Book Description
This book looks at the influence of jazz on the development of African American modernist literature over the 20th century, with a particular attention to the social and aesthetic significance of stylistic changes in the music.
Author : Michael Borshuk
Publisher : Taylor & Francis
Page : 252 pages
File Size : 28,40 MB
Release : 2023-05-09
Category : Music
ISBN : 1000938840
This book looks at the influence of jazz on the development of African American modernist literature over the 20th century, with a particular attention to the social and aesthetic significance of stylistic changes in the music.
Author : Marshall Stearns
Publisher : Da Capo Press
Page : 516 pages
File Size : 50,29 MB
Release : 1994-03-22
Category : Performing Arts
ISBN : 9780306805530
"The phrase jazz dance has a special meaning for professionals who dance to jazz music (they use it to describe non-tap body movement); and another meaning for studios coast to coast teaching 'Modern Jazz Dance' (a blend of Euro-American styles that owes little to jazz and less to jazz rhythms). However, we are dealing here with what may eventually be referred to as jazz dance, and we could not think of a more suitable title. "The characteristic that distinguishes American vernacular dance--as does jazz music--is swing, which can be heard, felt, and seen, but defined only with great difficulty. . . ." --from the Introduction
Author : Susie Trenka
Publisher : Indiana University Press
Page : 289 pages
File Size : 44,64 MB
Release : 2021-02-02
Category : Performing Arts
ISBN : 0861969782
From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in "specialty acts" and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance onscreen, the six chapters address a variety of films and performers, including many that have received little attention to date. Topics include Hollywood's first Black female star (Nina Mae McKinney), male tap dance "class acts" in Black-cast short films of the early 1930s, the film career of Black tap soloist Jeni LeGon, the role of dance in the Soundies jukebox shorts of the 1940s, cinematic images of the Lindy hop, and a series of teen films from the early 1940s that appealed primarily to young White fans of swing culture. With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers – images that were at least partly at odds with those typically found in major Hollywood productions.
Author : Jeff Torrington
Publisher : Random House
Page : 418 pages
File Size : 26,29 MB
Release : 2012-11-30
Category : Fiction
ISBN : 1448161657
From the infamous Glasgow slum, the Gorbals, Tam Clay chronicles a week in his life, in the last days before the demolishers move in. Intersecting friends, old-timers and eccentrics, navigating his pregnant wife, frisky bedfellows and debt collectors, Tam stumbles through a derelict world on an odyssey of self-discovery. Wildly funny, outlandish and insanely ambitious – thirty years in the writing – Torrington’s pulverised ’60s Glasgow is crammed to the crevices with a blizzard of his unique and insatiable genius.
Author : Christi Jay Wells
Publisher : Oxford University Press
Page : 254 pages
File Size : 29,94 MB
Release : 2021-04-02
Category : Music
ISBN : 0197559301
Between Beats: The Jazz Tradition and Black Vernacular Dance offers a new look at the complex intersections between jazz music and popular dance over the last hundred-plus years. Author Christi Jay Wells shows how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development even as jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of choreographies of listening, the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. It also unpacks the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, it advances participatory dance and embodied practice as central topics of analysis in jazz studies. As it explores the fascinating history of jazz as popular dance music, it exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status.
Author : Graham Lock
Publisher : Oxford University Press
Page : 386 pages
File Size : 48,19 MB
Release : 2009-01-02
Category : Music
ISBN : 0199887675
The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists. There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Völz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom. With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.
Author : Paul Douglas Lopes
Publisher : Cambridge University Press
Page : 308 pages
File Size : 13,78 MB
Release : 2002-05-30
Category : Music
ISBN : 9780521000390
This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies.
Author : Norma Miller
Publisher :
Page : 261 pages
File Size : 17,97 MB
Release : 2001-03-01
Category : Biography & Autobiography
ISBN : 9781566398497
The dancer and choreographer chronicles her life and provides a history of the Savoy Ballroom in Harlem and its influence on American culture.
Author : Frankie Manning
Publisher : Temple University Press
Page : 326 pages
File Size : 35,95 MB
Release : 2007
Category : Biography & Autobiography
ISBN : 9781592135639
In the early days of swing dancing, Frankie Manning stood out for his moves and his innovative routines; he created the "air step" in the Lindy hop, a dance that took the U.S. and then the world by storm. In this fascinating autobiography, choreographer and Tony Award winner (Black and Blue) Frankie Manning recalls how his first years of dancing as a teenager at Harlem's Savoy Ballroom led to his becoming chief choreographer and a lead dancer for "Whitey's Lindy Hoppers," a group that appeared on Broadway, in Hollywood musicals, and on stages around the globe. Manning brings the Swing Era vividly back to life with his recollections of crowded ballrooms and of Lindy hoppers trying to outdo each other in spectacular performances. His memories of the many headliners and film stars, as well as uncelebrated dancers with whom he shared the stage, create a unique portrait of an era in which African American performers enjoyed the spotlight, if not a star's prerogatives and salary. With collaborator Cynthia Millman, Manning traces the evolution of swing dancing from its early days in Harlem through the post-World War II period, until it was eclipsed by rock 'n' roll and then disco. When swing made a comeback, Manning's 30-year hiatus ended. He has been performing, choreographing, and teaching ever since.
Author : Jacqui Malone
Publisher : University of Illinois Press
Page : 316 pages
File Size : 20,4 MB
Release : 1996
Category : History
ISBN : 9780252065088
Former dancer Jacqui Malone throws a fresh spotlight on the cultural history of black dance, the Africanisms that have influenced it, and the significant role that vocal harmony groups, black college and university marching bands, and black sorority and fraternity stepping teams have played in the evolution of dance in African American life.