The Annotated Waste Land with Eliot's Contemporary Prose


Book Description

Newly revised and in paperback for the first time, this definitive, annotated edition of T. S. Eliot's "The Waste Land "includes as a bonus""all the essays Eliot wrote as he was composing his masterpiece. Enriched with period photographs, a London map of cited locations, groundbreaking information on the origins of the work, and full annotations, the volume is itself a landmark in literary history. "More than any previous editor, Rainey provides the reader with every resource that might help explain the genesis and significance of the poem. . . . The most imaginative and useful edition of "The Waste Land" ever published."--Adam Kirsch, "New Criterion ""For the student or for anyone who wants to get the maximum amount of information out of a foundational modernist work, this is the best available edition."--"Publishers Weekly"




The Waste Land and Other Poems


Book Description

A collection of T.S. Eliot’s most important poems, including “The Waste Land” and “The Love Song of J. Alfred Prufrock.” T. S. Eliot is one of the most important and influential poets of the twentieth century. His unique and innovative evocations of the folly and poetry of humanity helped reshape modern literature, with poems such as “The Love Song of J. Alfred Prufrock,” included here, and most notable, the title poem, “The Waste Land,” his groundbreaking masterpiece of postwar decay and redemption. Since its publication in 1922, “The Waste Land” has become one of the most widely studied modernist texts in English literature. Gathering together many of Eliot's major early poems, distinguished Harvard scholar and literary critic Helen Vendler presents an invaluable portrait of T. S. Eliot as a young poet and examines the artistry and craft that made him a Nobel laureate and one of the most significant voices in modern verse.




The Waste Land and Other Writings


Book Description

First published in 1922, "The Waste Land" is T.S. Eliot's masterpiece, and is not only one of the key works of modernism but also one of the greatest poetic achievements of the twentieth century. A richly allusive pilgrimage of spiritual and psychological torment and redemption, Eliot's poem exerted a revolutionary influence on his contemporaries, summoning forth a rich new poetic language, breaking decisively with Romantic and Victorian poetic traditions. Kenneth Rexroth was not alone in calling Eliot "the representative poet of the time, for the same reason that Shakespeare and Pope were of theirs. He articulated the mind of an epoch in words that seemed its most natural expression." As influential as his verse, T.S. Eliot's criticism also exerted a transformative effect on twentieth-century letter, and this new edition of The Waste Land and Other Writings includes a selection of Eliot's most important essays. In her new Introduction, Mary Karr dispels some of the myths of the great poem's inaccessibility and sheds fresh light on the ways in which "The Waste Land" illuminates contemporary experience.




The Cambridge Companion to The Waste Land


Book Description

This Companion offers fresh critical perspectives on T. S. Eliot's The Waste Land that will be invaluable to scholars, students, and general readers.




T.S. Eliot's The Wasteland


Book Description

The Waste Land, first published in 1922, is not far from a century old, and it has still not been surpassed as the most famous of all modern poems. In many ways, it continues to define what we mean by modern whenever we begin to speak about modern verse. At the same time, as Ted Hughes once observed, it is also genuinely popular, and not just among the cogniscenti or the degree-bearing. “I remember when I taught fourteen-year-old boys in a secondary modern school,” Hughes once said, “of all the poetry I introduced them to, their favourite was The Waste Land.” Not for nothing was it included, in its entirety, in The Oxford Book of Twentieth Century English Verse (1973), edited by Philip Larkin, a poet not known otherwise for his hospitality to modernism. The poem’s appeal is intellectual, certainly, but also visceral. It fulfils in miniature the demands that Eliot made of the great poet at large: “abundance, variety, and complete competence” – the first of those criteria of greatness all the more surprising, and moving, to find accomplished in a poem that has its starting place in so barren a human territory. The poetry is modern in a wholly self-conscious way, but the modernity of Eliot’s poem stems in large part from a strikingly powerful awareness of what’s past. In this book, the Oxford scholar Seamus Perry points out some of the fruits of that acute historical awareness – and shares his own admiration of, and pleasure in, the extraordinary voicings and counter-voicings of this perpetually great work.




Three Poems


Book Description

Three Poems, Hannah Sullivan’s debut collection, which won the 2018 T. S. Eliot Prize, reinvents the long poem for a digital age. “You, Very Young in New York” paints the portrait of a great American city, paying close attention to grand designs as well as local details, and coalescing in a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. “Repeat Until Time” shifts the scene to California and combines a poetic essay on the nature of repetition with an enquiry into pattern-making of a personal as well as a philosophical kind. “The Sandpit After Rain” explores the birth of a child and death of a father with exacting clarity.




Revisiting "The Waste Land"


Book Description

divThis groundbreaking book of literary detective work alters our understanding of T. S. Eliot’s poetic masterpiece, The Waste Land. Lawrence Rainey not only resolves longstanding mysteries surrounding the composition of the poem but also overturns traditional interpretations of the poem that have prevailed for more than eighty years. He shines new light on Eliot’s greatest achievement and on the poem’s place in the modern canon. Far from the austere and sober monument to neoclassicism that admirers have praised, The Waste Land turns out to be something quite different: something grim and wild, unruly and intractable, violent and shocking and radically indeterminate, yet also deeply compassionate. Rainey looks at how Eliot went about writing the poem and at the sequence in which he composed the parts. Arriving at new insights into the poet’s intentions, Rainey unsettles tradition-bound views of the poem and shows us that The Waste Land is even stranger and more startling than we knew./DIV




T. S. Eliot's Personal Waste Land


Book Description




T. S. Eliot


Book Description

The centenary of Eliot's birth in 1988 has provided this occasion to review his life and work, and reassess him in the light of various critical developments in the new historicism, feminism, and reader-reception theory that have emerged since the "New Criticism".




The Waste Land


Book Description

The Waste Land (1922) is a poem by T.S. Eliot. After suffering a nervous breakdown, Eliot took a leave of absence from his job at a London bank to stay with his wife Vivienne at the coastal town of Margate. He worked on the poem during these months before showing an early draft to Ezra Pound, who helped edit the poem toward publication. The Waste Land, dedicated to Pound, includes hundreds of quotations of and allusions to such figures as Homer, Sophocles, Virgil, Ovid, Dante, Saint Augustine, Chaucer, Baudelaire, and Whitman, to name only a few. Divided into five sections—“The Burial of the Dead;” “A Game of Chess;” “The Fire Sermon;” “Death by Water;” and “What the Thunder Said”—The Waste Land is a complex poem that translates Eliot’s fragile emotional state and increasing dissatisfaction with married life into an apocalyptic vision of postwar England. The poem begins with a meditation on despair before moving to a polyphonic narration by figures on the theme. The third section focuses on death and denial through the lens of eastern and western religions, using Saint Augustine as a prominent figure. Eliot then moves from a brief lyric poem to an apocalyptic conclusion, declaring: “He who was living is now dead / We who were living are now dying / With a little patience.” Both personal and universal, global in scope and intensely insular, The Waste Land changed the course of literary history, inspiring countless poets and establishing Eliot’s reputation as one of the foremost artists of his generation. With a beautifully designed cover and professionally typeset manuscript, this edition of T.S. Eliot’s The Waste Land is a classic of English literature reimagined for modern readers.