T'ao-hua-shan


Book Description

The Peach Blossom Fan is a poetic drama about national cataclysm. More than 300 years ago, the last native Chinese imperial house fell before rebel onslaughts, made a short-lived attempt at restoration in the south, then yielded finally to the invading Manchus. Writing in the 1690s, Kng Shang-jen gathered the recollections of survivors. Out of these and a multitude of documentary accounts, he constructed a great historical play in the elegant Southern Chinese style. With compelling vividness he recreates confrontations between loyalists and those who would sell out to the newest master; nostalgic scenes of dalliance in riverside pavilions, with wine and poetry and beautiful girls; desperate stands on battlements of beleaguered cities; and more. Sir Harold Acton, who collaborated with the late S. H. Chen and Cyril Birch in making this translation, has captured in his lively English the spirit and nuances of the original. Prefatory materials and notes provide both historical and dramaturgical background for the reader full enjoyment of this masterpiece.




Geological Bulletin


Book Description




The Indiana Companion to Traditional Chinese Literature


Book Description

"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.




Geological Bulletin


Book Description




Inscribed Landscapes


Book Description

Alongside the scores of travel books about China written by foreign visitors, Chinese travelers' impressions of their own country rarely appear in translation. This anthology is the only comprehensive collection in English of Chinese travel writing from the first century A.D. through the nineteenth. Early examples of the genre describe sites important for their geography, history, and role in cultural mythology, but by the T'ang dynasty in the mid-eighth century certain historiographical and poetic discourses converged to form the "travel account" (yu-chi) and later the "travel diary" (jih-chi) as vehicles of personal expression and autobiography. These first-person narratives provide rich material for understanding the attitudes of Chinese literati toward place, nature, politics, and the self. The anthology is abundantly illustrated with paintings, portraits, maps, and drawings. Each selection is meticulously translated, carefully annotated, and prefaced by a brief description of the writer's life and work. The entire collection is introduced by an in-depth survey of the rise of Chinese travel writing as a cultural phenomenon. Inscribed Landscapes provides a unique resource for travelers as well as for scholars of Chinese literature, art, and history.







The Columbia History of Chinese Literature


Book Description

Comprehensive yet portable, this account of the development of Chinese literature from the very beginning up to the present brings the riches of this august literary tradition into focus for the general reader. Organized chronologically with thematic chapters interspersed, the fifty-five original chapters by leading specialists cover all genres and periods of poetry, prose, fiction, and drama, with a special focus on such subjects as popular culture, the impact of religion upon literature, the role of women, and relationships with non-Sinitic languages and peoples.




The Peach Blossom Fan


Book Description




Crisis and Transformation in Seventeenth-century China


Book Description

Describes the social and cultural transformation of seventeenth-century China through the life and work of Li Yu




Worldly Stage


Book Description

"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age. Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated."