description

First published in 1962, Mr Swift and his Contemporaries, is the first of three volumes providing a detailed exploration of the events of Swift’s life. This volume is a thorough insight into the historical and social setting of Swift’s life, the evolution of his character, and the composition and interpretation of his works. It includes a wealth of material concerning Swift’s family and career, his emotional and sexual life, his relationship with Sir William Temple, and the design and meaning of both A Tale of a Tub and The Battle of the Books. Mr Swift and his Contemporaries is ideal for anyone with an interest in Swift’s life, work, and the period in which he lived.




Swift: The Man, his Works, and the Age


Book Description

First published in 1983, Dean Swift is the concluding book in a series of three volumes providing a detailed exploration of the events of Swift’s life. The third volume follows Swift’s life and career from 1714 to 1745 and sets it against the public events of the age, paying close attention to political and economic change, ecclesiastical problems, social issues, and literary history. It traces Swift’s rise to becoming first citizen of Ireland and looks in detail at the composition, publication, and reception of Gulliver’s Travels, as well as many of Swift’s other works, both poetry and prose. It also explores Swift’s later years, his love affairs with Esther Johnson and Esther Vanhomrigh, his complicated friendships with Pope, Lord Bolingbroke, and Archbishop King, and his declining health. Dean Swift is a hugely detailed insight into Swift’s life from 1714 until his death and will be of interest to anyone wanting to find out more about his life and works.







Jonathan Swift


Book Description

Draws on discoveries made in the past three decades to paint a new portrait of the satirist, speculating on his parentage, love life, and relationships while claiming that the public image he projected was intentionally misleading.




English Literature, 1660-1800


Book Description

The Philological Quarterly's annual bibliographies of modern studies in English neoclassical literature, published originally from 1961 to 1970, are reproduced in two volumes. Readers will find the same features that distinguished earlier compilations in the series: inclusive listing of significant works published in each year (including sections on the historical and cultural background as well as literature), authoritative reviews of important works, critical comments, and a full index that is in itself an indispensable reference tool. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




The Skeptical Sublime


Book Description

This book argues that philosophical skepticism helps define the aesthetic experience of the sublime in late seventeenth- and eighteenth-century British literature, especially the poetry of Alexander Pope. Skeptical doubt appears in the period as an astonishing force in discourse that cannot be controlled--"doubt's boundless Sea," in Rochester's words--and as such is consistently seen as affiliated with the sublime, itself emerging as an important way to conceive of excessive power in rhetoric, nature, psychology, religion, and politics. This view of skepticism as a force affecting discourse beyond its practitioners' control links Noggle's discussion to other theoretical accounts of sublimity, especially psychoanalytic and ideological ones, that emphasize the sublime's activation of unconscious personal and cultural anxieties and contradictions. But because The Skeptical Sublime demonstrates the sublime's roots in the epistemological obsessions of Pope and his age, it also grounds such theories in what is historically evident in the period's writing. The skeptical sublime is a concrete, primary instance of the transformation of modernity's main epistemological liability, its loss of certainty, into an aesthetic asset--retaining, however, much of the unsettling irony of its origins in radical doubt. By examining the cultural function of such persistent instability, this book seeks to clarify the aesthetic ideology of major writers like Pope, Swift, Dryden, and Rochester, among others, who have been seen, sometimes confusingly, as both reactionary and supportive of the liberal-Whig model of taste and civil society increasingly dominant in the period. While they participate in the construction of proto-aesthetic categories like the sublime to stabilize British culture after decades of civil war and revolution, their appreciation of the skepticism maintained by these means of stabilization helps them express ambivalence about the emerging social order and distinguishes their views from the more providentially assured appeals to the sublime of their ideological opponents.




A Political Biography of William King


Book Description

William King (1650–1729) was perhaps the dominant Irish intellect of the period from 1688 until his death in 1729. An Anglican (Church of Ireland) by conversion, King was a strident critic of John Toland and the clerical superior of Jonathan Swift.




From Enlightenment to Rebellion


Book Description

This book is a collection of essays and a short story written to honor Christopher Fox of Notre Dame, arguably the most influential figure in Irish Studies for the past quarter century. The essays address topics in which Professor Fox has made his own enduring scholarly contributions, and subjects to which he has made enduring contributions through his academic leadership, from the development of library collections and important fellowships at his university to the institution of a global community of scholars in Irish Studies. The disciplines represented by the essays published here include English Literature, Irish Literature, Comparative Literature, Medieval Studies, Librarianship, History, Intellectual History, Irish Folklore, Philosophy, and Documentary Film. Seven of the fifteen essays focus on topics at the intersection of Irish Studies and Eighteenth-Century Studies, Fox’s own specialty. They include studies of Edmund Burke’s late-career view of the free market and social justice; the persistent influence of William Molyneux and Jonathan Swift in late eighteenth-century Irish patriots’ political vision; Swift’s conception of neighborliness in his fiction and sermons; the satirist’s illnesses and their bearing on his social relationships; the anthropogenic dimension of Alexander Pope’s Dunciad; the reception of Lucretius’ De rerum natura in the seventeenth- and eighteenth-century British Isles; and an examination of the conception of the self in the philosophical work of John Locke and Charles Mein. The remainder cover texts and issues such as the role of Continental influence on medieval Irish epic, the relations of poets and lords in early modern Ireland, perspectives on writers in Irish folklore, and the relations of social class and linguistic change in the modern novel. There is as well a pair of essays on the 1916 Dublin Easter Rising, one examining the role of the theater in the participants’ conceptions of that event, the other discussing the creation of the award winning recent documentary series of which Fox was executive producer, 1916: The Irish Rebellion. The contributions open with a Forward by the former President of Ireland, Mary McAleese, and conclude with a new short story by the Irish novelist Patrick McCabe. The book includes a Select Bibliography of the publications of Professor Fox, and an Index.




Swift’s Satires on Modernism: Battlegrounds of Reading and Writing


Book Description

More than three centuries later, Jonathan Swift's writing remains striking and relevant. In this engaging study, Atkins brings forty-plus years of critical experience to bear on some of the greatest satires ever written, revealing new contexts for understanding post-Reformation reading practices and the development of the modern personal essay.




Reading Eighteenth-Century Poetry


Book Description

Reading Eighteenth-Century Poetry recaptures for modern readers the urgency, distinctiveness and rewarding nature of this challenging and powerful body of poetry. An essential guide to reading eighteenth-century poetry, written by world-renowned critic, Patricia Meyer Spacks Exposes the multiplicity of forms, tones, and topics engaged by poets during this period Provides in-depth analysis of poems by established figures such as Alexander Pope and Jonathan Swift, as well as work by less familiar figures, including Anne Finch and Mary Leapor A broadly chronological structure incorporates close reading alongside insightful contextual and historical detail Captures the power and uniqueness of eighteenth-century poetry, creating an ideal guide for those returning to this period, or delving into it for the first time