British Museum Catalogue of printed Books
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Page : 44 pages
File Size : 19,98 MB
Release : 1892
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Author :
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Page : 44 pages
File Size : 19,98 MB
Release : 1892
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Author : Robin Alston
Publisher :
Page : 688 pages
File Size : 31,12 MB
Release : 1994
Category : Antiques & Collectibles
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Marginal annotations to printed books are a little studied aspect of the history of books and the transmission of ideas, providing a commentary on published texts which is conventionally anonymous, critical and economical. While many annotations are no more than individual comments on or disagreements with what an author has written, in a significant number of cases marginal notes have been found to be authorial, often adding an important new dimension to the original text.
Author : British Museum. Dept. of Printed Books
Publisher :
Page : pages
File Size : 17,71 MB
Release : 1965
Category : English imprints
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Author : National Art Library (Great Britain)
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Page : 1046 pages
File Size : 26,1 MB
Release : 1870
Category : Art
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Author : British Museum. Department of Printed Books
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Page : 1292 pages
File Size : 36,33 MB
Release : 1967
Category : English imprints
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Author : Monica Preti
Publisher : Routledge
Page : 324 pages
File Size : 13,26 MB
Release : 2017-07-05
Category : Art
ISBN : 1351569910
The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.
Author : British Museum. Department of Printed Books
Publisher :
Page : 612 pages
File Size : 12,8 MB
Release : 1959
Category : English literature
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Author : National Art Library (Great Britain)
Publisher : New York : B. Franklin
Page : 1046 pages
File Size : 21,74 MB
Release : 1870
Category : Art
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Author : Universal catalogue
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Page : 398 pages
File Size : 11,38 MB
Release : 1868
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Author : Elizabeth A. H. Cleland
Publisher : Metropolitan Museum of Art
Page : 416 pages
File Size : 38,7 MB
Release : 2014-10-06
Category : Art
ISBN : 0300208057
Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.